UGC NET 2016: July, Paper II, Percussion Instruments
Text of page 1
PAPER-II
PERCUSSION INSTRUMENTS
Signature and Name of Invigilator
1. (Signature) __________________________ OMR Sheet No. : ...............................................
(Name) ____________________________ (To be filled by the Candidate)
2. (Signature) __________________________ Roll No.
(Name) ____________________________ (In figures as per admission card)
Roll No.________________________________
J 9 8 1 6 (In words)
Time : 1 1/4 hours] [Maximum Marks : 100
Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 50
Instructions for the Candidates ¯Ö¸üßõÖÖÙ£ÖμÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö
1. Write your roll number in the space provided on the top of 1. ‡ÃÖ ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖμÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …
this page. 2. ‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö“ÖÖÃÖ ²ÖÆãü×¾ÖÛú»¯ÖßμÖ ¯ÖÏ¿®Ö Æïü …
2. This paper consists of fifty multiple-choice type of questions. 3. ¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯Ö¸ü, ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖμÖêÝÖß … ¯ÖÆü»Öê
3. At the commencement of examination, the question booklet ¯ÖÖÑ“Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ
will be given to you. In the first 5 minutes, you are requested •ÖÖÑ“Ö Ûêú ×»Ö‹ פüμÖê •ÖÖμÖëÝÖê, וÖÃÖÛúß •ÖÖÑ“Ö †Ö¯ÖÛúÖê †¾Ö¿μÖ Ûú¸ü®Öß Æîü :
to open the booklet and compulsorily examine it as below : (i) ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ¯Öã×ßÖÛúÖ ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö Ûúß ÃÖß»Ö
(i) To have access to the Question Booklet, tear off the ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô μÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß ¯Öã×ßÖÛúÖ
paper seal on the edge of this cover page. Do not accept þÖßÛúÖ¸ü ®Ö Ûú¸ëü …
a booklet without sticker-seal and do not accept an open (ii) Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü ”û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ
booklet. ¯ÖÏ¿®ÖÖë Ûúß ÃÖÓÜμÖÖ ÛúÖê †“”ûß ŸÖ¸üÆü “ÖîÛú Ûú¸ü »Öë ×Ûú μÖê ¯Öæ¸êü
(ii) Tally the number of pages and number of questions Æïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë μÖÖ ¤ãü²ÖÖ¸üÖ †Ö
in the booklet with the information printed on the ÝÖμÖê ÆüÖë μÖÖ ÃÖß׸üμÖ»Ö ´Öë ®Ö ÆüÖë †£ÖÖÔŸÖË ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß
cover page. Faulty booklets due to pages/questions ¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü ®Ö Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖμÖ ˆÃÖê
missing or duplicate or not in serial order or any »ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
other discrepancy should be got replaced immediately ‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ“Ö ×´Ö®Ö™ü פüμÖê •ÖÖμÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü ®Ö
by a correct booklet from the invigilator within the ŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖμÖêÝÖß †Öî¸ü ®Ö Æüß †Ö¯ÖÛúÖê
period of 5 minutes. Afterwards, neither the Question †×ŸÖ׸üŒŸÖ ÃÖ´ÖμÖ ×¤üμÖÖ •ÖÖμÖêÝÖÖ …
Booklet will be replaced nor any extra time will be (iii) ‡ÃÖ •ÖÖÑ“Ö Ûêú ²ÖÖ¤ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÛúÖ ®ÖÓ²Ö¸ü OMR ¯Ö¡ÖÛú ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ëü
given. †Öî¸ü OMR ¯Ö¡ÖÛú ÛúÖ ®ÖÓ²Ö¸ü ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü ¤ëü …
(iii) After this verification is over, the Test Booklet Number 4. ¯ÖÏŸμÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ “ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö (1), (2), (3) ŸÖ£ÖÖ (4) פüμÖê ÝÖμÖê
should be entered on the OMR Sheet and the OMR Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü •ÖîÃÖÖ
Sheet Number should be entered on this Test Booklet.
4. Each item has four alternative responses marked (1), (2), (3) ×Ûú ®Öß“Öê פüÜÖÖμÖÖ ÝÖμÖÖ Æîü :
and (4). You have to darken the circle as indicated below on ˆ¤üÖÆü¸üÞÖ :
the correct response against each item. •Ö²Ö×Ûúú(3) ÃÖÆüß ˆ¢Ö¸ü Æîü …
Example : 5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüμÖê ÝÖμÖê OMR ¯Ö¡ÖÛú ¯Ö¸ü
where (3) is the correct response. Æüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … μÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüμÖê ÝÖμÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ
5. Your responses to the items are to be indicated in the OMR ×ÛúÃÖß †®μÖ Ã£ÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü דÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê Æïü, ŸÖÖê ˆÃÖÛúÖ ´Öæ»μÖÖÓÛú®Ö
Sheet given inside the Booklet only. If you mark your ®ÖÆüà ÆüÖêÝÖÖ …
response at any place other than in the circle in the OMR 6. †®¤ü¸ü פüμÖê ÝÖμÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬μÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …
Sheet, it will not be evaluated. 7. Ûú““ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …
6. Read instructions given inside carefully. 8. μÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖμÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ®ÖÖ´Ö, ¸üÖê»Ö
7. Rough Work is to be done in the end of this booklet. ®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü μÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×“ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü“ÖÖ®Ö ÆüÖê
8. If you write your Name, Roll Number, Phone Number or put ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖÏμÖÖêÝÖ Ûú¸üŸÖê Æïü, μÖÖ ÛúÖê‡Ô
any mark on any part of the OMR Sheet, except for the space †®μÖ †®Öã×“ÖŸÖ ÃÖÖ¬Ö®Ö ÛúÖ ¯ÖÏμÖÖêÝÖ Ûú¸üŸÖê Æïü, •ÖîÃÖê ×Ûú †Ó×ÛúŸÖ ×ÛúμÖê ÝÖμÖê
allotted for the relevant entries, which may disclose your ˆ¢Ö¸ü ÛúÖê ×´Ö™üÖ®ÖÖ μÖÖ ÃÖ±êú¤ü ÃμÖÖÆüß ÃÖê ²Ö¤ü»Ö®ÖÖ ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖμÖê
identity, or use abusive language or employ any other unfair †μÖÖêÝμÖ ‘ÖÖê×ÂÖŸÖ ×ÛúμÖê •ÖÖ ÃÖÛúŸÖê Æïü …
means, such as change of response by scratching or using 9. †Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ´Öæ»Ö OMR ¯Ö¡ÖÛú ×®Ö¸üßõÖÛú ´ÖÆüÖê¤üμÖ ÛúÖê
white fluid, you will render yourself liable to disqualification.
