UGC NET 2015: June, Paper III, Percussion Instruments
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J 9 8 1 5 PAPER - III
Time : 2½ hours] PERCUSSION INSTRUMENTS [Maximum Marks : 150
Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 75
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J-9815 !J-9815-PAPER-III! 1 P.T.O.
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PERCUSSION INSTRUMENTS
PAPER - III
Note : This paper contains seventy five (75) objective type questions of two (2) marks each. All
questions are compulsory.
1. Who is a President awardee Tabla player belongs to the Banaras Gharana ?
(1) Kishan Maharaj (2) Pt. Kanthe Maharaj
(3) Gudai Maharaj (4) Pt. Beeru Mishra
2. Which of the following is a university established exclusively for music learning ?
(1) Bhatkhande Sangeet Sansthan, Lucknow
(2) Ravindra Bharati, Kolkata
(3) Lucknow Vishvavidyalaya, Lucknow
(4) Mumbai Vishvavidyalaya, Mumbai
3. Which of the following is not a Chhanda ?
(1) Mandakantra (2) Shikharni
(3) Haritalika (4) Dimdimi
4. Which of the following is not a yati ?
(1) Sama (2) Mridanga (3) Pipilika (4) Anagata
5. The author of Taal-Toya-Nidhi is :
(1) Raja Chakradhar Singh (2) Raja Chhatrapati Singh
(3) Raja Mansingh (4) Raja Digvijay Singh
J-9815 !J-9815-PAPER-III! 2 Paper-III
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¥ßÙh ßæl
ÂýàÙÂæ - III
çÙÎðüàæ Ñ §â ÂýàÙÂæ ×ð´ ¿ãæÚU (75) Õãé-çß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØü ãñ´Ð
1. ÚUæCþÂçÌ Âη¤ Âýææ ÕÙæÚUâ æÚUæÙð ·ð¤ ÌÕÜæ-ßæη¤ ãñ´ Ñ
(1) ç·¤àæÙ ×ãæÚUæÁ (2) ´. ·¤ÆðU ×ãæÚUæÁ
(3) »éΧü ×ãæÚUæÁ (4) ´. ÕèL¤ ç×æ
2. ·ð¤ßÜ â´»èÌ çàæÿææ ·ð¤ çÜ° SÍæçÂÌ çßàßçßlæÜØ ãñ Ñ
(1) Öæ̹ÇðU â´»èÌ â´SÍæÙ, ܹ٪¤
(2) ÚUçßÎý ÖæÚUÌè, ·¤æðÜ·¤æææ
(3) ܹ٪¤ çßàßçßlæÜØ, ܹ٪¤
(4) ×éÕ§ü çßàßçßlæÜØ, ×éÕ§ü
3. §Ù×ð´ âð ·¤æñÙ âæ ÀUÎ Ùãè´ ãñ?
(1) ×´Îæ·¤æææ (2) çàæ¹ÚUæè
(3) ãçÚUÌæçÜ·¤æ (4) çÇU×çÇU×è
4. §Ù×ð´ âð ·¤æñÙ ØçÌ Ùãè´ ãñ?
(1) â×æ (2) ×ëδ»æ (3) çÂçÂçÜ·¤æ (4) ¥Ùæ»Ì
5. ÒÒÌæÜ ÌæðØ çÙçÏÓÓ ·ð¤ Üð¹·¤ ãñ´ Ñ
(1) ÚUæÁæ ¿·ý¤ÏÚU çâ´ã (2) ÚUæÁæ ÀUæÂçÌ çâ´ã
(3) ÚUæÁæ ×æÙ çâ´ã (4) ÚUæÁæ çÎçßÁØ çâ´ã
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6. How many khali in shikhar taal ?
(1) 3 (2) 2 (3) 1 (4) 0
7. Farodast taal, Jay taal and Adachartaal have equal matras :
(1) Wrong (2) Correct (3) Cant say (4) None of these
8. In western music Vilambit laya known as :
(1) Zargo (2) Adanta (3) Metrical (4) Measured
9. Ustad Mune khan belongs to which gharaha ?
(1) Lucknow (2) Delhi (3) Farukhabad (4) Banaras
10. Four kinds of Atodya are mentioned in Natya Shastra :
(1) Wrong (2) Correct (3) Doubtful (4) Cant say
11. Two kinds of taal described in Natya Shastra :
(1) Doubtful (2) Wrong (3) Correct (4) Cant say
12. What kind of instrument is Jhallari ?
(1) Avanadha Vadya (2) Tatavnadha Vadya
(3) Sushir Vadya (4) Ghan Vadya
13. The author of Sangeetopanishadsarodhar is :
(1) Vyakanmakhi (2) Raja Tuljaji
(3) Sudha Kalash (4) Pt. Bhatkhande
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6. çàæ¹ÚU ÌæÜ ×ð´ ç·¤ÌÙð ¹æÜè ãñ´?
