UGC NET 2015: December, Paper II, Percussion Instruments

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                                                                                                                                 (In words)
D9 8 1 5                                     PAPER - II
Time : 1¼ hours]                     PERCUSSION INSTRUMENTS [Maximum Marks : 100
Number of Pages in this Booklet : 16                                                              Number of Questions in this Booklet : 50
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    English version will be taken as final.                               ×æÙæ Áæ°»æÐ

D-9815       !D-9815-PAPER-II!                                                  1                                                                           P.T.O.

PERCUSSION INSTRUMENTS
                                                PAPER - II


Note :     This paper contains fifty (50) objective type questions of two (2) marks each. All questions
           are compulsory.


1.   How many Margas are described there in Natyashashtra ?
     (1)     2                 (2)   3                  (3)   4                (4)   5


2.   According to Dash Pranas of Taal, how many kinds of Kriya is/are ?
     (1)     1                 (2)   2                  (3)   3                (4)   4


3.   Which one taal is different from the others among the following taals ?
     (1)     Pancham Sawari                       (2)   Badi Sawari
     (3)     Gaj-jhampa                           (4)   Yatishikhar


4.   The nick name of Laya Bhaskar Laxman Rao Parvatikar is :
     (1)     Sapru Mama                           (2)   Khapru Mama
     (3)     Taal Samrat                          (4)   Laya Vicharak


5.   Name the tabla maestro who played tabla for the film “Jhanak Jhanak Payal Baje”.
     (1)     Pt. Samta Prasad Mishra              (2)   Pt. Kishan Maharaj
     (3)     Ustad Nizamuddin Khan                (4)   Ustad Alla Rakha Khan


6.   Assertion (A) : Sharang dev has described five marg taalas and one hundred and twenty
                     Deshi taalas in Sangeet Ratnakar.
     Reason (R)        : It reflects that by medieval period Deshi sangeet had replaced the marg
                         sangeet.
     Codes :
     (1)     (A) is correct but (R) is wrong.
     (2)     (A) is wrong (R) is correct.
     (3)     (A) and (R) both are correct.
     (4)     Both (A) and (R) are wrong.

D-9815     !D-9815-PAPER-II!                        2                                        Paper-II

¥ßÙh ßæl
                                                             ÂýàÙ˜æ - II

ÙæðÅU Ñ §â ÂýàÙ-˜æ ×ð´ ¿æâ (50) Õãé-çß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýˆØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØü ãñ´Ð


1.    ÙæÅ÷UØàææS˜æ ×ð´ ×æ»ü ·ð¤ ç·¤ÌÙð Âý·¤æÚU ßç‡æüÌ ãñ´?
      (1)       2                      (2)      3                       (3)    4             (4)   5


2.    ÌæÜ ·ð¤ Îàæ Âýæ‡ææ𴠷𤠥ÙéâæÚU ç·ý¤Øæ ·ð¤ ç·¤ÌÙð Âý·¤æÚU ãñ´?
      (1)       1                      (2)      2                       (3)    3             (4)   4


3.    çِ٠ÌæÜæð´ ×ð´ ·¤æñÙ âæ ÂëÍ·¤ ÌæÜ ãñ?
      (1)       ´¿× âßæÚUè                                     (2)     ÕǸè âßæÚUè
      (3)       »ÁÛæÂæ                                         (4)     ØçÌçàæ¹ÚU

4.    ÜØ ÖæS·¤ÚU Üÿׇæ ÚUæß ÂßüÌè·¤ÚU ·¤æ ©ÂÙæ× ãñ Ñ
      (1)       âÂýé ×æ×æ                                       (2)     ¹æÂýé ×æ×æ
      (3)       ÌæÜ â×ýæÅU                                      (4)     ÜØ çß¿æÚU·¤

5.    ÒÒÛæÙ·¤-ÛæÙ·¤ ÂæØÜ ÕæÁðÓÓ çȤË× ×ð´ ÌÕÜæ-ßæÎÙ ·¤ÚUÙð ßæÜð ·¤Üæ·¤æÚU ãñ Ñ
      (1)       ´. âæÌæ ÂýâæÎ ç×Ÿæ                            (2)     ´. ç·¤àæÙ ×ãæÚUæÁ
      (3)       ©. çÙÁæ×éÎ÷ÎèÙ ¹æ¡                              (4)     ©. ¥ËÜæÚU¹æ ¹æ¡