9. You have to return the Original OMR Sheet to the invigilators »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿μÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®Ö
at the end of the examination compulsorily and must not ÃÖê ²ÖÖÆü¸ü ®Ö »ÖêÛú¸ü •ÖÖμÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü ´Öæ»Ö ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ
carry it with you outside the Examination Hall. You are, ŸÖ£ÖÖ OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü ¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛúŸÖê Æïü …
however, allowed to carry original question booklet and 10. Ûêú¾Ö»Ö C.B.S.E. «üÖ¸üÖ ¯ÖϤüÖ®Ö ×ÛúμÖê ÝÖμÖê ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ
duplicate copy of OMR Sheet on conclusion of examination. Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …
10. Use only Black Ball point pen provided by C.B.S.E. 11. ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) μÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ
11. Use of any calculator or log table etc., is prohibited. ¯ÖÏμÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …
12. There is no negative marks for incorrect answers. 12. ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô ®ÖÛúÖ¸üÖŸ´ÖÛú †ÓÛú ®ÖÆüà Æïü …
13. In case of any discrepancy in the English and Hindi versions, 13. μÖפü †ÓÝÖÏê•Öß μÖÖ ØÆü¤üß ×¾Ö¾Ö¸üÞÖ ´Öë ÛúÖê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆüÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸üÞÖ
English version will be taken as final. †Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …
J-98-16 1 P.T.O.
Text of page 2
PERCUSSION INSTRUMENTS
Paper – II
Note : This paper contains fifty (50) objective type questions of two (2) marks each. All
questions are compulsory.
1. The first music conference took place in which of the following cities ?
(1) Banaras (2) Baroda
(3) Bombay (4) Calcutta
2. With which tabla maestro the Mridangam maestro Umyalpuram Shivraman played
maximum duets (yugal bandi) ?
(1) Pt. Gudai Maharaj (2) Pt. Kisan Maharaj
(3) Pt. Gyan Prakash Ghosh (4) Pt. Nikhil Ghosh
3. Which one of the following is a Patakshara for Trivali ?
(1) Ta, Da, Do, D (2) Denkara
(3) Ge, Ge, Ge, Ge (4) Dabak
4. The symbol of four matras in Vishnu Digambar notation system is
(1) × (2)
(3) – (4) O
5. Select the correct matches from the codes given below :
Instrument Maestro
a. Tavil i. Kodand Ramaayyar
b. Srikhol ii. Gaurang Das Adhikari
c. Ghatam iii. Vailoopatti
d. Mridangam iv. Pal Ghat Raghu
v. Dilawar Khan
Codes :
a b c d
(1) ii iii iv v
(2) iii ii i iv
(3) v i ii iv
(4) i ii iii v
Paper-II 2 J-98-16
Text of page 3
†¾Ö®Ö¨ü ¾ÖÖª
¯ÖÏ¿®Ö¯Ö¡Ö – II
®ÖÖê™ü : ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö“ÖÖÃÖ (50) ²ÖÆãü-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê (2) †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …
1. ÃÖ²ÖÃÖê ¯ÖÆü»ÖÖ ´µÖãוÖÌÛú ÛúÖ®±ÏëúÃÖ ×ÛúÃÖ ¿ÖÆü¸ü ´Öë Æãü†Ö £ÖÖ ?
(1) ²Ö®ÖÖ¸üÃÖ (2) ²Ö›ÌüÖî¤üÖ
(3) ²ÖÓ²Ö‡Ô (4) Ûú»ÖÛú¢ÖÖ
2. ´Öé¤ÓüÝÖ´Ö ¾ÖÖ¤üÛú ˆ´ÖµÖÖ»Ö¯Öã¸ü´Ö ׿־ָü´Ö®Ö ®Öê ×ÛúÃÖ ŸÖ²Ö»ÖÖ-¾ÖÖ¤üÛú Ûêú ÃÖÖ£Ö †×¬ÖÛúÖ׬ÖÛú µÖãÝÖ»Ö ²Ö®¤üß ²Ö®ÖÖ‡Ô Æîü ?
(1) ¯ÖÓ. ÝÖã¤ü‡Ô ´ÖÆüÖ¸üÖ•Ö (2) ¯ÖÓ. ×Ûú¿Ö®Ö ´ÖÆüÖ¸üÖ•Ö
(3) ¯ÖÓ. –ÖÖ®Ö ¯ÖÏÛúÖ¿Ö ‘ÖÖêÂÖ (4) ¯ÖÓ. ×®Ö×ÜÖ»Ö ‘ÖÖêÂÖ
3. ס־ֻÖß Ûêú ÛúÖî®Ö ÃÖê ¯ÖÖ™üÖõÖ¸ü Æïü ?
(1) ŸÖÖ, ¤üÖ, ¤üÖê, ¤ü (2) ¤ëüÛúÖ¸ü
(3) ÝÖë, ÝÖë, ÝÖë, ÝÖë (4) ›ü²ÖÛú
4. ×¾ÖÂÞÖã פüÝÖ´²Ö¸ü ŸÖÖ»Ö ×»Ö×¯Ö ¯Ö¨ü×ŸÖ ´Öë “ÖÖ¸ü ´ÖÖ¡ÖÖ ÛúÖ ×“ÖÅ®Öü Æîü
(1) × (2)
(3) – (4) O
5. ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
¾ÖÖª ÃÖÓÝÖߟ֖Ö
a. ŸÖ×¾Ö»Ö i. ÛúÖê¤ü®›ü ¸üÖ´ÖÖ†ÖµµÖ¸ü
b. ÁÖßÜÖÖê»Ö ii. ÝÖÖî¸üÖÓÝÖ ¤üÖÃÖ †×¬ÖÛúÖ¸üß
c. ‘Ö™ü´ÖË iii. ¾Öî»Öæ¯Ö™Ëü™üß
d. ´Öé¤ÓüÝÖ´ÖË iv. ¯ÖÖ»Ö ‘ÖÖ™ü ¸ü‘Öã
v. פü»ÖÖ¾Ö¸ü ÜÖÖÑ
󜅐ݟ :
a b c d
(1) ii iii iv v
(2) iii ii i iv
(3) v i ii iv
(4) i ii iii v
J-98-16 3 Paper-II
Text of page 4
6. Which of the following had been staff tabla maestro in Calcutta Akashwani ?
(1) Ustad Latif Ahmad Khan
(2) Ustad Afaq Hussain Khan
(3) Ustad Alla Rakha Khan
(4) Ustad Inam Ali Khan
7. How many matras are there in Triputh Taal khand Jati ?
(1) 7 (2) 8
(3) 9 (4) 10
8. Rabindranath Tagore was influenced by which one of the musical traditions ?
(1) Vishnupur (2) Nathdwar
(3) Rampur (4) Raigarh
9. The symbol in the Vishnu Digambar notation system denotes how many
matras ?