(1) 3 (2) 2 (3) 1 (4) 0
7. ȤÚUÎæðSÌ ÌæÜ, ÁØ ÌæÜ ¥æñÚU ¥æÎæ¿æñÌæÜ ×ð´ â×æÙ ×æææ°´ ãñ´ Ñ
(1) »ÜÌ (2) âãè (3) ·¤ãæ Ùãè´ Áæ â·¤Ìæ (4) ©ÂØéüæ ×ð´ âð ·¤æð§ü Ùãè´
8. Âçà¿×è â´»èÌ ×ð´ çßÜçÕÌ ÜØ ·¤æð ·¤ãæ ÁæÌæ ãñ Ñ
(1) ÁæÚU»æð (2) ¥Îæ´Ìð (3) ç×çÅþU·¤Ü (4) ×ð$ÁÇüU
9. ©SÌæÎ ×éóæð ¹æ´ ç·¤â æÚUæÙð ·ð¤ ãñ´?
(1) ܹ٪¤ (2) çÎËÜè (3) ȤMü¤¹æÕæÎ (4) ÕÙæÚUâ
10. ÙæÅ÷UØ àææSæ ×ð´ ¿æÚU Âý·¤æÚU ·ð¤ ¥æÌæðÎ÷Ø ãñ´ Ñ
(1) »ÜÌ (2) âãè (3) â´Îðã ãñ (4) ·¤ãæ Ùãè´ Áæ â·¤Ìæ
11. ÙæÅK àææSæ ×ð´ Îæð Âý·¤æÚU ·ð¤ ÌæÜæð´ ·¤æ ßæüÙ ç×ÜÌæ ãñ Ñ
(1) â´Îðã ãñ (2) »ÜÌ (3) âãè (4) ·¤ãæ Ùãè´ Áæ â·¤Ìæ
12. ÛæËÜÚUè ãñ °·¤ Ñ
(1) ¥ßÙh ßæl (2) ÌÌæßÙh ßæl
(3) âéçáÚU ßæl (4) æÙ ßæl
13. ÒÒâ´»èÌæðÂçÙáÎâÚUæðhæÚUÓÓ ·ð¤ Üð¹·¤ ãñ Ñ
(1) ÃØæ·¤Ù×¹è (2) ÚUæÁæ ÌéÜÁæÁè
(3) âéÏæ ·¤Üàæ (4) ´. Öæ̹ÇðU
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14. The another name of this Deshi Taal is Ras Taal :
(1) Rati Leel (2) Ranga Taal (3) Bijay (4) Adi
15. According to Natya Shastra Sampakveshtak Taal has :
(1) 6 Matras (2) 10 Matras (3) 8 Matras (4) 12 Matras
16. The matras of Nav Punch Taal composed by Rabindra Nath Thakur are :
(1) 9 (2) 11 (3) 15 (4) 18
17. Which of the following is a Nishabda Kriya ?
(1) Chitra (2) Awap (3) Vipanchi (4) Chachatput
18. How many matras are in Mishra Jati - Mathya Taal ?
(1) 10 (2) 16 (3) 12 (4) 14
19. Who of the following is both a tabla player and a sitar maestro of high grade ?
(1) Dhruva Ghosh (2) Anindo Chatterjee
(3) Nayan Ghosh (4) Kumar Bose
20. In which chapter of Natyashastra Talas are described ?
(1) 30 (2) 32 (3) 31 (4) 33
21. Who of the following is not a pakhawaj player ?
(1) Ramakant Pathak (2) Bhavani Shankar
(3) Balram Pathak (4) Ramji Sharma
22. Which of the following is not a Sam Padi Taal ?
(1) Teen Taal (2) Rupak (3) Ek Taal (4) Ada Chaital
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14. §â Îðàæè ÌæÜ ·¤æ ÎêâÚUæ Ùæ× ÚUæâ ÌæÜ Öè ãñ Ñ
(1) ÚUçÌÜèÜ (2) Ú´U»ÌæÜ (3) çÕÁØ (4) ¥æÎè
15. ÙæÅK àææSæ ·ð¤ ¥ÙéâæÚU âÂßðCæ·¤ ÌæÜ ·¤è ×æææØð´ ãñ´ Ñ
(1) 6 (2) 10 (3) 8 (4) 12
16. ÚUçßÎý ÙæÍ ÆUæ·é¤ÚU mæÚUæ ÚUç¿Ì Ùß´¿ÌæÜ ·¤è ×æææ°´ ãñ´ Ñ
(1) 9 (2) 11 (3) 15 (4) 18
17. §Ù×ð´ âð ·¤æñÙ çÙàæÎ ç·ý¤Øæ ãñ ?
(1) ç¿ææ (2) ¥æßæ (3) çß¿è (4) ¿¿ÂéÅU
18. ×Æ÷UØ ÌæÜ ·ð¤ ç×æ ÁæçÌ ×ð´ ç·¤ÌÙè ×æææØð´ ãæð´»è?
