UGC NET 2017: January (December 2016 cycle), Paper II, Visual Art
Text of page 1
PAPER-II
VISUAL ARTS
Signature and Name of Invigilator
1. (Signature) __________________________ OMR Sheet No. : ...............................................
(Name) ____________________________ (To be filled by the Candidate)
2. (Signature) __________________________ Roll No.
(Name) ____________________________ (In figures as per admission card)
Roll No.________________________________
J A 0 7 9 1 7 (In words)
Time : 1 1/4 hours] [Maximum Marks : 100
Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 50
Instructions for the Candidates ¯Ö¸üßõÖÖÙ£ÖµÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö
1. Write your roll number in the space provided on the top of 1. ‡ÃÖ ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …
this page. 2. ‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö“ÖÖÃÖ ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü …
2. This paper consists of fifty multiple-choice type of questions. 3. ¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯Ö¸ü, ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖµÖêÝÖß … ¯ÖÆü»Öê
3. At the commencement of examination, the question booklet ¯ÖÖÑ“Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ
will be given to you. In the first 5 minutes, you are requested •ÖÖÑ“Ö Ûêú ×»Ö‹ פüµÖê •ÖÖµÖëÝÖê, וÖÃÖÛúß •ÖÖÑ“Ö †Ö¯ÖÛúÖê †¾Ö¿µÖ Ûú¸ü®Öß Æîü :
to open the booklet and compulsorily examine it as below : (i) ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ¯Öã×ßÖÛúÖ ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö Ûúß ÃÖß»Ö
(i) To have access to the Question Booklet, tear off the paper ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô µÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß ¯Öã×ßÖÛúÖ
seal on the edge of this cover page. Do not accept a booklet þÖßÛúÖ¸ü ®Ö Ûú¸ëü …
without sticker-seal and do not accept an open booklet. (ii) Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü ”û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ
(ii) Tally the number of pages and number of questions in
the booklet with the information printed on the cover ¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †“”ûß ŸÖ¸üÆü “ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êü
page. Faulty booklets due to pages/questions missing Æïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë µÖÖ ¤ãü²ÖÖ¸üÖ †Ö
or duplicate or not in serial order or any other ÝÖµÖê ÆüÖë µÖÖ ÃÖß׸üµÖ»Ö ´Öë ®Ö ÆüÖë †£ÖÖÔŸÖ ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß
discrepancy should be got replaced immediately by a ¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü ®Ö Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê
correct booklet from the invigilator within the period »ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
of 5 minutes. Afterwards, neither the Question Booklet ‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ“Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü ®Ö
will be replaced nor any extra time will be given. ŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü ®Ö Æüß †Ö¯ÖÛúÖê
(iii) After this verification is over, the Test Booklet Number †×ŸÖ׸üŒŸÖ ÃÖ´ÖµÖ ×¤üµÖÖ •ÖÖµÖêÝÖÖ …
should be entered on the OMR Sheet and the OMR (iii) ‡ÃÖ •ÖÖÑ“Ö Ûêú ²ÖÖ¤ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÛúÖ ®ÖÓ²Ö¸ü OMR ¯Ö¡ÖÛú ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ëü
Sheet Number should be entered on this Test Booklet. †Öî¸ü OMR ¯Ö¡ÖÛú ÛúÖ ®ÖÓ²Ö¸ü ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü ¤ëü …
(iv) The test booklet no. and OMR sheet no. should be same. (iv) ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ ®ÖÓ. †Öî¸ü OMR ¯Ö¡ÖÛú ®ÖÓ. ÃÖ´ÖÖ®Ö ÆüÖê®Öê “ÖÖ×Æü‹ … µÖפü
In case of discrepancy in the number, the candidate should ®ÖÓ²Ö¸ü ׳֮®Ö ÆüÖë, ŸÖÖê ¯Ö¸üßõÖÖ£Öá ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ / OMR ¯Ö¡ÖÛú ²Ö¤ü»Ö®Öê
immediately report the matter to the invigilator for Ûêú ×»Ö‹ ×®Ö¸üßõÖÛú ÛúÖê ŸÖã¸ÓüŸÖ ÃÖæ×“ÖŸÖ Ûú¸ëü …
replacement of the Test Booklet / OMR Sheet. 4. ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ “ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö (1), (2), (3) ŸÖ£ÖÖ (4) פüµÖê ÝÖµÖê
4. Each item has four alternative responses marked (1), (2), (3) Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü •ÖîÃÖÖ
and (4). You have to darken the circle as indicated below on ×Ûú ®Öß“Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü :
the correct response against each item.