1 1
(1) 2 (2) 3
1 1
(3) 6 (4) 4
10. In western music, Indian Dhol or instruments like Dholak are called
(1) Waisted Drums
(2) Goblet Drums
(3) Barrel Drums
(4) Footed Drums
Paper-II 4 J-98-16
Text of page 5
6. Ûú»ÖÛú¢ÖÖ †ÖÛúÖ¿Ö¾ÖÖÞÖß ´Öë ÙüÖ±ú Ûú»ÖÖÛúÖ¸ü ¸üÆêü ŸÖ²Ö»ÖÖ ¾ÖÖ¤üÛú Æïü
(1) ˆ. »Öןֱú †Æü´Ö¤ü ÜÖÖÑ
(2) ˆ. †±úÖÛú ÆãüÃÖî®Ö ÜÖÖÑ
(3) ˆ. †»»ÖÖ¸üÜÜÖÖ ÜÖÖÑ
(4) ˆ. ‡®ÖÖ´Ö †»Öß ÜÖÖÑ
7. ס֯Öãšü ŸÖÖ»Ö ÜÖÞ›ü •ÖÖ×ŸÖ ´Öë Ûãú»Ö ×ÛúŸÖ®Öß ´ÖÖ¡ÖÖ‹Ñ Æïü ?
(1) 7 (2) 8
(3) 9 (4) 10
8. ¸ü×¾Ö®¦ü ®ÖÖ£Ö ™îüÝÖÖê¸ü ×ÛúÃÖ ÃÖÓÝÖßŸÖ ¯Ö¸ü´¯Ö¸üÖ ÃÖê ¯ÖϳÖÖ×¾ÖŸÖ £Öê ?
(1) ×¾ÖÂÞÖã¯Öã¸ü (2) ®ÖÖ£Ö«üÖ¸üÖ
(3) ¸üÖ´Ö¯Öã¸ü (4) ¸üÖµÖÝÖœÌü
9. ×¾ÖÂÞÖã פüÝÖ´²Ö¸ü ŸÖÖ»Ö ×»Ö×¯Ö ¯Ö¨ü×ŸÖ ´Öë דÖÅ®Ö ×ÛúŸÖ®Öê ´ÖÖ¡ÖÖ Ûêú ×»ÖµÖê Æïü ?
1 1
(1) 2 (2) 3
1 1
(3) 6 (4) 4
10. ³ÖÖ¸üŸÖßµÖ œüÖê»Ö µÖÖ œüÖê»ÖÛú ÃÖ´ÖÖ®Ö ×¤üÜÖ®Öê ¾ÖÖ»Öê ¾ÖÖªÖë ÛúÖê ¯ÖÖ¿“ÖÖŸµÖ ÃÖÓÝÖßŸÖ ´Öë ŒµÖÖ ÛúÆüŸÖê Æïü ?
(1) ¾ÖêÙêü›ü ›Òü´ÃÖ
(2) ÝÖÖê²»Öê™ü ›Òü´ÃÖ
(3) ²Öê¸ü»Ö ›Òü´ÃÖ
(4) ±ãú™êü›ü ›Òü´ÃÖ
J-98-16 5 Paper-II
Text of page 6
11. The definition ‘Geetam Vadyam Cha Nrityam Trayam Sangeet Muchchayate” originated
from which one of the following treatise :
(1) Sangeet Makrand (2) Sangeet Parijat
(3) Sangeet Darpan (4) Sudha Kalash
12. Which one of the following is a correct chronological sequence of given Padmabhushan
recipients ?
(1) Ut. Zakir Hussain, Ut. Ahmed Jan Thirakava, Pt. Nikhil Ghosh, Pt. Samta Prasad
(2) Ut. Ahmed Jan Thirkava, Pt. Samta Prasad, Pt. Nikhil Ghosh, Ut. Zakir Hussain
(3) Pt. Samta Prasad, Pt. Nikhil Ghosh, Ut. Ahmed Jan Thirkava, Ut. Zakir Hussain
(4) Pt. Nikhil Ghosh, Pt. Samta Prasad, Ut. Ahmed Jan Thirakava, Ut. Zakir Hussain
13. The authorised book publisher publishing books on music is
(1) Gyanpeeth Prakashan (2) Uttar Pradesh Sahitya Prakashan
(3) Kanishka Prakashan (4) Madhya Pradesh Sahitya Academy
14. A single Avartan of Ada Chautal combined with dugun and chaugun will begin with
1 1
(1) 32 (2) 33
1 2
(3) 34 (4) 33
15. Among the following which instrument is a different one :
(1) Huddakka (2) Mukhchang
(3) Dhakka (4) Deroon
Paper-II 6 J-98-16
Text of page 7
11. ‘ÝÖߟÖÓ ¾ÖÖªÓ “Ö ®Ö韵ÖÓ ¡ÖµÖÓ ÃÖÓÝÖßŸÖ ´Öã““ÖµÖŸÖê” µÖÆü ¯Ö׸ü³ÖÖÂÖÖ ÛúÖ ¯ÖÏÖ¸ü´³Ö ×ÛúÃÖ ÝÖÏ®£Ö ÃÖê Æãü†Ö ?