(1) 10 (2) 16 (3) 12 (4) 14
19. çÙÙçÜç¹Ì ×ð´ âð ÌÕÜæ ßæÎÙ ·ð¤ âæÍ çâÌæÚU ßæÎÙ ×ð´ Öè ©æ·¤æðÅUè ·ð¤ ·¤Üæ·¤æÚU Ñ
(1) Ïýéß ææðá (2) ¥çÙÎæð ¿ÅUÁèü
(3) ÙØÙ ææðá (4) ·é¤×æÚU Õæðâ
20. ÙæÅKàææSæ ·ð¤ 緤⠥ØæØ ×ð´ ÌæÜæð´ ·¤æ ßæüÙ ãñ?
(1) 30 (2) 32 (3) 31 (4) 33
21. §Ù×ð´ âð ·¤æð٠¹ßæÁ ßæη¤ Ùãè´ ãñ?
(1) ÚU×æ·¤æ´Ì ÂæÆU·¤ (2) ÖßæÙè àæ´·¤ÚU
(3) ÕÜÚUæ× ÂæÆU·¤ (4) ÚUæ×Áè àæ×æü
22. §Ù×ð´ âð â× ÂÎè ÌæÜ Ùãè´ ãñ Ñ
(1) ÌèÙ ÌæÜ (2) M¤Â·¤ (3) °·¤ ÌæÜ (4) ¥æÎæ ¿ñÌÜ
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23. The total number of Taal Lipi System in Indian music is :
(1) 3 (2) 2 (3) 4 (4) 1
24. The Mridangam player who is also a Padma Vibhushan recipient, is :
(1) Pal Ghat Raghu (2) Pal Ghat Mani Ayyar
(3) U. Shivraman (4) K. Chudamani
25. The Tabla player who has established Arun Sangeetalaya is :
(1) Nikhil Ghosh (2) Gyan Prakash Ghosh
(3) Shankar Ghosh (4) Pragyan Bose
26. The full name of Khapru mama is :
(1) Laxman Rao Parvatkar (2) Ramji Mishra
(3) D.V. Parvatkar (4) V.D. Parvatkar
27. The number of matras of Khandjati Triput taal is :
(1) 5 (2) 7 (3) 9 (4) 11
28. The huge Bass Drum came from which of the western countries ?
(1) Baherain (2) Iraq (3) Turkey (4) Greece
29. For which laya Presto is in vogue in western music ?
(1) Druta (2) Ati Druta (3) Madhya (4) Sadharan Druta
30. If one avartan of Jhaptal (Theka) will be played in one avartan of keharwa the layakari will
be :
(1) Aad (2) Kuwad (3) Biad (4) Tigun
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23. ÖæÚUÌèØ â´»èÌ ×ð´ ·é¤Ü ç·¤ÌÙè ÌæÜ çÜç ÂhçÌØæ¡ ãñ?
(1) 3 (2) 2 (3) 4 (4) 1
24. ÂÎ÷×çßÖêáæ Âýææ ×ëδ»× ßæη¤ ãñ Ñ
(1) ÂæÜ ææÅU ÚUæé (2) ÂæÜ ææÅU ×çæ¥ÄØÚU
(3) Øê. çàæßÚUæ×Ù (4) ·ð¤. ¿êÇUæ×çæ
25. ÒÒ¥L¤æ â´»èÌæÜØÓÓ ·¤è SÍæÂÙæ ç·¤â ÌÕÜæ-ßæη¤ Ùð ·¤è ãñ?
(1) çÙç¹Ü ææðá (2) ææÙ Âý·¤æàæ ææðá
(3) àæ´·¤ÚU ææðá (4) ÂýææÙ Õæðâ
26. ¹æÂýê ×æ×æ ·¤æ ÂêÚUæ Ùæ× Øæ ãñ?
(1) Üÿ×æ ÚUæß ÂßüÌ·¤ÚU (2) ÚUæ×Áè ç×æ
(3) ÇUè.ßè. ÂßüÌ·¤ÚU (4) ßè.ÇUè. ÂßüÌ·¤ÚU
27. ¹ÇU ÁæçÌ çæÂéÅU ÌæÜ ·¤è ×æææ°´ ãñ Ñ
(1) 5 (2) 7 (3) 9 (4) 11
28. çßàææÜ·¤æØ ÒÒÕæâ ÇþU×ÓÓ Âæà¿æØ Îðàææð´ ×´ð âð ç·¤â Îðàæ âð ¥æØæ?
(1) ÕãÚUèÙ (2) §ÚUæ·¤ (3) ÅU·¤èü (4) ØêÙæÙ
29. Âæà¿æØ â´»èÌ ×ð´ ÂýðSÅUæð ç·¤â ÜØ ·ð¤ çÜØð Âý¿çÜÌ ãñ?
(1) ÎýéÌ (2) ¥çÌ ÎýéÌ (3) ×Ø (4) âæÏæÚUæ ÎýéÌ
30. ·¤ãÚUßæ ÌæÜ ·ð¤ °·¤ ¥æßÌüÙ ×ð´ Ûæ ÌæÜ ·¤æ °·¤ ¥æßÌüÙ ÕÁæÙð ÂÚU ÜØ·¤æÚUè ÕÙð»è Ñ
(1) ¥æǸ (2) ·é¤¥æǸ (3) Õè¥æǸ (4) çÌ»éÙ
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31. In which of the following Gharana Peshkar Vadan does not take place ?