Example :
ˆ¤üÖÆü¸üÞÖ :
where (3) is the correct response. •Ö²Ö×Ûúú(3) ÃÖÆüß ˆ¢Ö¸ü Æîü …
5. Your responses to the items are to be indicated in the OMR 5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸ü Æüß †Ó×ÛúŸÖ
Sheet given inside the Booklet only. If you mark your Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ ×ÛúÃÖß †®µÖ
response at any place other than in the circle in the OMR ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü דÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê Æïü, ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö ®ÖÆüà ÆüÖêÝÖÖ …
Sheet, it will not be evaluated. 6. †®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …
6. Read instructions given inside carefully. 7. Ûú““ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …
7. Rough Work is to be done in the end of this booklet. 8. µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ®ÖÖ´Ö, ¸üÖê»Ö
8. If you write your Name, Roll Number, Phone Number or put ®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×“ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü“ÖÖ®Ö ÆüÖê
any mark on any part of the OMR Sheet, except for the space ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê Æïü, µÖÖ ÛúÖê‡Ô
allotted for the relevant entries, which may disclose your †®µÖ †®Öã×“ÖŸÖ ÃÖÖ¬Ö®Ö ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê Æïü, •ÖîÃÖê ×Ûú †Ó×ÛúŸÖ ×ÛúµÖê ÝÖµÖê
identity, or use abusive language or employ any other unfair ˆ¢Ö¸ü ÛúÖê ×´Ö™üÖ®ÖÖ µÖÖ ÃÖ±êú¤ü õÖÖÆüß ÃÖê ²Ö¤ü»Ö®ÖÖ ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖµÖê
means, such as change of response by scratching or using †µÖÖêÝµÖ ‘ÖÖê×ÂÖŸÖ ×ÛúµÖê •ÖÖ ÃÖÛúŸÖê Æïü …
white fluid, you will render yourself liable to disqualification.
9. You have to return the Original OMR Sheet to the invigilators
9. †Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ´Öæ»Ö OMR ¯Ö¡ÖÛú ×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê
at the end of the examination compulsorily and must not »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®Ö
carry it with you outside the Examination Hall. You are, ÃÖê ²ÖÖÆü¸ü ®Ö »ÖêÛú¸ü •ÖÖµÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü ´Öæ»Ö ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ
however, allowed to carry original question booklet on †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛúŸÖê Æïü …
conclusion of examination. 10. ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …
10. Use only Black Ball point pen. 11. ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) µÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ
11. Use of any calculator or log table etc., is prohibited. ¯ÖϵÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …
12. There is no negative marks for incorrect answers. 12. ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô ®ÖÛúÖ¸üÖŸ´ÖÛú †ÓÛú ®ÖÆüà Æïü …
13. In case of any discrepancy in the English and Hindi versions, 13. µÖפü †ÓÝÖÏê•Öß µÖÖ ØÆü¤üß ×¾Ö¾Ö¸üÞÖ ´Öë ÛúÖê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆüÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸üÞÖ
English version will be taken as final. †Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …
JA-079-17 1 P.T.O.
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VISUAL ARTS
Paper – II
Note : This paper contains fifty (50) objective type questions of two (2) marks each. All
questions are compulsory.