(1) ÃÖÓÝÖßŸÖ ´ÖÛú¸ü®¤ü (2) ÃÖÓÝÖßŸÖ ¯ÖÖ׸ü•ÖÖŸÖ
(3) ÃÖÓÝÖßŸÖ ¤ü¯ÖÔÞÖ (4) ÃÖã¬ÖÖ Ûú»Ö¿Ö
12. ×®Ö´®Ö×»Ö×ÜÖŸÖ ¯Ö¤Ëü´Ö³ÖæÂÖÞÖ ¯ÖÏÖ¯ŸÖ Ûú»ÖÖÛúÖ¸üÖë ÛúÖê ÛÎú´Ö²Ö¨ü ÛúßוֵÖê (ÛúÖ»ÖÛÎú´Ö Ûêú †®ÖãÃÖÖ¸ü) :
(1) ˆ. •ÖÖÛú߸ü ÆãüÃÖî®Ö, ˆ. †Æü´Ö¤ü •ÖÖ®Ö ×£Ö¸üÛú¾ÖÖ, ¯ÖÓ. ×®Ö×ÜÖ»Ö ‘ÖÖêÂÖ, ¯ÖÓ. ÃÖÖ´ÖŸÖÖ ¯ÖÏÃÖÖ¤ü
(2) ˆ. †Æü´Ö¤ü •ÖÖ®Ö ×£Ö¸üÛú¾ÖÖ, ¯ÖÓ. ÃÖÖ´ÖŸÖÖ ¯ÖÏÃÖÖ¤ü, ¯ÖÓ. ×®Ö×ÜÖ»Ö ‘ÖÖêÂÖ, ˆ. •ÖÖÛú߸ü ÆãüÃÖî®Ö
(3) ¯ÖÓ. ÃÖÖ´ÖŸÖÖ ¯ÖÏÃÖÖ¤ü, ¯ÖÓ. ×®Ö×ÜÖ»Ö ‘ÖÖêÂÖ, ˆ. †Æü´Ö¤ü •ÖÖ®Ö ×£Ö¸üÛú¾ÖÖ, ˆ. •ÖÖÛú߸ü ÆãüÃÖî®Ö
(4) ¯ÖÓ. ×®Ö×ÜÖ»Ö ‘ÖÖêÂÖ, ¯ÖÓ. ÃÖÖ´ÖŸÖÖ ¯ÖÏÃÖÖ¤ü, ˆ. †Æü´Ö¤ü •ÖÖ®Ö ×£Ö¸üÛú¾ÖÖ, ˆ. •ÖÖÛú߸ü ÆãüÃÖî®Ö
13. ÃÖÓÝÖßŸÖ ¯Ö¸ü ¯ÖãßÖÛú ¯ÖÏÛúÖ¿Ö®Ö Ûú¸ü®Öê ¾ÖÖ»ÖÖ ¯ÖÏÖ׬ÖÛéúŸÖ ¯ÖÏÛúÖ¿ÖÛú Æîü
(1) –ÖÖ®Ö¯Ößšü ¯ÖÏÛúÖ¿Ö®Ö (2) ˆ.¯ÖÏ. ÃÖÖ×ÆüŸµÖ ¯ÖÏÛúÖ¿Ö®Ö
(3) Ûú×®ÖÂÛú ¯ÖÏÛúÖ¿Ö®Ö (4) ´Ö.¯ÖÏ. ÃÖÖ×ÆüŸµÖ †ÛúÖ¤ü´Öß
14. †Ö›ÌüÖ “ÖÖîŸÖÖ»Ö ÛúÖ ‹Ûú †Ö¾ÖŸÖÔ®Ö ´Öë ¤ãüÝÖã®Ö ¾Ö “ÖÖîÝÖã®Ö ×´Ö»ÖÖÛú¸ü ÛúÆüÖÑ ÃÖê ¯ÖÏÖ¸ü´³Ö ÆüÖêÝÖÖ ?
1 1
(1) 32 (2) 33
1 2
(3) 34 (4) 33
15. ‡®Ö´Öë ÃÖê ÛúÖî®Ö ÃÖÖ ¾ÖÖª †»ÖÝÖ Æîü ?
(1) Æãü›ü›ÌüÛúÖ (2) ´ÖãÜÖ“ÖÓÝÖ
(3) œüŒÛúÖ (4) ›êü¹Ñý
J-98-16 7 Paper-II
Text of page 8
16. Select the correct matches from the codes given below :
Grandfather Grandson
a. Ut. Masit Khan i. Pooran Maharaj
b. Pt. Kanthe Maharaj ii. Sabir Khan
c. Ut. Wazid Khan iii. Inam Ali
d. Ut. Chhote Kale Khan iv. Ilmas Hussain
v. Latif Ahmed
Codes :
a b c d
(1) iii i ii v
(2) ii i iv iii
(3) ii i iv v
(4) ii iv i iii
17. Which of the following emperors played Nakkara regularly in his Naubat Khana ?
(1) Bairam Khan
(2) Shershah Suri
(3) Sikandar
(4) Akbar
18. The disciple of the Banaras Gharana is
(1) Kausar Ali
(2) Nazim Khan
(3) Khadim Khan
(4) Hussain Baksh
Paper-II 8 J-98-16
Text of page 9
16. ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
¤üÖ¤üÖ ¯ÖÖî¡Ö
a. ˆ. ´ÖÃÖßŸÖ ÜÖÖÑ i. ¯Öã¸üÞÖ ´ÖÆüÖ¸üÖ•Ö
b. ¯ÖÓ. ÛúÞšêü ´ÖÆüÖ¸üÖ•Ö ii. ÃÖÖײָü ÜÖÖÑ
c. ˆ. ¾ÖÖו֤ü ÜÖÖÑ iii. ‡®ÖÖ´Ö †»Öß
d. ˆ. ”ûÖê™êü ÛúÖ»Öê ÜÖÖÑ iv. ‡»Ö´ÖÖÃÖ ÆãüÃÖî®Ö
v. »Öןֱú †Æü´Ö¤ü
󜅐ݟ :
a b c d
(1) iii i ii v
(2) ii i iv iii
(3) ii i iv v
(4) ii iv i iii
17. ÛúÖî®Ö ²ÖÖ¤ü¿ÖÖÆü ®ÖÖî²ÖŸÖ ÜÖÖ®Öê ´Öë ×®ÖµÖ×´ÖŸÖ ºþ¯Ö ÃÖê ®ÖŒÛúÖ¸üÖ ²Ö•ÖÖŸÖÖ £ÖÖ ?
(1) ²Öî¸ü´Ö ÜÖÖÑ
(2) ¿Öê¸ü¿ÖÖÆü ÃÖæ¸üß
(3) ×ÃÖÛÓú¤ü¸ü
(4) †Ûú²Ö¸ü
18. ²Ö®ÖÖ¸üÃÖ ‘Ö¸üÖ®Öê Ûêú ׿Ö嵅 Æïü
(1) ÛúÖîÃÖ¸ü †»Öß
(2) ®ÖÖ×•Ö´Ö ÜÖÖÑ
(3) ÜÖÖפü´Ö ÜÖÖÑ
(4) ÆãüÃÖî®Ö ²ÖŒ¿Ö
J-98-16 9 Paper-II
Text of page 10
19. Read Assertion (A) and Reason (R) and give the correct answer with the help of codes
given below :
Assertion (A) : Usually Vilambit Ektaal is used in the Gayaki (singing) of Kirana
Gharana.
Reason (R) : Because they do not have Bandish in other taalas.
Codes :
(1) (A) is false but (R) is true. (2) (A) and (R) both are false.
(3) (A) is true but (R) is false. (4) (A) and (R) both are true.
20. Single Avartan of Tigun in Shikhar taal will have
1 2
(1) 52 (2) 53
1 3
(3) 53 (4) 52
21. ‘Namani Shamishan Nirvana Rupam’ is composed in which one of the following
chhandas ?