6.    ¥çÖ·¤ÍÙ (A) : â´»èÌ ÚUˆÙæ·¤ÚU ×ð´ àææXü Îðß Ùð Âæ´¿ ×æ»ü ÌæÜ ¥æñÚU °·¤ âæñ Õèâ Îðàæè ÌæÜæð´ ·¤æ ߇æüÙ ç·¤Øæ ãñÐ
      ·¤æÚU‡æ (R)         :    §ââð Øã ÂýÌèÌ ãæðÌæ ãñ ç·¤ ׊ط¤æÜ Ì·¤ ×æ»ü â´»èÌ ·¤æ SÍæÙ Îðàæè â´»èÌ Ùð Üð çÜØæ ÍæÐ
      ·ê¤ÅU Ñ
      (1)       (A) âãè ãñ ç·´¤Ìé (R) $»ÜÌ ãñÐ
      (2)       (A) $»ÜÌ ãñ (R) âãè ãñÐ
      (3)       (A) ÌÍæ (R) ÎæðÙæð´ âãè ãñ´Ð
      (4)       (A) ÌÍæ (R) ÎæðÙæð´ $»ÜÌ ãñ´Ð


D-9815      !D-9815-PAPER-II!                                     3                                        Paper-II

7.    In which Taal one Palla (part) of Farmaishi Chakkardar of Teen Taal is played sam to sam :

      (1)     Ek Taal         (2)    Jay Taal         (3)   Jhap Taal     (4)   Dhamar



8.    Which treatise mentions Chitra, Vaartik and Dakshina Maarg ?

      (1)     Natyashashtra                     (2)   Swarmel Kalanidhi

      (3)     Sangeet Sudha Kalash              (4)   Sangeetarnv



9.    First tabla player who received Padmavibhushan :

      (1)     Pt. Kishan Maharaj                (2)   Pt. Gudai Maharaj

      (3)     Ut. Zakir Hussain                 (4)   Ut. Allah Khan



10.   Total Matras of Sankirna Jaati roopak taal are :

      (1)     7               (2)    9                (3)   11            (4)   13



11.   Who is the writer of ‘Tabla Mridang Vadan Paddhati’ ?

      (1)     Gurudev Patvardhan                (2)   Munshi Mahendra Nath Verma

      (3)     Manu-ji Mridangacharya            (4)   Pt. Sakharamji



12.   Which among the following is symbol of Guru ?

      (1)     0               (2)    1                (3)   1                   (4)   S



13.   ‘Atit’ and ‘Anagat’ are the sub-division of which ‘Graha’ ?

      (1)     Sam             (2)    Visham           (3)   Taal                (4)   Theka



14.   Value of Demi-semi quaver in Indian Matras :

              1                      1                       1                        1
      (1)       Matra         (2)      Matra          (3)      Matra            (4)     Matra
              4                      8                      16                        2

D-9815      !D-9815-PAPER-II!                     4                                       Paper-II

7.    ÌèÙ ÌæÜ ·ð¤ ȤÚU×æ§üàæè ¿€·¤ÚUÎæÚU ·ð¤ °·¤ ÂËÜð ·¤æð ç·¤â ÌæÜ ×ð´ â× âð â× Ì·¤ ÕÁæØæ Áæ â·¤Ìæ ãñ?
      (1)     °·¤ÌæÜ                (2)    ÁØÌæÜ                (3)    ÛæÂÌæÜ           (4)   Ï×æÚU


8.    翘ææ, ßæçÌü·¤ ß Îçÿæ‡æ ×æ»ü ·¤æ ߇æü٠緤⠻ý‹Í ×ð´ ç×ÜÌæ ãñ?
      (1)     ÙæÅ÷UØàææS˜æ                                (2)   SßÚU×ðÜ ·¤ÜæçÙçÏ
      (3)     â´»èÌ âéÏæ ·¤Üàæ                            (4)   â´»èÌæ‡æüß


9.    ÂÎ÷×çßÖêá‡æ ÂýæŒÌ ÂýÍ× ÌÕÜæ ßæη¤ ãñ Ñ
      (1)     ´. ç·¤àæÙ ×ãæÚUæÁ                          (2)   ´. »éΧü ×ãæÚUæÁ
      (3)     ©. Áæç·¤ÚU ãéâñÙ                            (4)   ©. ¥ËÜæ ¹æ¡