1. Stencil technique in visual art is also referred as
(1) Etching (2) Pochoir
(3) Graffiti (4) Islands
2. The earliest print making technique first developed as a means of
(1) Patterns on cloth (2) Images on paper
(3) Text on paper (4) Symbols on Billboard
3. The artist who is known to introduce etching as a medium of art expression in India.
(1) Nandalal Bose (2) Krishna Reddy
(3) Mukul Dey (4) Chanchal Banerjee
4. ‘Love and Death’ etching print produced about 1803 AD is made by
(1) Francisco Jose de Goya (2) William Blake
(3) Charles Meryon (4) Holbein Hans
Paper-II 2 JA-079-17
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¥ü¿µÖ Ûú»ÖÖ
¯ÖÏ¿®Ö¯Ö¡Ö – II
®ÖÖê™ü : ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö“ÖÖÃÖ (50) ²ÖÆãü-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê (2) †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …
1. ¥ü¿µÖ Ûú»ÖÖ ´Öë Ùëü×ÃÖ»Ö ŸÖÛú®ÖßÛú ÛúÖê µÖÆü ³Öß ÛúÆüÖ •ÖÖŸÖÖ Æîü :
(1) ‹Ø“ÖÝÖ (2) ¯ÖÖê¿ÖÖòµÖ
(3) ÝÖÏê×±ú™üß (4) †Ö‡Ô»Öï›ËüÃÖ
2. †Ö¸Óü׳ÖÛú دÖÏ™ü ´ÖêØÛúÝÖ ŸÖÛú®ÖßÛú ÛúÖ ×¾ÖÛúÖÃÖ ‡ÃÖ ºþ¯Ö ´Öë Æãü†Ö £ÖÖ
(1) Ûú¯Ö›Ìêü ¯Ö¸ü ¯Öî™ü®ÖÔ (2) ÛúÖÝÖ•Ö ¯Ö¸ü †ÖÛéúןÖ
(3) ÛúÖÝÖ•Ö ¯Ö¸ü ¯ÖÖšü (™êüŒÃÖË™ü) (4) ײֲֻÖÖê›Ôü ¯Ö¸ü ¯ÖÏŸÖßÛú/×ÃÖ´²Ö»Ö
3. ‹Ø“ÖÝÖ ÛúÖê ³ÖÖ¸üŸÖ ´Öë Ûú»ÖÖ †×³Ö¾µÖ׌ŸÖ Ûêú ºþ¯Ö ´Öë ¯Ö׸ü×“ÖŸÖ Ûú¸üÖ®Öê ¾ÖÖ»Öê Ûú»ÖÖÛúÖ¸ü Ûêú ºþ¯Ö ´Öë •ÖÖ®Öê •ÖÖŸÖê Æïü
(1) ®ÖÓ¤ü»ÖÖ»Ö ²ÖÖêÃÖ (2) ÛéúÂÞÖÖ ¸êüøüß
(3) ´ÖãÛãú»Ö ›êü (4) “ÖÓ“Ö»Ö ²Ö®Ö•Öá
4. ‘»Ö¾Ö ‹Ó›ü ›êü£Ö’ ‹Ø“ÖÝÖ Ø¯ÖÏ™ü ÛúÖ ×®Ö´ÖÖÔÞÖ »ÖÝÖ³ÖÝÖ ¾ÖÂÖÔ 1803 ´Öë «üÖ¸üÖ ×ÛúµÖÖ ÝÖµÖÖ :
(1) ±ÏúÖÓ×ÃÖÃÖÛúÖê •ÖÌÖê•Ö ¤êü ÝÖÖêµÖÖ (2) ×¾Ö×»ÖµÖ´Ö ²»ÖêÛú
(3) “ÖÖ»ÃÖÔ ´Öê¸üµÖÖë (4) ÆüÖ껲Öê®Ö ÆëüÃÖ
JA-079-17 3 Paper-II
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5. Identify the Principal of J.J. School of art amongst the following :
(1) George Keyt (2) Pestonji Bomanji
(3) Gladstone Solomen (4) Januel Abedin
6. Leonardo da Vinci’s painting “The Last Supper” is painted in which medium ?
(1) Fresco (2) Oil Paint
(3) Acrylic (4) Water
7. Arabian Nights series of painting have been painted by :
(1) Rabindranath Tagore (2) Abnindranath Tagore
(3) Nandalal Bose (4) Pradosh Das Gupta
8. Group-8 is devoted to
(1) Painting (2) Sculpture
(3) Graphic art (4) Photography
9. Seated sculpture of Buddha found from Katra and housed in Mathura museum dates from
(1) Mauryan period (2) Sunga period
(3) Kushana period (4) Gupta period
Paper-II 4 JA-079-17
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5. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê •Öê.•Öê. ÃÛæú»Ö †Öò±ú †Ö™Ôü Ûêú دÖÏ×ÃÖ¯Ö»Ö Ûúß ¯ÖÆü“ÖÖ®Ö Ûú¸ëü :
(1) •ÖÖ•ÖÔ ×Ûú™ü (2) ¯ÖêÙü®Ö•Öß ²ÖÖê´ÖÖ®Ö•Öß
(3) Ý»Öî›üÙüÖê®Ö ÃÖÖê»ÖÖê´Ö®Ö (4) •Öê®Öã‹»Ö ‹²Öê×›ü®Ö
6. ×»ÖµÖÖê®ÖÖ›üÖì ¤ü ؾÖ×“Ö Ûúß Ûéú×ŸÖ ‘¤ü »ÖÖÙü ÃÖ¯Ö¸ü’ ×ÛúÃÖ ´ÖÖ¬µÖ´Ö ´Öë דÖ×¡ÖŸÖ ×ÛúµÖÖ ÝÖµÖÖ Æîü ?