(1) Straqnivini (2) Bhujangprayat
(3) Pramanika (4) Malini
22. Select the correct matches from the codes given below :
List – I List – II
a. Tappa i. Deepchandi
b. Thumari ii. Sultaal
c. Sadara iii. Dhumali
d. Quawali iv. Punjabi
Codes :
a b c d
(1) iv i ii iii
(2) iv iii ii i
(3) iii ii iv i
(4) ii iii i iv
Paper-II 10 J-98-16
Text of page 11
19. †×³ÖÛú£Ö®Ö (A) ŸÖ£ÖÖ ÛúÖ¸üÞÖ (R) ÛúÖê ¯ÖœÌëü †Öî¸ü ®Öß“Öê פü‹ Ûæú™üÖë Ûúß ÃÖÆüÖµÖŸÖÖ ÃÖê ÃÖÆüß ˆ¢Ö¸ü ¤ëü :
†×³ÖÛú£Ö®Ö (A) : ×Ûú¸üÖ®ÖÖ ‘Ö¸üÖ®Öê Ûúß ÝÖÖµÖÛúß ´Öë †×¬ÖÛúŸÖ¸ü ×¾Ö»ÖÓ×²ÖŸÖ ‹ÛúŸÖÖ»Ö ÛúÖ ¯ÖϵÖÖêÝÖ ÆüÖêŸÖÖ Æîü …
ÛúÖ¸üÞÖ (R) : ŒµÖÖë×Ûú †®µÖ ŸÖÖ»ÖÖë ´Öë ¾ÖÆüÖÑ ²ÖÓפü¿Öë ®ÖÆüà ÆüÖêŸÖß Æïü …
󜅐ݟ :
(1) (A) ÝÖ»ÖŸÖ Æîü, ¯Ö¸ÓüŸÖã (R) ÃÖÆüß Æîü … (2) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
(3) (A) ÃÖÆüß Æîü, ¯Ö¸ÓüŸÖã (R) ÝÖ»ÖŸÖ Æîü … (4) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
20. ׿ÖÜÖ¸ü ŸÖÖ»Ö ÛúÖ ×ŸÖÝÖã®Ö ‹Ûú †Ö¾ÖŸÖÔ®Ö ´Öë ×ÛúŸÖ®Öê ´Öë †ÖµÖêÝÖÖ ?
1 2
(1) 52 (2) 53
1 3
(3) 53 (4) 52
21. ‘®Ö´ÖÖ×®Ö ¿Ö×´Ö¿ÖÖ®Ö ×®Ö¾ÖÖÔÞÖ ºþ¯Ö´ÖË’ ´Öë ÛúÖî®Ö ÃÖÖ ”Óû¤ü Æîü ?
(1) áÖ׌®Ö×¾ÖÞÖß (2) ³Öã•ÖÓÝÖ¯ÖϵÖÖŸÖ
(3) ¯ÖÏ´ÖÖ×ÞÖÛúÖ (4) ´ÖÖ×»Ö®Öß
22. ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
ÃÖæ“Öß – I ÃÖæ“Öß – II
a. ™ü¯¯ÖÖ i. ¤ü֮߯֓¤üß
b. šãü´Ö¸üß ii. ÃÖæ»ÖŸÖÖ»Ö
c. ÃÖÖ¤ü¸üÖ iii. ¬Öã´ÖÖ»Öß
d. Ûú¾¾ÖÖ»Öß iv. ¯ÖÓ•ÖÖ²Öß
󜅐ݟ :
a b c d
(1) iv i ii iii
(2) iv iii ii i
(3) iii ii iv i
(4) ii iii i iv
J-98-16 11 Paper-II
Text of page 12
23. What a taala is called in Western Music ?
(1) Middle Signature (2) Time Signature
(3) Bead Signature (4) Rhythm Signature
24. Vikshep is related to which one of the following acts (Kriya) ?
(1) Sashabda kriya (2) Nihshabda Kriya
(3) Taal (4) None of the above
25. The Laykari in playing Brahma taal in Rupak taal from sam to sam is
4 1
(1) 1 (2) 2
1 7
(3) 3 (4) 4
26. How many other disciplines of Bolas are included in parmelu ?
(1) Three (2) Four
(3) Two (4) Five
27. Who among the following played tabla in the movie ‘Mehbooba’ ?
(1) A.R. Quraishi (2) Gudai Maharaj
(3) Latif Ahmed Khan (4) Pt. Ram Shankar
28. The diameter of the right and left face of the Pakhawaj is about ________ respectively.
(1) 7 inches and 9 inches (2) 9 inches and 11 inches
(3) 11 inches and 12 inches (4) 1 inch and 2 inches
Paper-II 12 J-98-16
Text of page 13
23. ¯ÖÖ¿“ÖÖŸµÖ ÃÖÓÝÖßŸÖ ´Öë ŸÖÖ»Ö ÛúÖê ŒµÖÖ ÛúÆüŸÖê Æïü ?
(1) ×´Ö›ü»Ö ×ÃÖÝ®Öê“Ö¸ü (2) ™üÖ‡´Ö ×ÃÖÝ®Öê“Ö¸ü
(3) ²Öß›Ìü ×ÃÖÝ®Öê“Ö¸ü (4) ׸ü¤Ëü´Ö ×ÃÖÝ®Öê“Ö¸ü
24. ×¾ÖõÖê¯Ö ×ÛúÃÖ ×ÛÎúµÖÖ ÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æîü ?
(1) ÃÖ¿Ö²¤ü ×ÛÎúµÖÖ (2) ×®Ö:¿Ö²¤ü ×ÛÎúµÖÖ
(3) ŸÖÖ»Ö (4) ˆ¯ÖµÖãÔŒŸÖ ´Öë ÃÖê ÛúÖê‡Ô ®ÖÆüà
25. ºþ¯ÖÛú ŸÖÖ»Ö ´Öë ²ÖÎÉ ŸÖÖ»Ö ÛúÖê ÃÖ´Ö ÃÖê ÃÖ´Ö ŸÖÛú ²Ö•ÖÖ®Öê ¯Ö¸ü »ÖµÖÛúÖ¸üß ÆüÖêÝÖß
4 1
(1) 1 (2) 2
1 7
(3) 3 (4) 4
26. ¯Ö¸ü´Öê»Öæ ´Öë †®µÖ ×Ûú®Ö ×¾Ö¬ÖÖ†Öë Ûêú ²ÖÖê»ÖÖë ÛúÖ ÃÖ´ÖÖ¾Öê¿Ö Æîü ?
(1) ŸÖß®Ö (2) “ÖÖ¸ü
(3) ¤üÖê (4) ¯ÖÖÑ“Ö
27. ´ÖêÆü²Öæ²ÖÖ ×±ú»´Ö ´Öë ŸÖ²Ö»ÖÖ-¾ÖÖ¤ü®Ö Ûú¸ü®Öê ¾ÖÖ»Öê Ûú»ÖÖÛúÖ¸ü Æïü
(1) ‹.†Ö¸ü. Ûãú¸îü¿Öß (2) ÝÖã¤ü‡Ô ´ÖÆüÖ¸üÖ•Ö
(3) »ÖŸÖß±ú †Æü´Ö¤ü ÜÖÖÑ (4) ¯ÖÓ. ¸üÖ´Ö ¿ÖÓÛú¸ü
28. ¯ÖÜÖÖ¾Ö•Ö Ûêú ¤üÖµÖë ŸÖ£ÖÖ ²ÖÖµÖë ´ÖãÜÖ ÛúÖ ¾µÖÖÃÖ ÛÎú´Ö¿Ö: »ÖÝÖ³ÖÝÖ ÆüÖêŸÖÖ Æîü