10.   â´·¤è‡æü ÁæçÌ M¤Â·¤ ÌæÜ ·¤è ·é¤Ü ×æ˜ææØð´ Ñ
      (1)     7                     (2)    9                    (3)    11               (4)   13



11.   ÌÕÜæ ×ëδ» ßæÎÙ ÂhçÌ »ý‹Í ·ð¤ Üð¹·¤ ãñ´ Ñ
      (1)     »éL¤Îðß ÂÅUßÏüÙ                             (2)   ×é‹àæè ×ãð‹ÎýÙæÍ ß×æü
      (3)     ×Ùê Áè ×ëδ»æ¿æØü                           (4)   ´. â¹æÚUæ×Áè


12.   »éL¤ ·¤æ 翋㠀Øæ ãñ?
      (1)     0                     (2)    1                    (3)    1                      (4)     S



13.   ¥ÌèÌ ß ¥Ùæ»Ì 緤⠻ý㠷𤠩ÂÖðÎ ãñ´?
      (1)     â×                    (2)    çßá×                 (3)    ÌæÜ                    (4)     ÆðU·¤æ


14.   ÇðU×è-âð×è €ßðßÚU ·¤æ ÖæÚUÌèØ ×æ˜ææ¥æð´ ×ð´ ×æÙ Ñ
              1                             1                            1                            1
      (1)
              4
                ×æ˜ææ               (2)
                                            8
                                              ×æ˜ææ             (3)
                                                                        16
                                                                           ×æ˜ææ              (4)
                                                                                                      2
                                                                                                        ×æ˜ææ

D-9815      !D-9815-PAPER-II!                               5                                             Paper-II

15.   Which is the correct sequence of Yatis of ancient time ?
      (1)     Srotogata - Mridanga - Samayati
      (2)     Mridanga - Samayati - Srotogata
      (3)     Gopuccha - Samayati - Srotogata
      (4)     Samayati - Srotogata - Gopuccha


16.   Number of Yatis mentioned in Sangeet Ratnakar __________.
      (1)     2                  (2)   3                 (3)   4               (4)   6


17.   In books Gatraj and Yantraj dhwanis has been called as vadya :
      (1)     True               (2)   False             (3)   Can not be said (4)   Doubtful


18.   Which finger makes ‘nikas’ of ‘na’ in dhin - dhin ?
      (1)     Index              (2)   Middle            (3)   Ring            (4)   Little


19.   ‘Kdan’ is a :
      (1)     Samyukta Varna                       (2)   Asamyukta Varna
      (3)     Mishrit Varna                        (4)   Can not be said


20.   Who among the following Mridanga player received the title of Mridangacharya from Sardar
      Vallabhbhai Patel ?
      (1)     Sakharam                             (2)   Nana Panse
      (3)     Govindrao Burhanpurkar               (4)   Chhatrapati Singh


21.   Number of Matras in Roop-Kada Taal (Rabindra Sangeet) are :
      (1)     Seven              (2)   Six               (3)   Eight           (4)   Five


22.   Who was the brother of famous Sarangi player Pt. Ram Narayan, a World famous tabla
      player ?
      (1)     Pt. Brij Narayan                     (2)   Pt. Sharat Narayan
      (3)     Pt. Chatur Lal                       (4)   Pt. V.K. Lal


23.   Famous disciple of Babu Jodh Singh is :
      (1)     Nana Saheb Panse                     (2)   Pt. Parwat Singh
      (3)     Govind Rao                           (4)   Ramashish Pathak


24.   Number of matras in one chakra (palla) of Chakkardar composition in Shikhar taal are :
      (1)     23 matras          (2)   24 matras         (3)   22 matras       (4)   25 matras

D-9815      !D-9815-PAPER-II!                        6                                        Paper-II

15.   Âýæ¿èÙ ØçÌØæð´ ·¤æ âãè ·ý¤× ÕÌæ°´ Ñ
      (1) S˜ææðÌæð»Ìæ - ×ëδ»æ - â×æØçÌ
      (2) ×ëδ»æ - â×æØçÌ - S˜ææðÌæð»Ìæ
      (3) »æðÂé‘ÀUæ - â×æØçÌ - S˜ææðÌæð»Ìæ
      (4) â×æØçÌ - S˜ææðÌæð»Ìæ - »æðÂé‘ÀUæ

16.   â´»èÌ ÚUˆÙæ·¤ÚU ×ð´ ç·¤ÌÙè ØçÌØæð´ ·¤æ ߇æüÙ ãñ´?
      (1)     2                     (2)     3                     (3)    4                 (4)    6

