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Reading Comprehension Questions and Answers

Direction for [ Question No: 61 To 61 ] :

Read the passage given below and answer the questions that follow :

Shreeram Lagoo was acting in a play staged at Ambernath's Gandhi School. We had managed to get the tickets for the play after much running around. We left the hostel quietly after eating dinner in the mess. The play started at 9.30 p.m. and it was already 9.15 p.m. Patil and I were rushing along the road to the station. Suddenly we saw Upadhyayji coming from the opposite direction. He had seen us. 'Maharshi, where are you off to at this time ?' he said reprovingly.

We looked at each other's face. Suddenly Patil spoke up, 'Sir, I have a headache. We are going to the station to have some tea or coffee. We will be back right after drinking a cup.' 'Why, don't you get tea and coffee in the mess ?'

'We do, Sir. But today there wasn't any milk in the mess. That's why we are going to the station', Patil improvised.

Upadhyay said, 'Come with me. I'll get you some coffee.' He brought us to his home. The tickets for the play were squirming in our pockets. We couldn't work out how to get him off our backs. After seating us in the drawing room, he asked his wife to make the coffee and sat on the sofa across from us.

As soon as Mrs. Upadhyay entered the kitchen, I got up and said, 'Ammaji, Warden Saheb is bothering you unnecessarily. I will make the coffee'.

She was pleased to see me. 'Maharshi, you go sit ... I will make it.'

I went up to her and whispered, 'Ammaji, both of us were going to the Gandhi School to see a play. Warden Saheb waylaid us and brought us here. See, here are the tickets, but he doesn't know anything.'

Ammaji examined me from head to toe. 'I see. Is it a good play ?'

I said , 'Ammaji, it is very good.'

'Then why don't you go ?' she said with a laugh.

'How can we go ? Warden Saheb won't give us permission', I whispered.

She came into the drawing room. Listen, what kind of a warden are you ? Why don't you let the children go and have some fun ? Go, Maharshi, but don't be too late.

61.

'The tickets for the play were squirming in our pockets.'

What literary device has been used in the underlined expression.

Exam Year(s)

CTET - 2024,

Answer: A

The device is Personification.

Personification gives human or animal qualities to something non-living. Tickets cannot squirm; squirming is the wriggling of a living thing that is uncomfortable or restless. By saying the tickets 'were squirming in our pockets', the writer transfers the boys' own nervous impatience to the tickets, as if the tickets themselves were eager to get to the play.

There is no comparison using 'like' or 'as', so it is not a simile. No run of words begins with the same sound, so it is not alliteration, and no contradictory words are paired, so it is not an oxymoron.

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Direction for [ Question No: 62 To 66 ] :

Read the extract given below and answer the questions that follow :

O what is that sound which so thrills the ear
Down in the valley drumming, drumming ?
Only the scarlet soldiers, dear,
The soldiers coming.

O what is that light I see flashing so clear
Over the distance brightly, brightly ?
Only the sun on their weapons, dear,
As they step lightly.

O what are they doing with all that gear,
What are they doing this morning, this morning ?
Only the usual manoeuvres, dear,
Or perhaps a warning.

O why have they left the road down there,
Why are they suddenly wheeling, wheeling ?
Perhaps a change in the orders, dear,
Why are you kneeling ?

62.

Where is the 'sound' coming from ?

Exam Year(s)

CTET - 2024,

Answer: C

The sound comes from a contingent of soldiers.

The first speaker asks what the sound is, and the reply is 'Only the scarlet soldiers, dear, The soldiers coming.' The drumming is the soldiers marching down the valley. A crowded street, a group of commoners or a market place are never mentioned.

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63.

The poem presents itself as a conversation...

Exam Year(s)

CTET - 2024,

Answer: D

The poem is a conversation between two persons.

It runs in question and answer: each stanza opens with a question beginning 'O what ...' or 'O why ...', and the next lines answer it, closing with 'dear'. The same two voices alternate throughout, one anxious and asking, the other reassuring. The last line, 'Why are you kneeling ?', is addressed to the one who questioned.

Nothing suggests a third speaker, a crowd or a larger group.

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64.

The poem has been written in the form of ...

Exam Year(s)

CTET - 2024,

Answer: C

The poem is written in the form of a ballad.

A ballad tells a story in short stanzas, often in dialogue and with repeated words and lines. This poem is four quatrains of question and answer, with repeated words ('drumming, drumming', 'brightly, brightly') and a story of approaching soldiers that builds to a threat, all marks of the form.

An elegy is a lament for the dead, an epic is a long narrative poem about heroic deeds, and a lyric expresses a speaker's own feeling. This short narrative in dialogue is none of them.