(1) Delhi (2) Banaras (3) Ajrada (4) Lucknow
32. Who was the mentor (Guru) of Ut. Abid Hussain Khan ?
(1) Modu Khan (2) Munne Khan (3) Wajid Hussain (4) Nanhe Khan
33. Who is the mentor (Guru) of Ut. Shammu Khan ?
(1) Kale Khan (2) Miru Khan (3) Hassu Khan (4) Munne Khan
34. The number of matras in Vishnu Taal is :
(1) 17 (2) 18 (3) 19 (4) 20
35. The total Taali in Shikhar Taal :
(1) One (2) Two (3) Five (4) Three
36. Sangeet Kala Vihar is published from :
(1) Mumbai (2) Hathras (3) Miraj (4) Delhi
37. The princely estate patronising music is :
(1) Raigarh (2) Raipur (3) Allahabad (4) Varanasi
38. In which states folk music the Dhol-Damama is used ?
(1) Himachal Pradesh (2) Haryana
(3) Uttra Khand (4) Uttar Pradesh
39. Which of the following is a Khol player ?
(1) Suresh Ranjan Majumdar (2) Paresh Chandra Majumdar
(3) Tejendra Narayan Majumdar (4) Subodh Ranjan Majumdar
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31. §â æÚUæÙð ×ð´ Âðàæ·¤æÚU ßæÎÙ Ùãè´ ãæðÌæ ãñ Ñ
(1) çÎËÜè (2) ÕÙæÚUâ (3) ¥ÁÚUæǸæ (4) ܹ٪¤
32. ©. ¥æçÕÎ ãéâñÙ ¹æ¡ ·ð¤ »éL¤ Íð Ñ
(1) ×æðÎê¡ ¹æ¡ (2) ×éóæð ¹æ¡ (3) ßæçÁÎ ãéâñÙ (4) Ùãð ¹æ¡
33. ©. àæ×ê ¹æ¡ ·ð¤ »éL¤ ãñ´ Ñ
(1) ·¤æÜð ¹æ¡ (2) ×èL¤ ¹æ¡ (3) ãSâê ¹æ¡ (4) ×éóæð ¹æ¡
34. çßcæé ÌæÜ ç·¤ÌÙè ×æææ¥æð´ ·¤æ ãñ?
(1) 17 (2) 18 (3) 19 (4) 20
35. çàæ¹ÚU ÌæÜ ×ð´ ç·¤ÌÙè ÌæÜè ãñ?
(1) °·¤ (2) Îæð (3) Âæ¡¿ (4) ÌèÙ
36. â´»èÌ ·¤Üæ çßãæÚU ·¤æ Âý·¤æàæÙ ·¤ãæ´ âð ãæðÌæ ãñ?
(1) ×éÕ§ü (2) ãæÍÚUâ (3) ç×ÚUÁ (4) çÎËÜè
37. â´»èÌ ·¤æð ÚUæÁææØ ÎðÙð ßæÜð çÚUØæâÌ Ñ
(1) ÚUæػɸ (2) ÚUæØÂéÚU (3) §ÜæãæÕæÎ (4) ßæÚUææâè
38. ÉUæðÜ-Î×æ×æ ç·¤â ÚUæØ ·ð¤ Üæð·¤ â´»èÌ ×ð´ ÂýØéæ ãæðÌæ ãñ?
(1) çã×æ¿Ü ÂýÎðàæ (2) ãçÚUØæææ
(3) ©æÚUæ¹ÇU (4) ©æÚU ÂýÎðàæ
39. §Ù×ð´ âð °·¤ ¹æðÜ ßæη¤ ãñ´ Ñ
(1) âéÚðUàæ Ú´UÁÙ ×Áé×ÎæÚU (2) ÂÚðUàæ ¿Îý ×Áé×ÎæÚU
(3) ÌðÁðÎý ÙæÚUæØæ ×Áé×ÎæÚU (4) âéÕæðÏ Ú´UÁÙ ×Áé×ÎæÚU
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40. The number of Dha and Dhin in Theka of Tri Taal is :