(1) 7 ‡Ó“Ö †Öî¸ü 9 ‡Ó“Ö (2) 9 ‡Ó“Ö †Öî¸ü 11 ‡Ó“Ö
(3) 11 ‡Ó“Ö †Öî¸ü 12 ‡Ó“Ö (4) 1 ‡Ó“Ö †Öî¸ü 2 ‡Ó“Ö
J-98-16 13 Paper-II
Text of page 14
29. Which one among the following of Rabindra Sangeet consists of 18 matras ?
(1) Jhampak (2) Ekadashi
(3) Naupanch (4) Rupkada
30. Who among the following is the son of Ustad Haji Vilayat Ali Khan ?
(1) Ustad Hussain Ali Khan (2) Ustad Nasir Ali Khan
(3) Ustad Rajab Ali Khan (4) Ustad Aman Ali Khan
31. To which gharana the Tabla maestro Hazarilal Kathak belongs ?
(1) Delhi (2) Ajrada
(3) Lucknow (4) Punjab
1
32. A chakradar Tihai, the Palla of which with ‘dha’ is 7 2 matras, will appear in Jhaptal with
dum of how many matras ?
3
(1) 44 (2) 4
1 2
(3) 44 (4) 44
33. The Laykari in playing kaharwa taal in Jhaptaal from sam to sam is
(1) Reverse (ulti) of Sawagun
(2) Paogun
(3) Dedhagun
(4) Paungun
Paper-II 14 J-98-16
Text of page 15
29. ¸ü²Öß®¦ü ÃÖÓÝÖßŸÖ ´Öë 18 ´ÖÖ¡ÖÖ†Öë Ûúß ŸÖÖ»Ö Æîü
(1) —Ö´¯ÖÛú (2) ‹ÛúÖ¤ü¿Öß
(3) ®Ö¾Ö¯ÖÓ“Ö (4) ºþ¯ÖÛú›ÌüÖ
30. ˆ. ÆüÖ•Öß ×¾Ö»ÖÖµÖŸÖ †»Öß ÜÖÖÑ Ûêú ¯Öã¡Ö Æïü
(1) ˆ. ÆãüÃÖî®Ö †»Öß ÜÖÖÑ (2) ˆ. ®ÖÖ×ÃÖ¸ü †»Öß ÜÖÖÑ
(3) ˆ. ¸ü•Ö²Ö †»Öß ÜÖÖÑ (4) ˆ. †´Ö®Ö †»Öß ÜÖÖÑ
31. Æü•ÖÖ¸üß»ÖÖ»Ö ÛúŸ£ÖÛú ŸÖ²Ö»Öê Ûêú ×ÛúÃÖ ‘Ö¸üÖ®Öê ÃÖê Æîü ?
(1) פü»»Öß (2) †•Ö¸üÖ›üÖ
(3) »ÖÜÖ®Ö‰ú (4) ¯ÖÓ•ÖÖ²Ö
1
32. “ÖÛÎú¤üÖ¸ü ןÖÆüÖ‡Ô ×•ÖÃÖÛúÖ ‘¬ÖÖ’ ÃÖ×ÆüŸÖ ‹Ûú ¯Ö»»ÖÖ 72 ´ÖÖ¡ÖÖ ÛúÖ Æîü ŸÖÖê ¾ÖÆü —Ö¯ÖŸÖÖ»Ö ´Öë ×ÛúŸÖ®Öê ´ÖÖ¡ÖÖ Ûêú ¤ü´Ö Ûêú ÃÖÖ£Ö
†ÖµÖêÝÖß ?
3
(1) 44 (2) 4
1 2
(3) 44 (4) 44
33. —Ö¯ÖŸÖÖ»Ö ´Öë ÛúÆü¸ü¾ÖÖ ŸÖÖ»Ö ÃÖ´Ö ÃÖê ÃÖ´Ö ŸÖÛú ²Ö•ÖÖ®Öê ¯Ö¸ü »ÖµÖÛúÖ¸üß ÆüÖêÝÖß
(1) ÃÖ¾ÖÖÝÖã®Ö Ûúß ˆ»™üß
(2) ¯ÖÖ¾ÖÝÖã®Ö
(3) ›êüœÌüÝÖã®Ö
(4) ¯ÖÖî®ÖÝÖã®Ö
J-98-16 15 Paper-II
Text of page 16
34. Read Assertion (A) and Reason (R) and give the correct answer with the help of the code
given below :
Assertion (A) : Unpleasant or Taalvihin (without proper taalas) music is unpleasant.
Reason (R) : Because it protects traditional forms.
Codes :
(1) (A) is false but (R) is true.
(2) (A) is true but (R) is false.
(3) (A) and (R) both are true.
(4) (A) and (R) both are false.
35. Arrange the signs of Laghu, Guru, Plut and Kak pad in correct sequence :
(1) 1 – + – ƒ – ƒ̀ (2) ƒ – ƒ̀ – + – 1
(3) 1 – ƒ – ƒ̀ – + (4) + – ƒ – ƒ̀ – 1
36. Match the following, select correct answer from the code given below :
Taal Akshar Kaal
a. Chatashra Jati Dhruva Taal i. 5
b. Tishra Jati Rupak Taal ii. 9
c. Khanda Jati Triputh Taal iii. 16
d. Mishra Jati Ek Taal iv. 7
v. 14
Codes :
a b c d
(1) iii i ii iv
(2) v ii i iv
(3) v i ii iv
(4) i iii ii v
Paper-II 16 J-98-16
Text of page 17
34. †×³ÖÛú£Ö®Ö (A) ŸÖ£ÖÖ ÛúÖ¸üÞÖ (R) ÛúÖê ¯ÖœÌëü †Öî¸ü ®Öß“Öê פü‹ Ûæú™üÖë Ûúß ÃÖÆüÖµÖŸÖÖ ÃÖê ÃÖÆüß ˆ¢Ö¸ü ¤ëü :
†×³ÖÛú£Ö®Ö (A) : †×®Ö²Ö¨ü µÖÖ ŸÖÖ»Ö×¾Ö×Æü®Ö ÃÖÓÝÖßŸÖ ¤ãüÜÖ ÛúÖ ÛúÖ¸üÞÖ ÆüÖêŸÖÖ Æîü …
ÛúÖ¸üÞÖ (R) : ŒµÖÖë×Ûú µÖê ¯Ö¸ü´¯Ö¸üÖ†Öë ÛúÖê ÃÖÓ¸ü×õÖŸÖ Ûú¸üŸÖÖ Æîü …
󜅐ݟ :
(1) (A) ÝÖ»ÖŸÖ Æîü, ¯Ö¸ÓüŸÖã (R) ÃÖÆüß Æîü …
(2) (A) ÃÖÆüß Æîü, ¯Ö¸ÓüŸÖã (R) ÝÖ»ÖŸÖ Æîü …
(3) (A) ¾Ö (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(4) (A) ¾Ö (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
35. »Ö‘Öã, ÝÖã¹ý, ¯»ÖãŸÖ ‹¾ÖÓ ÛúÖÛú ¯Ö¤ü Ûêú דÖÅ®ÖÖë ÛúÖê ÃÖÆüß ÛÎú´Ö²Ö¨ü Ûúßו֋ :
(1) 1 – + – ƒ – ƒ̀ (2) ƒ – ƒ̀ – + – 1
(3) 1 – ƒ – ƒ̀ – + (4) + – ƒ – ƒ̀ – 1
36. ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
ŸÖÖ»Ö †õÖ¸ü ÛúÖ»Ö
a. “ÖŸÖÁÖ •ÖÖ×ŸÖ ¬ÖÐã¾Ö ŸÖÖ»Ö i. 5
b. ןÖÁÖ •ÖÖ×ŸÖ ºþ¯ÖÛú ŸÖÖ»Ö ii. 9
c. ÜÖÞ›ü •ÖÖ×ŸÖ ×¡Ö¯Öãšü ŸÖÖ»Ö iii. 16
d. ×´ÖÁÖ •ÖÖ×ŸÖ ‹Ûú ŸÖÖ»Ö iv. 7
v. 14
󜅐ݟ :