17.   »ý‹Íæð´ ×ð´ »æ˜æÁ ß Ø‹˜æÁ ŠßçÙØæð´ ·¤æð ßæl ·¤ãæ »Øæ ãñ Ñ
      (1) âãè                       (2) »ÜÌ                       (3)    ·¤ãæ Ùãè´ Áæ â·¤Ìæ (4)   â‹Îðã ãñ

18.   çÏÙ-çÏÙ ×ð´ ÒÒÙÓÓ ·¤æ çÙ·¤æâ 緤⠩¡»Üè âð ãæðÌæ ãñ?
      (1) ÌÁüÙè                  (2) ׊Ø×æ                 (3)           ¥Ùæç×·¤æ          (4)    ·¤çÙcÆUæ

19.   €ÇUæÙ÷ ãñ °·¤ Ñ
      (1) â´Øé€Ì ߇æü                                     (2)     ¥â´Øé€Ì ߇æü
      (3) ç×çŸæÌ ß‡æü                                     (4)     ·¤ãæ Ùãè´ Áæ â·¤Ìæ

20.   âÚUÎæÚU ßËÜÖÖæ§ü ÂÅðUÜ Ùð ç·¤â ×ëδ» ßæη¤ ·¤æð ×ëδ»æ¿æØü ·¤è ©ÂæçÏ âð â×æçÙÌ ç·¤Øæ?
      (1) â¹æÚUæ×                                     (2) ÙæÙæ ÂæÙâð
      (3) »æðçߋÎÚUæß ÕéÚUãæÙÂéÚU·¤ÚU                 (4) ÀU˜æÂçÌ çâ´ã

21.   M¤Â·¤Ç¸æ ÌæÜ (ÚUçߋÎý â´»èÌ) ·¤è ×æ˜ææØð´ Ñ
      (1) âæÌ                    (2) ÀUã                          (3)    ¥æÆU              (4)    Âæ¡¿

22.   Âýçâh âæÚ´U»è ßæη¤ ´. ÚUæ×ÙæÚUæØ‡æ ·ð¤ Öæ§ü Áæð ç߁ØæÌ ÌÕÜæ-ßæη¤ Íð Ñ
      (1) ´. ÕëÁ ÙæÚUæØ‡æ                                (2) ´. àæÚUÌ ÙæÚUæ؇æ
      (3) ´. ¿ÌéÚU ÜæÜ                                   (4) ´. ßè.·ð¤. ÜæÜ

23.   ÕæÕê ÁæðÏ çâ´ã ·ð¤ Âýçâh çàæcØ ãñ Ñ
      (1) ÙæÙæ âæãÕ ÂæÙâð                                 (2)     ´. ÂßüÌ çâ´ã
      (3) »æðçߋΠÚUæß                                    (4)     ÚUæ×æàæèá ÂæÆU·¤

24.   çàæ¹ÚU ÌæÜ ×ð´ ¿€·¤ÚUÎæÚU ÚU¿Ùæ ·¤æ °·¤ ¿·ý¤ (ÂËÜæ) ç·¤ÌÙð ×æ˜ææ ·¤æ ãæð»æ?
      (1) 23 ×æ˜ææ                 (2) 24 ×æ˜ææ              (3) 22 ×æ˜ææ                  (4)    25 ×æ˜ææ

D-9815      !D-9815-PAPER-II!                                7                                               Paper-II

25.   Who among the following is not a recipient of Padmashree Award ?
      (1)     Pt. Suresh Talwalkar                        (2)   Pt. Vijay Ghate
      (3)     Pt. Anindo Chattarjee                       (4)   Ut. Shafat Ahmed Khan


26.   Which Layakari would be obtained when Pancham Sawari Taal is played in Ek-Taal from
      sam to sam ?

              5                              4                        7                    5
      (1)                             (2)                       (3)                  (4)
              4                              5                        4                    6


27.   Which one of the following is different from other taals ?
      (1)     Jhoomra                 (2)    Farodast           (3)   Quaid Farodast (4)   Deepchandi


28.   Who was the artist playing tabla in film named “Teri Surat Meri Ankhein” ?
      (1)     Pt. Kanhai Dutt                             (2)   Pt. Chatur Lal
      (3)     Pt. Gudai Maharaj                           (4)   Pt. Badri Maharaj