(1) 3-3 (2) 4-4 (3) 5-5 (4) 6-6
41. The Delhi Gharana is mainly known for :
(1) Peshkar (2) Quaidas (3) Parans (4) Stuti Parans
42. The book Bharatiya Taalon Kaa Shastriya Vivechan is a publication of :
(1) Kanishk (2) Sangeet Natak Akadamy, Delhi
(3) Gyanpeeth Prakashan (4) Madhya Pradesh Hindi Grantha Akadamy
43. The author of Risalye Tabla Nawajee is :
(1) Maulvi Rahman Khan (2) Maulvi Mohammad Ishaque
(3) Maulvi Ram Misir (4) Maulvi Karamat Khan
44. The famous Tabla player of Punjab Gharana is :
(1) Haji Malang (2) Haji Vilayat Ali
(3) Haji Mustaq Khan (4) Ustad Kallu Khan
45. The Vishtarshil Composition is :
(1) Tukda (2) Chakkardar (3) Bant (4) Farad
46. Which of the following taal is different ?
(1) Teevra (2) Rupak (3) Pashto (4) Dhumali
47. Which of the following is a father - son duo ?
(1) Pt. Kanthe Maharaj - Kishan Maharaj
(2) Ustad Abid Hussain - Wajid Hussain
(3) Pt. Sharda Sahay - Sanju Sahay
(4) Ustad Hasmat Ali - Akram Khan
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40. çæÌæÜ ·ð¤ ÆðU·ð¤ ×ð´ Ïæ °ß´ çÏ´ ·¤è â´Øæ ãñ Ñ
(1) 3-3 (2) 4-4 (3) 5-5 (4) 6-6
41. çÎËÜè æÚUæÙæ ×éØ M¤Â âð ÁæÙæ ÁæÌæ ãñ Ñ
(1) Âðàæ·¤æÚU (2) ·¤æØÎð (3) ÂÚUæâ (4) SÌéçÌ ÂÚUæâ
42. ÒÒÖæÚUÌèØ ÌæÜæð´ ·¤æ àææSæèØ çßßð¿ÙÓÓ ÂéSÌ·¤ ·ð¤ Âý·¤æàæ·¤ ãñ´ Ñ
(1) ·¤çÙc·¤ (2) â´»èÌ ÙæÅU·¤ ¥·¤æÎ×è, çÎËÜè
(3) ææÙÂèÆU Âý·¤æàæÙ (4) ×Ø ÂýÎðàæ çãÎè »ýÍ ¥·¤æÎ×è
43. ÒÒçÚUâæÜØð ÌÕÜæ Ùßæ$ÁèÓÓ ·ð¤ Üð¹·¤ ãñ´ Ñ
(1) ×æñÜßè ÚUã×æÙ ¹æ¡ (2) ×æñÜßè ×æðã×Î §âãæ$·¤
(3) ×æñÜßè ÚUæ× ç×çâÚU (4) ×æñÜßè ·¤ÚUæ×Ì ¹æ¡
44. ´ÁæÕ æÚUæÙð ·ð¤ Âýçâh ÌÕÜæ-ßæη¤ ãñ´ Ñ
(1) ãæÁè ×Ü´» (2) ãæÁè çßÜæØÌ ¥Üè
(3) ãæÁè ×éSÌæ·¤ ¹æ¡ (4) ©. ·¤ËÜê ¹æ¡
45. çßSÌæÚUàæèÜ ÚU¿Ùæ ãñ Ñ
(1) ÅéU·¤Ç¸æ (2) ¿·¤ÚUÎæÚU (3) Õæ¡ÅU (4) ȤÚUÎ
46. çÙÙçÜç¹Ì ×ð´ âð ·¤æñÙ âæ ÌæÜ ÂëÍ·¤ ãñ?
(1) ÌèßÚUæ (2) M¤Â·¤ (3) ÂàÌæð (4) Ïé×æÜè
47. §Ù×ð´ âð ·¤æñÙ çÂÌæ-Âéæ ·¤è ÁæðǸè âãè ãñ?
(1) ´. ·¤ÆðU ×ãæÚUæÁ - ç·¤àæÙ ×ãæÚUæÁ (2) ©. ¥æçÕÎ ãéâñÙ - ßæçÁÎ ãéâñÙ
(3) ´. àææÚUÎæ âãæØ - âÁê âãæØ (4) ©. ãâ×Ì ¥Üè - ¥·¤ÚU× ¹æ¡
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48. The preface of the book Pakhawaj Aur Tabla Ke Gharane avam Paramparayen is written
by :