(1) ±ÏêúÃÛúÖê (2) ŸÖê»Ö ד֡ÖÞÖ
(3) ‹ÛÎêú×»ÖÛú (4) ¾ÖÖ™ü¸ü
7. †¸ü×²ÖµÖ®Ö ®ÖÖ‡™ËüÃÖ ¯ÖëØ™üÝÖ ÀÖéÓÜÖ»ÖÖ Ûêú ¯Öë™ü¸ü Æïü :
(1) ¸üײ֮¦ü®ÖÖ£Ö ™îüÝÖÖê¸ü (2) †²Öخ֦ü®ÖÖ£Ö ™îüÝÖÖê¸ü
(3) ®ÖÓ¤ü»ÖÖ»Ö ²ÖÖêÃÖ (4) ¯ÖϤüÖêÂÖ ¤üÖÃÖ ÝÖ㯟ÖÖ
8. ÝÖÏã¯Ö-8 ÃÖ´ÖÙ¯ÖŸÖ Æîü
(1) ¯ÖëØ™üÝÖ (2) ´ÖæÙŸÖÛú»ÖÖ
(3) ÝÖÏÖ×±úÛú Ûú»ÖÖ (4) ±úÖê™üÖêÝÖÏÖ±úß
9. ´Ö£Öã¸üÖ ÃÖÓÝÖÏÆüÖ»ÖµÖ ´Öë ×Ã£ÖŸÖ Ûú™ü¸üÖ ÃÖê ¯ÖÏÖ¯ŸÖ ²Öîšêü Æãü‹ ²Öã¨ü Ûúß ´ÖæÙŸÖ ×ÛúÃÖ ÛúÖ»Ö Ûúß Æîü ?
(1) ´ÖÖîµÖÔ ÛúÖ»Ö (2) ¿ÖãÓÝÖ ÛúÖ»Ö
(3) ÛãúÂÖÖÞÖ ÛúÖ»Ö (4) ÝÖã¯ŸÖ ÛúÖ»Ö
JA-079-17 5 Paper-II
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10. Who is the author of Brihad Samhita ?
(1) Panini (2) Kshemendra
(3) Abhinavgupta (4) Varahamihira
11. Who painted the famous painting “Madona of the Long Neck” ?
(1) Parmigianino (2) Agnolo Bronzino
(3) Raphael (4) Antonio Allegri
12. With reference to the Greek architecture order which is the earliest one of the following ?
(1) Composite order (2) Corinthian order
(3) Ionic order (4) Doric order
13. Rock cut architecture of Ajanta relates to
(1) Buddhism (2) Hinduism
(3) Hinduism, Buddhism and Jainism (4) Hinduism and Jainism
14. Composition of bronze are :
(1) Cu, Zn and Sn (2) Al, Cu and Zn
(3) Cu, Fe and Sn (4) Cu, Al and Fe
Paper-II 6 JA-079-17
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10. ¾ÖéÆüŸÖË ÃÖÓ×ÆüŸÖÖ Ûêú »ÖêÜÖÛú ÛúÖî®Ö Æïü ?
(1) ¯ÖÖ×ÞÖ®Öß (2) õÖê´Öë¦ü
(3) †×³Ö®Ö¾Ö-ÝÖã¯ŸÖ (4) ¾Ö¸üÖÆü×´Ö×Æü¸ü
11. ‘´Öê›üÖê®ÖÖ †Öò±ú ¤ü »ÖÖÓÝÖ ®ÖêÛú’ ®ÖÖ´ÖÛú ´Ö¿ÖÆæü¸ü ¯ÖëØ™üÝÖ Ûêú ¯Öë™ü¸ü ÛúÖî®Ö Æïü ?