29.   Which Layakari will be created by playing Keharwa taal from sam to sam in
      ‘Aadachautaal’ ?

              7                              5                        4                    4
      (1)                             (2)                       (3)                  (4)
              4                              4                        7                    5


30.   Match the father-son duo :
      (a)     Pt. Anindo Chattarji                (i)     Shri Supreet
      (b)     Pt. Suresh Talwalkar                (ii)    Shri Vikram
      (c)     Pt. Shankar Ghosh                   (iii)   Shri Satyajeet
      (d)     Pt. Kiran Deshpande                 (iv)    Shri Anuvrat
      Codes :
              (a)     (b)     (c)     (d)
      (1)     (i)     (ii)    (iii)   (iv)
      (2)     (iii)   (ii)    (i)     (iv)
      (3)     (iv)    (iii)   (i)     (ii)
      (4)     (iv)    (iii)   (ii)    (i)

D-9815      !D-9815-PAPER-II!                               8                                    Paper-II

25.   çِ٠×ð´ âð ç·¤âð ÂÎ÷ןæè ÂéÚUS·¤æÚU ÂýæŒÌ Ùãè´ ãé¥æ ãñ?
      (1)       ´. âéÚðUàæ ÌÜßÜ·¤ÚU                              (2)    ´. çßÁØ ƒææÅðU
      (3)       ´. ¥çًÎæð ¿ÅUÁèü                                (4)    ©. àæȤæÌ ¥ã×Î ¹æ¡

26.   °·¤ÌæÜ ×ð´ ´¿× âßæÚUè ÌæÜ ·¤æð â× âð â× Ì·¤ ÕÁæÙð ÂÚU ·¤æñÙ âè ÜØ·¤æÚUè ÕÙð»è?
                 5                                 4                             7                     5
      (1)                                   (2)                          (3)                     (4)
                 4                                 5                             4                     6


27.   çِ٠ÌæÜæð´ ×ð´ âð ·¤æñÙ ÂëÍ·¤ ÌæÜ ãñ?
      (1)       Ûæê×ÚUæ                     (2)    ȤÚUæðÎSÌ             (3)    ·ñ¤Î ȤÚUæðÎSÌ   (4)   Î迋Îè

28.   ÒÒÌðÚUè âêÚUÌ ×ðÚUè ¥æ¡¹ð´ÓÓ çȤË× ×ð´ ÌÕÜæ-ßæÎÙ ·¤ÚUÙð ßæÜð ·¤Üæ·¤æÚU ãñ Ñ
      (1)       ´. ·¤‹ãæ§ü Îžæ                                   (2)    ´. ¿ÌéÚU ÜæÜ
      (3)       ´. »éΧü ×ãæÚUæÁ                                 (4)    ´. ÕÎýè ×ãæÚUæÁ

29.   Ò¥æǸæ¿æñÌæÜÓ ×ð´ ·¤ãÚUßæ ÌæÜ ·¤æð â× âð â× Ì·¤ ÕÁæÙð ÂÚU ·¤æñÙ âè ÜØ·¤æÚUè ÕÙð»è?
                7                                  5                             4                     4
      (1)                                   (2)                          (3)                     (4)
                4                                  4                             7                     5


30.   çÂÌæ-Âé˜æ ·¤è ÁæðǸè âé×ðçÜÌ ·¤èçÁØð Ñ
      (a)       ´. ¥æçًÎæð ¿ÅUÁèü                       (i)     Ÿæè âéÂýèÌ
      (b)       ´. âéÚðUàæ ÌÜßÜ·¤ÚU                      (ii)    Ÿæè çß·ý¤×
      (c)       ´. àæ´·¤ÚU ƒææðá                         (iii)   Ÿæè âˆØÁèÌ
      (d)       ´. ç·¤ÚU‡æ ÎðàæÂæ‡ÇðU                    (iv)    Ÿæè ¥ÙéßýÌ
      ·ê¤ÅU Ñ
                (a)       (b)       (c)     (d)
      (1)       (i)       (ii)      (iii)   (iv)
      (2)       (iii)     (ii)      (i)     (iv)
      (3)       (iv)      (iii)     (i)     (ii)
      (4)       (iv)      (iii)     (ii)    (i)

D-9815      !D-9815-PAPER-II!                                        9                                           Paper-II

31.   Who among the following is a Dholak Player ?
      (1)     Ut. Dilawar Khan                    (2)   Ut. Bafati Khan
      (3)     Ut. Jahangir Khan                   (4)   Ut. Mohammad Khan