(1) Thakur Jaydeo Singh (2) Dr. Premlata Sharma
(3) Dr. Lal Mani Mishra (4) Acharya Brihaspati
49. The smaller part of Nakkare is called :
(1) Bayan (2) Dayan (3) Dhama (4) Jheel
50. The other name of Chatasra Jaati Triput Taal is :
(1) Sankeerna (2) Aadi (3) Vidhi (4) Kaushiki
51. The first Vice - Chancellor of Indira kala Sangeet Vishvavidyalaya :
(1) Dr. Baldeo Prasad Mishra (2) Dr. S.N. Ratanjankar
(3) Dr. M.R. Gautam (4) Acharya Brihaspati
52. The total number of matras of Mishra Jati Dhruva Taal is :
(1) 21 (2) 22 (3) 23 (4) 24
53. The author of the book Tabla Grantha is :
(1) Pt. Chhote Lal Mishra (2) Pt. Vijay Shankar Mishra
(3) Pt. Sheetal Prasad Mishra (4) Pt. Rangnath Mishra
54. Normally in which of the following Taals Bedam Tihai is not possible ?
(1) Tri Taal (2) Jhap Taal (3) Ek Taal (4) Rudra
55. Which of the following artists has played Tabla in the film Kinara ?
(1) Pt. Kishan Maharaj (2) Pt. Swapan Chaudhary
(3) Ustad Zakir Hussain (4) Pt. Gudai Maharaj
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48. Ò¹æßÁ ¥æñÚU ÌÕÜæ ·ð¤ æÚUæÙð °ß´ ÂÚUÂÚUæØð´Ó ÂéSÌ·¤ ·¤è ¥æ×é¹ ·ð¤ Üð¹·¤ ãñ´ Ñ
(1) ÆUæ·é¤ÚU ÁØÎðß çâ´ã (2) ÇUæò. Âýð×ÜÌæ àæ×æü
(3) ÇUæò. ÜæÜ ×çæ ç×ææ (4) ¥æ¿æØü ÕëãSÂçÌ
49. Ù·¤æÚðU ·ð¤ ÀUæðÅðU çãSâð ·¤æð Øæ ·¤ãÌð ã´ñ?
(1) ÕæØæ¡ (2) ÎæØæ¡ (3) Ïæ×æ (4) ÛæèÜ
50. ¿Ìd ÁæçÌ çæÂéÅU ÌæÜ ·¤æ ¥Ø Ùæ× ãñ Ñ
(1) â´·¤èæü (2) ¥æçÎ (3) çßçÏ (4) ·¤æñçàæ·¤è
51. §´çÎÚUæ ·¤Üæ â´»èÌ çßàßçßlæÜØ ·ð¤ ÂýÍ× ©Â·é¤ÜÂçÌ Ñ
(1) ÇUæò. ÕÜÎðß ÂýâæÎ ç×æ (2) ÇUæò. °â. °Ù. ÚUæÌ´ÁÙ·¤ÚU
(3) ÇUæò. °×. ¥æÚU. »æñÌ× (4) ¥æ¿æØü ÕëãSÂçÌ
52. ç×æ ÁæçÌ Ïýéß ÌæÜ ·¤è ·é¤Ü ×æææ°´ Ñ
(1) 21 (2) 22 (3) 23 (4) 24
53. ÌÕÜæ »ý´Í ·ð¤ Üð¹·¤ Ñ
(1) ´. ÀUæðÅðUÜæÜ ç×æ (2) ´. çßÁØàæ´·¤ÚU ç×æ
(3) ´. àæèÌÜ ÂýâæÎ ç×æ (4) ´. Ú´U»ÙæÍ ç×æ
54. âæ×æØ M¤Â ×ð´ ÕðÎ× çÌãæ§ü §Ù×ð´ âð ç·¤â ÌæÜ ×ð´ â´Öß Ùãè´ ãñ?
(1) çæÌæÜ (2) ÛæÂÌæÜ (3) °·¤ÌæÜ (4) L¤Îý
55. Òç·¤ÙæÚUæÓ çȤË× ×ð´ 緤⠷¤Üæ·¤æÚU Ùð ÌÕÜæ ßæÎÙ ç·¤Øæ ãñ?
(1) ´. ç·¤àæÙ ×ãæÚUæÁ (2) ´. SßÂÙ ¿æñÏÚUè
(3) ©SÌæÎ $Áæç·¤ÚU ãéâñÙ (4) ´. »éΧü ×ãæÚUæÁ
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56. The famous vocalist who was a Tabla player earlier, is :
(1) Pt. Bhimsen Joshi (2) Pt. Jasraj ji
(3) Pt. Mallikarjun Mansoor (4) Pt. Kumar Gandharv
57. The great Tabla maestro who has given his valuable contribution in Marathi Natya Sangeet
is :