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65.

Identify the rhyme scheme of these lines.

Exam Year(s)

CTET - 2024,

Answer: D

The rhyme scheme is abab.

In the first stanza the line endings are 'ear' (a), 'drumming' (b), 'dear' (a), 'coming' (b). The other stanzas follow the same pattern: 'clear' and 'dear' rhyme, 'brightly' and 'lightly' rhyme, then 'gear' and 'dear', 'morning' and 'warning', and 'there' and 'dear'. Lines one and three rhyme with each other, and lines two and four with each other.

'baba' would put the second line's rhyme first, and 'abcb' and 'abdc' leave lines that do not rhyme.

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66.

What emotional state does 'kneeling' reflect ?

Exam Year(s)

CTET - 2024,

Answer: C

Kneeling reflects anxiety.

The questions get more worried as the stanzas go on. The soldiers have left the road, and the last question, 'Why are you kneeling ?', shows the person asking the questions has dropped to his or her knees, in fear or prayer, as the danger comes close. Kneeling here is a sign of dread, not calm.

Indifference, anger and jubilation do not fit a person who has been asking nervous questions about armed men approaching.

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Direction for [ Question No: 67 To 70 ] :

Read the passage given below and answer the questions that follow :

A couple of days later, there was a music recital in the Bharatendu Auditorium, one of the two largest auditoriums in town. One of the performers was Ustad Majeed Khan.

Lata and Malati both managed to get tickets. So did Hema, a tall, thin and high-spirited friend of theirs who lived with innumerable cousins–boys and girls–in a house not far from Nabiganj. They were all under the care of a strict elder member of the family who was referred to by everyone as Tauji. Hema's Tauji had quite a job on his hands, as he was not only responsible for the well-being and reputation of the girls of the family but also had to make sure that the boys did not get into the countless kinds of mischief that boys are prone to. He had often cursed his luck that he was the sole representative in a university town of a large and far-flung family. He had on occasions threatened to send everyone straight back home when they had caused him more trouble than he could bear. But his wife, Taiji to everyone, thought she herself had been brought up with almost no liberty or latitude, felt it was a great pity that her nieces and grandnieces should be similarly constrained. She managed to obtain for the girls what they could not obtain by a more direct approach.

This evening Hema and her cousin had thus succeeded in reserving the use of Tauji's large maroon Packard car and went around town collecting their friends for the concert. No sooner was Tauji out of sight than they had entirely forgotten his outraged parting comment. "Flowers ? Flowers in your hair ? Rushing off in exam time- and listening to all this pleasure - music! Everyone will think you are completely dissolute–you will never get married."

67.

State which of the following statements is True/False.

(A) Taiji was relatively liberal in her approach.
(B) Lata and Malati could not obtain tickets for the recital.

Exam Year(s)

CTET - 2024,

Answer: A

The right choice is (A) is True but (B) is False.

(A) is true: Taiji thought she herself had been brought up with almost no liberty or latitude and felt it a pity that the girls should be similarly constrained, and she got for them what they could not get by a direct approach. Compared with the strict Tauji she was relatively liberal. (B) is false: 'Lata and Malati both managed to get tickets.'

So the options making (B) true, or (A) false, fail.

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68.

What does the underlined expression 'the boys are prone to' mean ?

Exam Year(s)

CTET - 2024,

Answer: B

'prone to' means likely to have/get.

To be prone to something is to have a tendency towards it, to be likely to suffer from or do it, usually something undesirable: 'prone to colds', 'prone to accidents'. So 'the countless kinds of mischief that boys are prone to' means the kinds of mischief that boys are likely to get into.

'Sure to' is too strong, since prone indicates a tendency, not a certainty. 'Impossible to' and 'not likely to' reverse the meaning.

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69.

Identify the tense of the given expression '...... had thus succeeded...'

Exam Year(s)

CTET - 2024,

Answer: D

'had thus succeeded' is in the Past Perfect Tense.

The past perfect is formed with had + past participle, here had succeeded (the adverb thus sits between them without changing the tense). It shows an action completed before another past moment: they had already secured the car before they went around town collecting their friends.

The simple past would be 'succeeded' alone. The present perfect uses has/have ('have succeeded'), and the simple present would be 'succeed' or 'succeeds'. None of these uses had.

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Answer: D

His duty was to keep a strict watch on the youngsters' activities.

Tauji was responsible for the well-being and reputation of the girls and had to make sure the boys did not get into mischief; he is described as a strict elder member of the family. His duty was watching over the young people, not marrying them off, cooking for them or teaching them.

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