32.   One Palla (Part) of farmaishi chakkardar of Jai taal can be played from sam to sam in which
      taal ?
      (1)     Roopak taal      (2)   Jhap taal          (3)   Basant taal   (4)   Rudra taal


33.   Author of the “Mridanga Sagar’’ is :
      (1)     Ghanshyam Das Pakhawaji             (2)   Purushottam Das Pakhawaji
      (3)     Ayodhya Prasad                      (4)   Pagal Das


34.   The chapter for ‘Taal’ in Sangeet Ratnakar is :
      (1)     4 th             (2)   5 th               (3)   6 th          (4)   7 th


35.   Which Layakari will be created by playing Lakshmi taal from ‘Sam to Sam’ in Ektaal ?

              3                      2                        3                     4
      (1)                      (2)                      (3)                 (4)
              2                      3                        4                     3


36.   “FARAD” is related to :
      (1)     Quaida           (2)   Peshkara           (3)   Gat           (4)   Paran


37.   The book written by Pt. Govind Rao Burhan Purkar is :
      (1)     Mridang Tabla Vadan                 (2)   Mridang Sagar
      (3)     Mridang Manjari                     (4)   Mridang Kaumudi


38.   According to ‘Marifunnagamat’ by Raja Nawab Ali ‘Taal’ with 3 taalis and 3 khaalis is :
      (1)     Dhamar           (2)   Aada - Pautaal (3)       Ek Taal       (4)   Ekwai


39.   The Avanaddha Vadya being used for accompaniment in Manipuri dance :
      (1)     Maddalam         (2)   Shree khol         (3)   Dholak        (4)   Timila

D-9815      !D-9815-PAPER-II!                      10                                      Paper-II

31.   §Ù×ð´ âð ·¤æñÙ ÉUæðÜ·¤ ßæη¤ ãñ?
      (1)     ©. çÎÜæßÚU ¹æ¡                               (2)    ©. ÕȤæÌè ¹æ¡
      (3)     ©. Áãæ¡»èÚU ¹æ¡                              (4)    ©. ×æðã×Î ¹æ¡

32.   ÁØ ÌæÜ ·ð¤ ȤÚU×æ§üàæè ¿€·¤ÚUÎæÚU ·ð¤ °·¤ ÂËÜð ·¤æð ç·¤â ÌæÜ ×ð´ â× âð â× Ì·¤ ÕÁæØæ Áæ â·¤Ìæ ãñ?
      (1)     M¤Â·¤ ÌæÜ             (2)     Ûæ ÌæÜ               (3)     Õâ‹Ì ÌæÜ        (4)   L¤Îý ÌæÜ

33.   ÒÒ×ëδ»-âæ»ÚUÓÓ »ý‹Í ·ð¤ Üð¹·¤ Ñ
      (1)     ƒæÙàØæ× Îæâ ¹æßÁè                           (2)    ÂéL¤áæðžæ× Îæâ ¹æßÁè
      (3)     ¥ØæðŠØæ ÂýâæÎ                                (4)    Âæ»Ü Îæâ

34.   â´»èÌ ÚUˆÙæ·¤ÚU ×ð´ ÌæÜ ·¤æ ¥ŠØæØ ãñ Ñ
      (1)     ¿æñÍæ                 (2)     Âæ´¿ßæ                (3)     ÀUÆUæ           (4)   âæÌßæ´

35.   °·¤ÌæÜ ×ð´ Üÿ×è ÌæÜ ·¤æð â× âð â× Ì·¤ ÕÁæÙð ÂÚU ·¤æñÙ âè ÜØ·¤æÚUè ÕÙð»è ?
              3                              2                            3                     4
      (1)                           (2)                           (3)                     (4)
              2                              3                            4                     3


36.   ÒÒȤÚUÎÓÓ ç·¤ââð âÕç‹ÏÌ ãñ?
      (1)     ·¤æØÎæ                (2)     Âðàæ·¤æÚU             (3)     »Ì              (4)   ÂÚUÙ

37.   ´. »æðçߋΠÚUæß ÕéÚUãæÙ ÂéÚU·¤ÚU mæÚUæ çÜç¹Ì ÂéSÌ·¤ ãñ Ñ
      (1)     ×ëδ»-ÌÕÜæ ßæÎÙ                              (2)    ×ëδ»-âæ»ÚU
      (3)     ×ëδ» ×´ÁÚUè                                 (4)    ×ëδ» ·¤æñ×éÎè