a b c d
(1) iii i ii iv
(2) v ii i iv
(3) v i ii iv
(4) i iii ii v
J-98-16 17 Paper-II
Text of page 18
37. Scholars of Indian music have divided ‘Atodya’ into how many numbers ?
(1) 3 (2) 6
(3) 4 (4) 5
38. What is applied in the left (Bayan Pudi) of Mridangam before playing it ?
(1) Dough (loi) of wheat meal (Suji) and rice
(2) Dough (loi) of wheat and rice
(3) Dough (loi) of maize and rice
(4) Dough (loi) of rice only
39. Arrange the following musicians chronologically :
(1) Jasraj – Kishan Maharaj – Udai Shankar – Ravi Shankar
(2) Kishan Maharaj – Udai Shankar – Ravi Shankar – Jasraj
(3) Udai Shankar – Ravi Shankar – Kishan Maharaj – Jasraj
(4) Ravi Shankar – Udai Shankar – Kishan Maharaj – Jasraj
40. Pt. Vishnu Digambar Paluskar founded a music college in Lahore in which of the
following years ?
(1) 1902 (2) 1901
(3) 1903 (4) 1904
41. Bedam Tihai in Rudra taal will have how many varnas ?
(1) 14 (2) 15
(3) 16 (4) 17
Paper-II 18 J-98-16
Text of page 19
37. ³ÖÖ¸üŸÖßµÖ ÃÖÓÝÖßŸÖ Ûêú ¿ÖÖáÖÛúÖ¸üÖë ®Öê ‘†ÖŸÖÖꪒ ÛúÖê ×ÛúŸÖ®Öê ³ÖÖÝÖÖë ´Öë ²ÖÖÑ™üÖ Æîü ?
(1) 3 (2) 6
(3) 4 (4) 5
38. ´Öé¤ÓüÝÖ´ÖË Ûúß ²ÖÖµÖë ¯Öæ›Ìüß ´Öë ¾ÖÖ¤ü®Ö ÃÖê ¯Öæ¾ÖÔ ŒµÖÖ »ÖÝÖÖµÖÖ •ÖÖŸÖÖ Æîü ?
(1) ÃÖæ•Öß ‹¾ÖÓ “ÖÖ¾Ö»Ö Ûúß »ÖÖê‡Ô
(2) ÝÖêÆæÑü ‹¾ÖÓ “ÖÖ¾Ö»Ö Ûúß »ÖÖê‡Ô
(3) ´ÖÛú‡Ô ‹¾ÖÓ “ÖÖ¾Ö»Ö Ûúß »ÖÖê‡Ô
(4) ×ÃÖ±Ôú “ÖÖ¾Ö»Ö Ûúß »ÖÖê‡Ô
39. ÃÖÓÝÖߟÖÛúÖ¸üÖë ÛúÖê ÛúÖ»ÖÛÎú´ÖÖ®ÖãÃÖÖ¸ü ÛÎú´Ö²Ö¨ü ÛúßוֵÖê :
(1) •ÖÃÖ¸üÖ•Ö – ×Ûú¿Ö®Ö ´ÖÆüÖ¸üÖ•Ö – ˆ¤üµÖ ¿ÖÓÛú¸ü – ¸ü×¾Ö ¿ÖÓÛú¸ü
(2) ×Ûú¿Ö®Ö ´ÖÆüÖ¸üÖ•Ö – ˆ¤üµÖ ¿ÖÓÛú¸ü – ¸ü×¾Ö ¿ÖÓÛú¸ü – •ÖÃÖ¸üÖ•Ö
(3) ˆ¤üµÖ ¿ÖÓÛú¸ü – ¸ü×¾Ö ¿ÖÓÛú¸ü – ×Ûú¿Ö®Ö ´ÖÆüÖ¸üÖ•Ö – •ÖÃÖ¸üÖ•Ö
(4) ¸ü×¾Ö ¿ÖÓÛú¸ü – ˆ¤üµÖ ¿ÖÓÛú¸ü – ×Ûú¿Ö®Ö ´ÖÆüÖ¸üÖ•Ö – •ÖÃÖ¸üÖ•Ö
40. ×ÛúÃÖ ÃÖ®ÖË ´Öë ¯ÖÓ. ×¾ÖÂÞÖã פüÝÖÓ²Ö¸ü ¯Ö»ÖãÃÛú¸ü ®Öê »ÖÖÆüÖê¸ü ´Öë ´µÖæוÖÌÛú ÛúÖò»Öê•Ö Ûúß Ã£ÖÖ¯Ö®ÖÖ Ûúß £Öß ?
(1) 1902 (2) 1901
(3) 1903 (4) 1904
41. ¹ý¦ü ŸÖÖ»Ö ´Öë ²Öê¤ü´Ö ןÖÆüÖ‡Ô ×ÛúŸÖ®Öê ¾ÖÞÖÖí ÛúÖ ÆüÖêÝÖÖ ?
(1) 14 (2) 15
(3) 16 (4) 17
J-98-16 19 Paper-II
Text of page 20
42. Who is the first President awardee Tabla maestro ?
(1) Ustad Ahmad Jan Thirakwa
(2) Pt. Kanthe Maharaj
(3) Ustad Jahangir Khan
(4) Ustad Maseet Khan
43. Which one of the following is the Patakshara for Dhavas ?
(1) Tat, Tant, Tuntun
(2) Denkar
(3) Ta, Da, Do, D
(4) Dabak
44. Who was the mentor (guru) of Pt. Sakharam Mridangacharya ?
(1) Pt. Sakharam Pant Agle
(2) Pt. Shankar Rao Bapushinde
(3) Pt. Shankar Bhaia Panse
(4) Pt. Nana Saheb Panse
45. In one single of avartan of any taal, there will be two complete layakaris of the same taal :
(1) Sawagun – Pachgun
(2) Dugun – Chowgun
(3) Chowgun – Tigun
(4) Tigun – Chhahgun
Paper-II 20 J-98-16
Text of page 21
42. ÃÖ¾ÖÔ¯ÖÏ£Ö´Ö ×ÛúÃÖ ŸÖ²Ö»ÖÖ ¾ÖÖ¤üÛú ÛúÖê ¸üÖ™Òü¯Ö×ŸÖ ¯Ö¤üÛú ¯ÖÏÖ¯ŸÖ Æãü†Ö ?