(1) Ut. Ahmed Jan Thirakwa (2) Pt. Suresh Bhai Gaitonde
(3) Ut. Alla Rakha (4) Ut. Amir Hussain
58. In which book the Dash Pranas of Taal have been mentioned for the first time ?
(1) Sangeet Makrand (2) Natya Shastra
(3) Sangeet Samaysaar (4) Abhinav Taal Manjari
59. The types of Laya are :
(1) 3 (2) 4 (3) 5 (4) 6
60. The Pakhawaj player whom Aurangzeb gave the title of Mridang Ray is :
(1) Bhagwan Das (2) Kripa Pakhawaji
(3) Bhawani Prasad (4) Hayat Khan
61. How Na is played in Tada - an Bol ?
(1) Tarjani (2) Madhyama (3) Anamika (4) With aans only
62. How many Taals are derived by Gati Bhed Karnatak Taal System ?
(1) 135 (2) 155 (3) 175 (4) 225
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56. Âýçâh »æØ·¤ Áæð Âêßü ×ð´ ÌÕÜæ ßæη¤ ÚUãð ãñ´ Ñ
(1) ´. Öè×âðÙ Áæðàæè (2) ´. ÁâÚUæÁÁè
(3) ´. ×çËÜ·¤æÁéüÙ ×´âêÚU (4) ´. ·é¤×æÚU »æÏßü
57. æðD ÌÕÜæ-ßæη¤ çÁãæð´Ùð ×ÚUæÆUè ÙæÅK â´»èÌ ×ð´ ¥ÂÙæ ¥×êËØ Øæð»ÎæÙ çÎØæ Ñ
(1) ©. ¥ã×Î ÁæÙ çÍÚU·¤ßæ (2) ´. âéÚðUàæ Öæ§ü »æØÌæðÇðU
(3) ©. ¥ËÜæÚU¹æ (4) ©. ¥×èÚU ãéâñÙ
58. ÌæÜ ·ð¤ Îàæ Âýææð ·¤æ ©ËÜð¹ âßüÂýÍ× ç·¤â »ý´Í ×ð´ ç×ÜÌæ ãñ?
(1) â´»èÌ ×·¤Ú´UÎ (2) ÙæÅK àææSæ
(3) â´»èÌ â×ØâæÚU (4) ¥çÖÙß ÌæÜ ×´ÁÚUè
59. ÜØ ·ð¤ Âý·¤æÚU ãñ Ñ
(1) 3 (2) 4 (3) 5 (4) 6
60. ¥æñÚ´U»ÁðÕ Ùð 緤⠹æßÁ ßæη¤ ·¤æð ×ëδ»ÚUæØ ·¤è ©ÂæçÏ ÂýÎæÙ ·¤è?
(1) Ö»ßæÙ Îæâ (2) ·ë¤Âæ ¹æßÁè
(3) ÖßæÙè ÂýâæÎ (4) ãØæÌ ¹æ¡
61. ÌǸæùÙ ÕæðÜ ×ð´ Ù ·¤æ çÙ·¤æâ ·ñ¤âð ãñ?
(1) ÌÁüÙè (2) ×Ø×æ (3) ¥Ùæç×·¤æ (4) ¥æ¡â mæÚUæ
62. ·¤ÙæüÅU·¤ ÌæÜ ÂhçÌ ×ð´ »çÌ ÖðÎ âð ç·¤ÌÙð ÌæÜ ÕÙÌð ãñ´?
(1) 135 (2) 155 (3) 175 (4) 225
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63. Dhumkit is played :
(1) On right side of Pakhawaj
(2) On Left side of Pakhawaj
(3) Both on right and left sides of Pakhwaj
(4) On Gazra and Gatta of Pakhawaj
64. The instrument played with chob (sticks) is :
(1) Dholak (2) Tavil (3) Nakkara (4) Dukkad
65. Which of the following Bhinna shows the Laykari of Aad ?
5 7 3 4
(1) (2) (3) (4)
4 4 2 5
66. Which of the following is a female Pakhawaj player ?
(1) Dr. Yogmaya Shukla (2) Chitrangada Pant Agale
(3) Anuradha Pal (4) Neelam Sharma
67. Pt. Anokhe Lal Mishra was famous for :
(1) Playing prastar of Theke (2) Playing Gat Farad
(3) Playing Quaida Rela (4) All of the above
68. Match the following :
(a) Shikhar (i) 21 matras
(b) Pratap Shikhar (ii) 15 matras
(c) Yati Shikhar (iii) 13 matras
(d) Ganesh (iv) 17 matras
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (iv) (iii) (ii) (i)
(3) (iii) (ii) (i) (iv)
(4) (ii) (iii) (iv) (i)
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63. æé×ç·¤ÅU ·¤æ çÙ·¤æâ ãæðÌæ ãñ Ñ
(1) ¹ßæÁ ·ð¤ ·ð¤ßÜ ÎæçãÙð ÂÚU
(2) ¹ßæÁ ·ð¤ ·ð¤ßÜ ÕæØð´ ÂÚU
(3) ¹ßæÁ ·ð¤ Îæ´Øð ß ÕæØð´ ÎæðÙæð´ ÂÚU
(4) ¹ßæÁ ·ð¤ »ÁÚðU ¥æñÚU »Å÷UÅðU ÂÚU
64. ¿æðÕ âð ·¤æñÙ-âæ ßæl ÕÁæÌð ãñ´?
(1) ÉUæðÜ·¤ (2) ÌçßÜ (3) Ù·¤æÚUæ (4) Î鷤Ǹ
65. §Ù×ð´ âð ·¤æñÙ âæ çÖóæ ¥æǸ ·¤è ÜØ·¤æÚUè ÎàææüÌæ ãñ?