(1) ¯Ö¸ü×´ÖוֵÖÖ×®Ö®ÖÖê (2) ‹ÝÖ®ÖÖê»ÖÖê ²ÖÎÖëו֮ÖÖê
(3) ¸üÖ±êú»Ö (4) †™üÖêخֵÖÖê ‹»ÖêÝÖ¸üß
12. ÝÖÏßÛú ¾ÖÖßÖãÛú»ÖÖ Ûêú ÃÖÓ¤ü³ÖÔ ´Öë ÃÖ²ÖÃÖê ¯ÖÏÖ“Öß®Ö ÛúÖî®Ö ÃÖÖ Æîü ?
(1) Ûú´¯ÖÖêו֙ü †Öò›Ôü¸ü (2) ÛúÖê׸ü®Ö×£ÖµÖ®Ö †Öò›Ôü¸ü
(3) †Ö‡µÖÖê×®ÖÛú †Öò›Ôü¸ü (4) ›üÖê׸üÛú †Öò›Ôü¸ü
13. †•ÖÓŸÖÖ ¯ÖÏßָü Ûú™üÖ¾Ö ¾ÖÖßÖãÛú»ÖÖ ÃÖÓ²ÖÓ×¬ÖŸÖ Æîü :
(1) ²ÖÖî¨ü-¬Ö´ÖÔ (2) ×Æü®¤æü-¬Ö´ÖÔ
(3) ØÆü¤æü, ²ÖÖî¨ü ŸÖ£ÖÖ •Öî®Ö ¬Ö´ÖÔ (4) ØÆü¤æü ¬Ö´ÖÔ ŸÖ£ÖÖ ²ÖÖî¨ü ¬Ö´ÖÔ
14. ÛúÖÓÃµÖ Ûúß ÃÖÓ¸ü“Ö®ÖÖ Æîü :
(1) Cu, Zn ŸÖ£ÖÖ Sn (2) Al, Cu ŸÖ£ÖÖ Zn
(3) Cu, Fe ŸÖ£ÖÖ Sn (4) Cu, Al ŸÖ£ÖÖ Fe
JA-079-17 7 Paper-II
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15. ‘Man with Dog’ is a sculpture by
(1) Auguste Rodin (2) Aristide Maillol
(3) Dhruva Mistry (4) Raghav Kaneria
16. The word “Macrome” goes with the work of
(1) Henry Matisse (2) Pilo Pochkunwala
(3) Mrinalini Mukherjee (4) Amarnath Sehgal
17. Following the invention of colour Lithography, the poster had just been born in France at
the hand of
(1) Henri de Toulouse Lantrec (2) Jules Ch’eret
(3) Edward Trojanowski (4) Tradeusz Gronowski
18. The word ‘Graffite’ is etymologically derived from
(1) Scratch (2) Graffito
(3) Street Art (4) Spray Painting
19. ‘Bauhaus’ design revolution was not about style, it is about
(1) Form and Functionality (2) Thoughts and Intuition
(3) Content and Ideas (4) Vision and Social Reforms
Paper-II 8 JA-079-17
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15. ‘´Öî®Ö ×¾Ö¤ü ›üÖòÝÖ’ ´ÖæÙŸÖ Ûêú ×®Ö´ÖÖÔŸÖÖ Æîü :
(1) †ÝÖãßÖê ¸üÖê¤üÖÑ (2) †×¸üÙüÖ‡›ü ´ÖÖ‡»ÖÖê
(3) ¬ÖÐã¾Ö ×´ÖáÖß (4) ¸üÖ‘Ö¾Ö Ûú®Öê׸üµÖÖ
16. “´ÖîÛÎúÖê´Ö” ¿Ö²¤ü ÃÖÓ²Ö¨ü Æîü :
(1) Æêü®Ö¸üß ´ÖÖŸÖßÃÖ (2) ׯֻÖÖê ¯ÖÖê“ÖÛãú®Ö¾ÖÖ»ÖÖ
(3) ´ÖéÞÖÖ×»Ö®Öß ´ÖãÜÖ•Öá (4) †´Ö¸ü®ÖÖ£Ö ÃÖÆüÝÖ»Ö
17. ¸ÓüÝÖß®Ö ×»Ö£ÖÖêÝÖÏÖ±úß Ûêú †Ö×¾ÖÂÛúÖ¸ü Ûêú ¯Ö¿“ÖÖŸÖË ±ÏúÖÓÃÖ ´Öë ¯ÖÖêÙü¸ü Ûêú •Ö®´Ö ´Öë ×Ûú®ÖÛúÖ ÆüÖ£Ö £ÖÖ ?