(1) ˆ. †Æü´Ö¤ü •ÖÖ®Ö ×£Ö¸üÛú¾ÖÖ
(2) ¯ÖÓ. ÛúÞšêü ´ÖÆüÖ¸üÖ•Ö
(3) ˆ. •ÖÆüÖÑÝÖ߸ü ÜÖÖÑ
(4) ˆ. ´ÖÃÖßŸÖ ÜÖÖÑ
43. œü¾ÖÃÖ Ûêú ÛúÖî®Ö ÃÖê ¯ÖÖ™üÖõÖ¸ü Æïü ?
(1) ŸÖ™ü, ŸÖÓŸÖ, ŸÖãÓŸÖãÓ
(2) ¤ëüÛúÖ¸ü
(3) ŸÖÖ, ¤üÖ, ¤üÖê, ¤ü
(4) ›ü²ÖÛú
44. ¯ÖÓ. ÃÖÜÖÖ¸üÖ´Ö ´Öé¤ÓüÝÖÖ“ÖÖµÖÔ Ûêú ÝÖã¹ý ÛúÖî®Ö £Öê ?
(1) ¯ÖÓ. ÃÖÜÖÖ¸üÖ´Ö ¯ÖÓŸÖ †ÖÝÖ»Öê
(2) ¯ÖÓ. ¿ÖÓÛú¸ü ¸üÖ¾Ö ²ÖÖ¯Öã׿֮¤êü
(3) ¯ÖÓ. ¿ÖÓÛú¸ü ³ÖîµÖÖ ¯ÖÖ®ÖÃÖê
(4) ¯ÖÓ. ®ÖÖ®ÖÖ ÃÖÖÆêü²Ö ¯ÖÖ®ÖÃÖê
45. ×ÛúÃÖß ³Öß ŸÖÖ»Ö Ûêú ‹Ûú †Ö¾ÖŸÖÔ®Ö ´Öë ˆÃÖß ŸÖÖ»Ö Ûúß ¤üÖê ¯Öæ¸üß-¯Öæ¸üß »ÖµÖÛúÖ¸üß †ÖµÖêÝÖß :
(1) ÃÖ¾ÖÖÝÖã®Ö – ¯Ö“ÖÝÖã®Ö
(2) ¤ãüÝÖã®Ö – “ÖÖîÝÖã®Ö
(3) “ÖÖîÝÖã®Ö – ןÖÝÖã®Ö
(4) ןÖÝÖã®Ö – ”û:ÝÖã®Ö
J-98-16 21 Paper-II
Text of page 22
46. Bedam Tihai in chaugun laya in teentaal will come in how many varnas ?
(1) 20 varna
(2) 18 varna
(3) 21 varna
(4) none of the above
47. In Dhagen Dha “Ne” is produced through which finger ?
(1) Middle (2) Ring
(3) Index (4) Little
48. One bol of Nauhakka in Gajjhampa taal will consist of how many varna samuha ?
(1) 5 (2) 6
(3) 7 (4) 8
49. The name of the music department in ancient Vikramsheela Vishwavidyalaya was
(1) Gandharva Vibhag
(2) Kinnar Vibhag
(3) Sangeet Vibhag
(4) Lalit Kala Vibhag
50. Number of Taali-Khali in Ekawai taal is
(1) 3–1 (2) 2–2
(3) 4–2 (4) 3–3
_____________
Paper-II 22 J-98-16
Text of page 23
46. ŸÖ߮֟ÖÖ»Ö ´Öë “ÖÖîÝÖã®Ö »ÖµÖ ´Öë ²Öê¤ü´Ö ןÖÆüÖ‡Ô ×ÛúŸÖ®Öê ¾ÖÞÖÔ ´Öë †ÖµÖêÝÖÖ ?
(1) 20 ¾ÖÞÖÔ
(2) 18 ¾ÖÞÖÔ
(3) 21 ¾ÖÞÖÔ
(4) ˆ¯ÖµÖãÔŒŸÖ ´Öë ÃÖê ÛúÖê‡Ô ®ÖÆüà
47. ¬ÖÖÝÖê®Ö ¬ÖÖ ´Öë “®Ö” ÛúÖ ×®ÖÛúÖÃÖ ×ÛúÃÖ ˆÑÝÖ»Öß ÃÖê Æîü ?
(1) ´Ö¬µÖ´ÖÖ (2) †®ÖÖ×´ÖÛúÖ
(3) ŸÖ•ÖÔ®Öß (4) Ûú×®ÖšüÖ
48. ÝÖ•Ö—Ö´¯ÖÖ ŸÖÖ»Ö ´Öë ®ÖÖîÆüŒÛúÖ ÛúÖ ‹Ûú ²ÖÖê»Ö ÃÖ´ÖæÆü ×ÛúŸÖ®Öê ¾ÖÞÖÔ ÃÖ´ÖæÆü ÛúÖ ÆüÖêÝÖÖ ?
(1) 5 (2) 6
(3) 7 (4) 8
49. ¯ÖÏÖ“Öß®Ö ×¾ÖÛÎú´Ö׿ֻÖÖ ×¾Ö¿¾Ö×¾ÖªÖ»ÖµÖ ´Öë ÃÖÓÝÖßŸÖ ×¾Ö³ÖÖÝÖ ÛúÖ ®ÖÖ´Ö £ÖÖ
(1) ÝÖÖÓ¬Ö¾ÖÔ ×¾Ö³ÖÖÝÖ
(2) ×Ûú®®Ö¸ü ×¾Ö³ÖÖÝÖ
(3) ÃÖÓÝÖßŸÖ ×¾Ö³ÖÖÝÖ
(4) »Ö×»ÖŸÖ Ûú»ÖÖ ×¾Ö³ÖÖÝÖ
50. ‡Ûú¾ÖÖ‡Ô ŸÖÖ»Ö ´Öë ŸÖÖ»Öß-ÜÖÖ»Öß Ûúß ÃÖÓܵÖÖ Æîü
(1) 3–1 (2) 2–2
(3) 4–2 (4) 3–3
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J-98-16 23 Paper-II
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Space For Rough Work Paper-II 24 J-98-16
Official key not published for this paper.
Page 1 of 24
Source: University Grants Commission. Question paper published by University Grants Commission.