5 7 3 4
(1) (2) (3) (4)
4 4 2 5
66. çÙÙ ×ð´ âð °·¤ ¹æßÁ ßæçη¤æ ãñ´ Ñ
(1) ÇUæò. Øæð»×æØæ àæéÜæ (2) ç¿ææ´»Îæ ÂÌ ¥æ»Üð
(3) ¥ÙéÚUæÏæ ÂæÜ (4) ÙèÜ× àæ×æü
67. ´. ¥Ùæð¹ð ÜæÜ ç×æ Âýçâh Íð Ñ
(1) ÆðU·ð¤ ·¤æ ÂýSÌæÚU ÕÁæÙð ·ð¤ çÜ° (2) »Ì - ȤÚUÎ ÕÁæÙð ·ð¤ çÜØð
(3) ·¤æØÎæ - ÚðUÜæ ÕÁæÙð ·ð¤ çÜØð (4) ©ÂÚUæðæ âÖè ·ð¤ çÜØðÐ
68. âé×ðçÜÌ ·¤èçÁ° Ñ
(a) çàæ¹ÚU (i) 21 ×æææ
(b) ÂýÌæ çàæ¹ÚU (ii) 15 ×æææ
(c) ØçÌ çàæ¹ÚU (iii) 13 ×æææ
(d) »æðàæ (iv) 17 ×æææ
·ê¤ÅU Ñ
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (iv) (iii) (ii) (i)
(3) (iii) (ii) (i) (iv)
(4) (ii) (iii) (iv) (i)
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69. Match the following :
(a) Sitar (i) Kanhai Dutta
(b) Sarod (ii) Anant Lal
(c) Shehnai (iii) Uma Shankar Mishra
(d) Tabla (iv) Ashish Khan
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (iv) (iii) (ii) (i)
(3) (iii) (iv) (ii) (i)
(4) (iv) (i) (ii) (iii)
70. Which treatise has first mentioned Dhruv marg ?
(1) Brihaddeshi (2) Natya Shastra
(3) Nardiya Shiksha (4) Sangeet Ratnakar
71. Who among the following is not a recipient of Bharat Ratna ?
(1) Pt. Bhim Sen Joshi (2) Pt. Ravishankar
(3) Ut. Amir Khan (4) Ut. Bismillah Khan
1
72. The sign used in Vishnu Digambar Paluskar Taal Lipi system for matra is :
3
(1) (2) (3) (4)
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69. âé×ðçÜÌ ·¤èçÁ° Ñ
(a) çâÌæÚU (i) ·¤ãæ§ü Îæ
(b) âÚUæðÎ (ii) ¥ÙÌ ÜæÜ
(c) àæãÙæ§ü (iii) ©×æ àæ´·¤ÚU ç×æ
(d) ÌÕÜæ (iv) ¥æàæèá ¹æ¡
·ê¤ÅU Ñ
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (iv) (iii) (ii) (i)
(3) (iii) (iv) (ii) (i)
(4) (iv) (i) (ii) (iii)
70. Ïýéß ×æ»ü ·¤æ ©ËÜð¹ âßüÂýÍ× ç·¤â »ýÍ ×ð´ ãñ Ñ
(1) ÕëãÎ÷Îðàæè (2) ÙæÅK àææSæ
(3) ÙæÚUÎèØ çàæÿææ (4) â´»èÌ ÚUÙæ·¤ÚU
71. çÙÙ ×ð´ âð ç·¤âð ÖæÚUÌ ÚUÙ ·¤è ©ÂæçÏ Ùãè´ ç×Üè?
(1) ´. Öè×âðÙ Áæðàæè (2) ´. ÚUçßàæ´·¤ÚU
(3) ©. ¥×èÚU ¹æ¡ (4) ©. çÕâç×ËÜæã ¹æ¡
1
72.
3
×æææ ·ð¤ çÜ° çßcæé çλÕÚU ÂÜéS·¤ÚU ÌæÜ çÜç ÂhçÌ ×ð´ ç¿q ãñ Ñ
(1) (2) (3) (4)
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73. Which of the following musical instruments is different from the rest of three ?
(1) Sitar (2) Mandolin (3) Violin (4) Sarod
74. Percussion Instruments (Avanadha Vadyas) are called :
(1) Pushkar (2) Lashkar (3) Vihan (4) Udgam
75. Who among the following is a disciple of Ut. Haji Vilayat Ali ?
(1) Inam Ali (2) Chudia Wale Imam Baksh
(3) Pt. Kodau singh (4) Pt. Ram Sahay
oOo
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73. çÙÙ ×ð´ âð ·¤æñÙ-âæ ßæl àæðá ÌèÙ âð çÖóæ ãñ?
(1) çâÌæÚU (2) ×ðÇUæðçÜÙ (3) ßæØçÜÙ (4) âÚUæðÎ
74. ¥ßÙh ßælæð´ ·¤æð ·¤ãÌð ãñ´ Ñ
(1) Âéc·¤ÚU (2) Üà·¤ÚU (3) çßãæÙ (4) ©Î÷»×
75. ©. ãæÁè çßÜæØÌ ¥Üè ·ð¤ çàæcØ Ñ
(1) §Ùæ× ¥Üè (2) ¿êçǸØæ ßæÜð §×æ× Õàæ
(3) ´. ·¤æðΪ¤ çâ´ã (4) ´. ÚUæ× âãæØ
oOo
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Space For Rough Work J-9815 !J-9815-PAPER-III! 24 Paper-III
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Source: University Grants Commission. Question paper published by University Grants Commission.