(1) Æêü®Ö¸üß ¤ü ŸÖã»ÖãÃÖ »ÖÖÓ¡ÖêÛú (2) •Öã»ÃÖ ¿Öê¸êü
(3) ‹›ü¾Ö›Ôü ¡ÖÖê•ÖÖ®ÖÖê¾ÖÃÛúß (4) ™ÒüÖ×›üµÖæÃÖ ÝÖÏÖê®ÖÖê¾ÖÃÛúß
18. ‘ÝÖÏê±úÖ‡™ü’ ¿Ö²¤ü Ûúß ¾µÖ㟯Ö×¢Ö ×ÛúÃÖÃÖê Æãü‡Ô Æîü ?
(1) ÃÛÎîú“Ö (2) ÝÖÏî×±ú™üÖê
(3) ÙÒüß™ü †Ö™Ôü (4) ïÖÏî ¯ÖëØ™üÝÖ
19. ‘²ÖÆüÖˆÃÖ’ †×³ÖÛú»¯Ö®ÖÖ †Ö®¤üÖê»Ö®Ö ×ÛúÃÖ ¿Öî»Öß Ûêú ÃÖÓ¤ü³ÖÔ ´Öë ®ÖÆüà £ÖÖ †×¯ÖŸÖã ˆÃÖÛúÖ ÃÖÓ²ÖÓ¬Ö Æîü
(1) ºþ¯Ö ŸÖ£ÖÖ ×ÛÎúµÖÖ®¾ÖµÖ®Ö (2) Ø“ÖŸÖ®Ö ŸÖ£ÖÖ †ÓŸÖ–ÖÖÔ®ÖŸÖÖ
(3) ×¾ÖÂÖµÖ-¾ÖßÖã ŸÖ£ÖÖ ×¾Ö“ÖÖ¸ü (4) ×¾Ö•Ö®Ö ŸÖ£ÖÖ ÃÖ´ÖÖוÖÛú ÃÖã¬ÖÖ¸ü
JA-079-17 9 Paper-II
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20. ‘An effective ‘logo’ should be timeless, it will endure the ages.’ Probably the best
example of timeless ‘logo’ is
(1) Pepsi logo (2) Coca Cola logo
(3) Thumps Up logo (4) KFC logo
21. Select the correct chronological sequence :
(1) Chitto Prasad, Lalit Mohan, Haren Das, Kanwal Krishna
(2) Kanwal Krishna, Lalit Mohan, Haren Das, Chitto Prasad
(3) Lalit Mohan, Kanwal Krishna, Chitto Prasad, Haren Das
(4) Kanwal Krishna, Chitto Prasad, Lalit Mohan, Haren Das
22. Arrange in chronological order :
(1) Wood block printing, Movable type, Printing press, Etching
(2) Movable type, Wood block printing, Etching, Printing press
(3) Etching, Wood block printing, Movable type, Printing press
(4) Printing press, Movable type, Wood block printing, Etching
23. Arrange the following artists in chronological order :
(1) Paussin, Rubens, Rembrandt, Titian
(2) Titian, Rubens, Paussin, Rembrandt
(3) Rubens, Rembrandt, Paussin, Titian
(4) Rembrandt, Paussin, Titian, Rubens
Paper-II 10 JA-079-17