38.   ÚUæÁæ ÙßæÕ ¥Üè ·ë¤Ì ×æçÚUÈé¤óæ$»×æÌ ·ð¤ ¥ÙéâæÚU 3 ÌæÜè ß 3 ¹æÜè Øé€Ì ÌæÜ ãñ Ñ
      (1)     Ï×æÚU                 (2)     ¥æǸæ-ÂæñÌæÜ          (3)     °·¤ÌæÜ          (4)   §·¤ßæ§ü

39.   ×ç‡æÂéÚUè ÙëˆØ ×ð´ â´»Ì ·ð¤ M¤Â ×ð´ ÂýØé€Ì ¥ßÙh ßæl Ñ
      (1)     ×Î÷ÎÜ×                (2)     Ÿæè ¹æðÜ              (3)     ÉUæðÜ·¤         (4)   çÌç×Üæ

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40.   Which of the following is not a Awanadha instrument ?
      (1)     Tabla                   (2)     Pakhawaj          (3)   Ghatam          (4)   Dholak


41.   Match the Guru-Shishyaa duo :
      (a)     Ut. Amir Hussain Khan               (i)     Francis Sheperd
      (b)     Dr. Munne Khan                      (ii)    Yog Maya Shukla
      (c)     Pt. Sharada Sahai                   (iii)   Chitrangna Aagle
      (d)     Pt. Chhatrapati Singh               (iv)    Aban E. Mistry
      Codes :
              (a)     (b)     (c)     (d)
      (1)     (iv)    (ii)    (i)     (iii)
      (2)     (iv)    (ii)    (iii)   (i)
      (3)     (iv)    (iii)   (ii)    (i)
      (4)     (i)     (ii)    (iii)   (iv)


42.   Famous Pakhawaj Player who died recently :
      (1)     Pt. Purushottam Das                         (2)   Pt. Ramakant Pathak
      (3)     Pt. Ayodhya Prasad                          (4)   Swamy Pagal Das


43.   Correct sequence of Sashabd kriya is :
      (1)     Aawap - Dhruva - Shamya - Taal
      (2)     Dhruva - Shamya - Aawap - Nishkram
      (3)     Dhruva - Shamya - Taal - Sannipat
      (4)     Sannipat - Aawap - Nishkram - Taal


44.   Pt. Swapn Chaudhry belongs to which Gharana of Tabla ?
      (1)     Banaras                 (2)     Punjab            (3)   Lucknow         (4)   Delhi


45.   Which Taal is used with ‘Tappa Gayan’ Style ?
      (1)     Dhamar                  (2)     Deepchandi        (3)   Adhda           (4)   Chaanchar

D-9815      !D-9815-PAPER-II!                              12                                        Paper-II

40.   §Ù×ð´ âð ·¤æñÙ âæ ¥ßÙh ßæl Ùãè´ ãñ?
      (1)       ÌÕÜæ                      (2)     ¹æßÁ                   (3)        ƒæÅ÷U×÷     (4)   ÉUæðÜ·¤

41.   »éL¤-çàæcØæ ·¤è ÁæðÇ¸è ·¤æð âé×ðçÜÌ ·¤èçÁ° Ñ
      (a)       ©. ¥×èÚU ãéâñÙ ¹æ¡                        (i)     Èý¤æ´çââ àæðÂÇüU
      (b)       ÇUæò. ×éóæð ¹æ¡                           (ii)    Øæð» ×æØæ àæé€Üæ
      (c)       ´. àææÚUÎæ âãæØ                          (iii)   翘ææ´»Ùæ ¥æ»Üð
      (d)       ´. ÀU˜æÂçÌ çâ´ã                          (iv)    ¥æÕæÙ §ü. ç×S˜æè
      ·ê¤ÅU Ñ
                (a)      (b)      (c)     (d)
      (1)       (iv)     (ii)     (i)     (iii)
      (2)       (iv)     (ii)     (iii)   (i)
      (3)       (iv)     (iii)    (ii)    (i)
      (4)       (i)      (ii)     (iii)   (iv)


42.   ãæÜ ×ð´ ç·¤â ÂýØæÌ Â¹æßÁ ßæη¤ ·¤æ çÙÏÙ ãé¥æ ãñ´?
      (1)       ´. ÂéL¤áæðžæ× Îæâ                                (2)     ´. ÚU×æ·¤æ‹Ì ÂæÆU·¤
      (3)       ´. ¥ØæðŠØæ ÂýâæÎ                                 (4)     Sßæ×è Âæ»Ü Îæâ

