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Journalism and Mass Communication Questions and Answers

Direction for [ Question No: 1 To 1 ] :

Read the following passage and answer the questions.

Priming refers to the effect of some preceding stimulus or event on how we react, broadly defined, to some subsequent stimulus. As applied to the media, priming refers to the effects of the content of the media on people's later behaviour of judgments related to the content. The ubiquitous nature of the media in our lives makes it a powerful tool for priming how we think and behave. Perhaps because of its nature, few media scholars have questioned whether media priming exists. However, there are few direct, empirical studies of its existence or of the conditions under which it occurs. For a study to be a direct test of media priming, a control condition must be included in the design. A control condition could be as simple as a condition in which no media prime is presented before measuring relevant thoughts or behaviours. A recent metaanalysis of the media priming literature, using a loose definition of media, found only 42 published studies with sufficient control conditions. Representative studies from these domains are described below to verify the existence of media priming and to highlight the kinds of results that need to be explained by theories of media priming. Josephson in 1987 investigated the priming effects of violent media on children's behaviour. In this study, Josephson gathered measures of young boys' trait aggression from their teachers. The boys saw either a violent or a non-violent television program, each of comparable excitement, likeability and enjoyment value. The violent segment contained recurring images of walkie-talkies, whereas the nonviolent program contained no walkietalkies. The walkie-talkies served as a cue for the violent television program, but not for the non-violent program. Either before or after the television program, half the boys saw a 30 second non-violent cartoon segment that had been edited to become increasingly static-ridden, eventually worsening to "snow". This cartoon segment was meant to frustrate the young viewers with its apparent technical malfunction. After viewing their assigned programs, the boys were mock interviewed and then sent to the school gymnasium to play floor hockey. For the mock interview, either a walkie-talkie or a microphone was used. In this way, half of the boys were exposed to the violence-related cue and half were not. The boys then took turns playing hockey and were observed both on and off the court for signs of aggressive behaviour, such as pushing other boys down, hitting other players with the hockey stick, or calling other boys abusive names. After three periods, each for 3 minutes to play, the boys were returned to the teachers. Josephson found that violent television viewing primed boys who were high in trait aggressiveness to act more violently during initial sports activity (i.e. During the first period of play). This effect was heightened both when violent programming was coupled with the violence-related cue and when violent programming was followed by frustration. However, this priming effect appeared to lessen with time, because violent programming and cues did not influence aggression in the later periods of play as strongly as in the initial period of play.

Answer: B

According to the passage, media priming refers to the effect of the content of the media on people's later behaviour or judgements related to that content. It is a case of the general idea of priming, in which an earlier stimulus affects the response to a later one.

The first option is the general definition of priming and not of media priming. 'How we think and behave' is too vague, and 'no effect on people' contradicts the passage.

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Direction for [ Question No: 2 To 6 ] :

Read the following passage and answer the questions.

Global village proponents see the world community coming closer together as a common culture is negotiated and, not incidentally as we became more economically interconnected. "We are witnessing the revolution of the empowerment of the media consumer," argues Reuters Television Director Enrique Jara. There should be little fear that individuals cultures and national identities will disappear, because the world's great diversity will ensure that culture-specific, special interest fare remains in demand. Modern media technology makes the delivery of this varied content not only possible but profitable. As a result of cultural exchanges, a global culture is created, piece by piece, but it grows more variegated and complex along the way. And even as geographically based identifies blur and fade, new subcultures based on shared tastes in music or literature or obscure hobbies, grow up. The global village is here but the problem is erosion of national sovereignty. The advanced nations of the world through their multi-national corporations are expanding their control over the international flow of information. As a result, much of the world may become even more heavily dependent on the western nations and it may be predicted about the demise of native cultures. National culture is assaulted by direct satellite broadcasts and worldwide information distribution networks. There is a fear about worldwide democracy. Much of the world's entertainment and Journalism is being provided by a handful of enormous films, with invariably pro-profit and pro-global market political positions on the central issues of our times. There is no simple answer to the debate over protecting the integrity of local cultures. There is even disagreement over the wisdom of doing so. Media literate people should at least be aware of the debate and its issues and they may also want to consider the paradox of what Josef Joffe, editor of Germany's Weekly 'Die Zeit', calls the "Soft power" of America's exported culture. It "does not bend hearts" as cultural imperialism critics contend. Rather, "it twists minds in resentment and rage". He points to data collected by the Pew Global Attitudes Project. When asked if they "like American music, movies and television" large percentages of citizens in England (62%), France (65%) Germany (67%) and Italy (69%) said "Yes". But when asked if "its good that American ideas and customs are spreading", other large percentages of people in England (33%), France (27%), Germany (24%) and Italy (43%) said "no". Like most debates over mass communication the simple answers aren't always the correct answers.

2.

What is the major characteristic of the global village ?

Exam Year(s)

UGC NET - 2013,

Answer: A

By the key, the major characteristic of the global village is that the community comes closer. The passage opens by saying that proponents see the world community coming closer together.

A common culture is only negotiated, and geographical identities blur, but these are described as results of the closeness rather than the main characteristic. The official key is option A. Option D can also be argued, so a reviewer may wish to check it.