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20. ‘‹Ûú ¯ÖϳÖÖ¾Ö¿ÖÖ»Öß ‘»ÖÖêÝÖÖê’ ÛúÖê ÃÖ´ÖµÖÛúÖ»Ö ÃÖê ¯Ö¸êü ÆüÖê®ÖÖ “ÖÖ×ÆüµÖê’ ‡®Ö´Öë ÃÖê ÃÖ´ÖµÖ ÃÖê ¯Ö¸êü ‘»ÖÖêÝÖÖê’ ÛúÖ ÃÖ´³ÖÖ×¾ÖŸÖ ÃÖ¾ÖÖì¢Ö´Ö
ˆ¤üÖÆü¸üÞÖ Æîü :
(1) ¯Öê¯ÃÖß »ÖÖêÝÖÖê (2) ÛúÖêÛúÖ ÛúÖê»ÖÖ »ÖÖêÝÖÖê
(3) £Ö´ÃÖ†¯Ö »ÖÖêÝÖÖê (4) Ûêú ‹±ú ÃÖß »ÖÖêÝÖÖê
21. ÛúÖ»ÖÛÎú´Ö Ûêú †®ÖãÃÖÖ¸ü ÃÖÆüß ÛÎú´Ö ÛúÖ “ÖµÖ®Ö Ûú¸ëü :
(1) ד֢ÖÖê ¯ÖÏÃÖÖ¤ü, »Ö×»ÖŸÖ ´ÖÖêÆü®Ö, Æü¸êü®Ö¤üÖÃÖ, ÛÓú¾Ö»Ö ÛéúÂÞÖ
(2) ÛÓú¾Ö»Ö ÛéúÂÞÖ, »Ö×»ÖŸÖ ´ÖÖêÆü®Ö, Æü¸êü®Ö¤üÖÃÖ, ד֢ÖÖê ¯ÖÏÃÖÖ¤ü
(3) »Ö×»ÖŸÖ ´ÖÖêÆü®Ö, ÛÓú¾Ö»Ö ÛéúÂÞÖ, ד֢ÖÖê ¯ÖÏÃÖÖ¤ü, Æü¸êü®Ö¤üÖÃÖ
(4) ÛÓú¾Ö»Ö ÛéúÂÞÖ, ד֢ÖÖê ¯ÖÏÃÖÖ¤ü, »Ö×»ÖŸÖ ´ÖÖêÆü®Ö, Æü¸êü®Ö¤üÖÃÖ
22. ÛúÖ»ÖÛÎú´ÖÖ®ÖãÃÖÖ¸ü ÛÎú´Ö²Ö¨ü Ûú¸ëü :
(1) ¾Öã›ü ²»ÖÖòÛú ׯÖÏØ™üÝÖ, ´Öæ¾Öê²Ö»Ö ™üÖ‡¯Ö, دÖÏØ™üÝÖ ¯ÖÏîÃÖ, ‹êØ“ÖÝÖ
(2) ´Öæ¾Öê²Ö»Ö ™üÖ‡¯Ö, ¾Öã›ü ²»ÖÖòÛú ׯÖÏØ™üÝÖ, ‹êØ“ÖÝÖ, دÖÏØ™üÝÖ ¯ÖÏîÃÖ
(3) ‹êØ“ÖÝÖ, ¾Öã›ü ²»ÖÖòÛú ׯÖÏØ™üÝÖ, ´Öæ¾Öê²Ö»Ö ™üÖ‡¯Ö, دÖÏØ™üÝÖ ¯ÖÏîÃÖ
(4) دÖÏØ™üÝÖ ¯ÖÏîÃÖ, ´Öæ¾Öê²Ö»Ö ™üÖ‡¯Ö, ¾Öã›ü ²»ÖÖòÛú ׯÖÏØ™üÝÖ, ‹êØ“ÖÝÖ
23. ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûú»ÖÖÛúÖ¸üÖë ÛúÖê ÛúÖ»ÖÛÎú´ÖÖ®ÖãÃÖÖ¸ü ¾µÖ¾Ö×Ã£ÖŸÖ ÛúßוֵÖê :
(1) ¯ÖæÃÖß®Ö, ºþ²Öê®ÃÖ, ¸êü´²ÖÎÖÓ, ×™ü׿ֵÖÖÓ
(2) ×™ü׿ֵÖÖÓ, ºþ²Öê®ÃÖ, ¯ÖæÃÖß®Ö, ¸êü´²ÖÎÖÓ
(3) ºþ²Öê®ÃÖ, ¸êü´²ÖÎÖÓ, ¯ÖæÃÖß®Ö, ×™ü׿ֵÖÖÓ
(4) ¸êü´²ÖÎÖÓ, ¯ÖæÃÖß®Ö, ×™ü׿ֵÖÖÓ, ºþ²Öê®ÃÖ
JA-079-17 11 Paper-II
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24. Arrange the following art schools in chronological order established at :
(1) Madras, Lahore, Calcutta, Bombay
(2) Lahore, Bombay, Madras, Calcutta
(3) Madras, Calcutta, Bombay, Lahore
(4) Calcutta, Madras, Bombay, Lahore