43.   âàæŽÎ ç·ý¤Øæ ·¤æð ·ý¤×æÙéâæÚU ÎèçÁØð Ñ
      (1)       ¥æßæ - Ïýéßæ - àæØæ - ÌæÜ
      (2)       Ïýéßæ - àæØæ - ¥æßæ - çÙc·ý¤æ×
      (3)       Ïýéßæ - àæØæ - ÌæÜ - âçóæÂæÌ
      (4)       âçóæÂæÌ - ¥æßæ - çÙc·ý¤æ× - ÌæÜ

44.   ´. Sߌ٠¿æñÏÚUè ç·¤â ÌÕÜæ ƒæÚUæÙð âð ãñ´?
      (1)       ÕÙæÚUâ                    (2)     ´ÁæÕ                   (3)        ܹ٪¤       (4)   çÎËÜè

45.   ÅUŒÂæ »æØÙ àæñÜè ·ð¤ âæÍ ·¤æñÙ âæ ÌæÜ ÂýØé€Ì ãæðÌæ ãñ?
      (1)       Ï×æÚU                     (2)     Î迋Îè                 (3)        ¥ŠÎæ        (4)   ¿æ¡¿ÚU

D-9815      !D-9815-PAPER-II!                                       13                                           Paper-II

46.   Originally ‘Khalifa’ word belong to which language ?

      (1)     Urdu             (2)   Arabic          (3)   Sanskrit       (4)   Persian



47.   In which Century the Delhi Gharana was established ?

      (1)     Fifteenth century                (2)   Sixteenth century

      (3)     Seventeenth century              (4)   Eighteenth century



48.   5/8 timing of western music is treated as equal to which taal of north Indian music ?

      (1)     Roopak           (2)   Keharwa         (3)   Jhaptaal       (4)   Ektaal



49.   The Parshvadev termed perception of taal hypothesis as :

      (1)     Manoga           (2)   Hastaga         (3)   Manobhaava     (4)   Tirobhaava



50.   Kat is a :

      (1)     Samyukta Varna                   (2)   Asamyukta Varna

      (3)     Mishrit Varna                    (4)   Ardha Samyukta Varna


                                               -o0o-




D-9815      !D-9815-PAPER-II!                   14                                        Paper-II

46.   ÒÒ¹ÜèȤæÓÓ ×êÜÌÑ ç·¤â Öæáæ ·¤æ àæŽÎ ãñ ?
      (1)     ©Îêü                 (2)    ¥ÚUÕè               (3)    â´S·ë¤Ì             (4)    ȤæÚUâè


47.   çÎËÜè ƒæÚUæÙð ·¤è SÍæÂÙæ ç·¤â àæÌæŽÎè ×ð´ ãé§ü?
      (1)     ‹Îýãßè´ àæÌæŽÎè                          (2)   âæðÜãßè´ àæÌæŽÎè
      (3)     â˜æãßè´ àæÌæŽÎè                           (4)   ¥ÆUæÚUãßè´ àæÌæŽÎè


48.   Âæà¿æˆØ â´»èÌ ·ð¤ 5/8 ÅUæ§ç×´» ·¤æ𠩞æÚU ÖæÚUÌèØ â´»èÌ ×ð´ ·¤æñÙ âð ÌæÜ ·ð¤ â×æÙ ×æÙæ ÁæØð»æ?
      (1)     M¤Â·¤                (2)    ·¤ãÚUßæ             (3)    ÛæÂÌæÜ              (4)    °·¤ÌæÜ


49.   ÌæÜ ÂçÚU·¤ËÂÙæ ·¤è ×æÙâæÙéÖêçÌ ·¤æð ÂæàßüÎðß Ùð €Øæ ·¤ãæ ãñ?
      (1)     ×Ùæð»æ               (2)    ãSÌ»æ               (3)    ×ÙæðÖæß             (4)    çÌÚUæðÖæß


50.   ·¤Ì÷ ãñ °·¤ Ñ
      (1)     â´Øé€Ì ߇æü                               (2)   ¥â´Øé€Ì ߇æü
      (3)     ç×çŸæÌ ß‡æü                               (4)   ¥Ïü â´Øé€Ì ߇æü


                                                        -o0o-




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Space For Rough Work




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