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Answer: A

The negative elements in the passage are the threat to national sovereignty, the assault on national culture by satellite broadcasts and information networks, and the control of entertainment and journalism by a handful of enormous firms. So option A is correct.

Option B says national sovereignty is not at stake, option C says identities are intact and option D lists positive elements, so they contradict the passage.

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Answer: C

According to the passage, cultural exchange is possible to a high order, there is scope for varied content, individual cultures may fade as geographic identities blur, and tastes of people come together. The key accepts option C as a summary.

Option A says people are away from media, option B says exchange is impossible, and option D says local cultures are protected, which are contrary to the passage.

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Answer: B

The findings show that large percentages in England, France, Germany and Italy like American music, movies and television. The key reads the finding as a readier acceptance of the entertainment than of the ideas, so people accept American music, films and television only.

The data on customs and ideas show a considerable number who said no, so option D, which accepts both, does not match, and option C says neither is accepted, which is false.

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Answer: C

The crux of the passage is that simple answers are not always the correct answers, as seen in the way people of England, France, Germany and Italy like American music, movies and television but resent the spread of American ideas. So option C is right.

Option A says simple answers are always correct, which contradicts the end of the passage, option B says a low percentage like the products, which is false, and option D says cultural imperialism is appreciated, which the passage does not say.

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Direction for [ Question No: 7 To 10 ] :

Read the following passage and answer the questions.

Media organizations apply a form of cultural standardization during the processing of media raw material. It is suggested that media are constrained by their definitions and associated expectations as to what they are good for in general and what sort of content they can best offer and in what form. Within the media, the main types of content-news, sports, drama, entertainment, advertising-also follow standardized formats which are rooted in traditions, ways of work, ideas about audience taste and interest, pressures of time or space. D.L. Altheide and R.P. Snow were the first to use the term magic logic to capture and systematic nature of pre-existing definitions of what a given type of content should be like. The concept has been especially useful for identifying the predilection of media producers for factors which they believe will increase audience attention and satisfaction. In relation to informational content, media logic places a premium on immediacy, such as dramatic illustrative film or photos, on fast tempo and short 'sound bytes' and on personally attractive presenters and relaxed formats. Media logic also operates on the level of content-for instance, in political campaigns it leads to a preference for personalization, for controversiality and for attention to the 'horse race' rather than the issues. The 'bias of media logic' is predictable and systematic, embedded in media-organizational working arrangements and forward planning. Hallin demonstrated that there was a clear correlation in US news coverage of elections between 'horse-race coverage' and sound-byte news - 'The more of the former, the less of the latter'. Altheide advanced the concept of media format to refer to the internal organization or logic of any shared symbolic activity. The idea is of a dominant form, to which mass communication are more or less constrained to conform. Formats refer not only to broad categories of content but also to unit ideas and representations of reality-akin to stereotypes. They are useful not only to producers but also to audiences, who learn to differentiate within the mosaic of what is offered according to formats which they have learned. Altheide has found that formats are not only a key to understanding much media production but also relevant to questions of effect on society, since they shape the perception of reality acquired from media.

7.

What do 'pressures of time and space' refer to ?

Exam Year(s)

UGC NET - 2013,

Answer: A

The pressures of time and space refer to the standardisation of content. The passage says the main types of content, such as news, sports, drama, entertainment and advertising, follow standardised formats that are rooted in traditions, ways of work, ideas about audience taste and interest, and pressures of time or space. Since a bulletin or a page has a fixed length, content is made to fit set formats, and that is standardisation. Work ethics, story writing and disunity of content are not what the phrase refers to. Option A is correct.

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Answer: B

Relaxed formats are a part of a TV news presentation. The passage says that, for informational content, media logic puts a premium on immediacy, on fast tempo and short sound bytes, and on personally attractive presenters and relaxed formats. Since it speaks of informational content, the formats are those of news presentation, and not a part of an ethical issue or organisational culture. Option B is correct. The sentence in the passage lists them with immediacy, fast tempo and attractive presenters, all of which are features of how news is delivered on television, not of ethics or organisations.

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9.

How are 'sound bites' correlated with political campaigns ?

Exam Year(s)

UGC NET - 2013,

Answer: B

Sound bites are correlated with political campaigns through the bias of media logic. The passage says media logic operates at the level of content too, and in political campaigns it leads to a preference for personalisation and controversy and for attention to the horse race over the issues. It adds that Hallin found a correlation in US election news between horse-race coverage and sound-byte news. That predictable bias is the link. Switching parties, increased campaigns and content division are not what the passage says. Option B is correct.

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10.

What are the 'representations of reality' ?

Exam Year(s)

UGC NET - 2013,

Answer: B

The representations of reality are stereotypes, as the passage puts it. It says that formats refer not only to broad categories of content but also to unit ideas and representations of reality, akin to stereotypes. Producers are those who use formats, the effects on society are what formats shape, and unit ideas are named alongside the representations in the sentence, and not as the same thing. Option B is correct. The word akin in the passage makes the representations of reality a kind of stereotype, a simplified and recurring image of the world, which is why option B is the match.

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Tags: Introduction to Journalism and Communication Questions and Answers