25. Choose the correct chronological sequence of the old cities of Delhi :
(1) Siri, Tughlaquabad, Jahanpanah, Ferozabad
(2) Jahanpanah, Siri, Tughlaquabad, Ferozabad
(3) Siri, Ferozabad, Jahanpanah, Tughlaquabad
(4) Tughlaquabad, Jahanpanah, Siri, Ferozabad
26. Select the chronological sequence of monuments :
(1) Stonehenge, City of Ur, Temple of Zeus Olympios, Temple of Khons
(2) Stonehenge, City of Ur, Temple of Khons, Temple of Zeus Olympios
(3) Stonehenge, Temple of Zeus Olympios, Temple of Khons, City of Ur
(4) Temple of Zeus Olympios, Temple of Khons, City of Ur, Stonehenge
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24. ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûú»ÖÖ×¾ÖªÖ»ÖµÖÖë ÛúÖê ãÖÖ¯Ö®ÖÖ®ÖãÃÖÖ¸ü ÛúÖ»ÖÛÎú´Ö ´Öë ¾µÖ¾Ö×Ã£ÖŸÖ ÛúßוֵÖê :
(1) ´Ö¦üÖÃÖ, »ÖÖÆüÖî¸ü, Ûú»ÖÛú¢ÖÖ, ²Ö´²Ö‡Ô
(2) »ÖÖÆüÖî¸ü, ²Ö´²Ö‡Ô, ´Ö¦üÖÃÖ, Ûú»ÖÛú¢ÖÖ
(3) ´Ö¦üÖÃÖ, Ûú»ÖÛú¢ÖÖ, ²Ö´²Ö‡Ô, »ÖÖÆüÖî¸ü
(4) Ûú»ÖÛú¢ÖÖ, ´Ö¦üÖÃÖ, ²Ö´²Ö‡Ô, »ÖÖÆüÖî¸ü
25. פü»»Öß Ûêú ¯ÖÏÖ“Öß®Ö ¿ÖÆü¸üÖë ÛúÖê ÛúÖ»ÖÛÎú´ÖÖ®ÖãÃÖÖ¸ü ÛÎú´Ö²Ö¨ü Ûúßו֋ :
(1) ×ÃÖ¸üß, ŸÖãÝÖ»ÖÛúÖ²ÖÖ¤ü, •ÖÆüÖÓ¯Ö®ÖÖÆü, ×±ú¸üÖê•ÖÖ²ÖÖ¤ü
(2) •ÖÆüÖÓ¯Ö®ÖÖÆü, ×ÃÖ¸üß, ŸÖãÝÖ»ÖÛúÖ²ÖÖ¤, ×±ú¸üÖê•ÖÖ²ÖÖ¤ü
(3) ×ÃÖ¸üß, ×±ú¸üÖê•ÖÖ²ÖÖ¤ü, •ÖÆüÖÓ¯Ö®ÖÖÆü, ŸÖãÝÖ»ÖÛúÖ²ÖÖ¤
(4) ŸÖãÝÖ»ÖÛúÖ²ÖÖ¤, •ÖÆüÖÓ¯Ö®ÖÖÆü, ×ÃÖ¸üß, ×±ú¸üÖê•ÖÖ²ÖÖ¤ü
26. ôÖÖ¸üÛúÖë ÛúÖê ÛúÖ»ÖÛÎú´ÖÖ®ÖãÃÖÖ¸ü ÃÖÆüß ÛÎú´Ö ¤üßו֋ :
(1) ÙüÖê®ÖÆëü•Ö, ×ÃÖ™üß †Öò±ú ˆ¸ü, ™ëü¯Ö»Ö †Öò±ú וֆÃÖ †Öê»ÖÓׯֆÃÖ, ™ëü¯Ö»Ö †Öò±ú ÜÖÖê®ÃÖ
(2) ÙüÖê®ÖÆëü•Ö, ×ÃÖ™üß †Öò±ú ˆ¸, ™ëü¯Ö»Ö †Öò±ú ÜÖÖê®ÃÖ, ™ëü¯Ö»Ö †Öò±ú וֆÃÖ †Öê»ÖÓׯֆÃÖ
(3) ÙüÖê®ÖÆëü•Ö, ™ëü¯Ö»Ö †Öò±ú וֆÃÖ †Öê»ÖÓׯֆÃÖ, ™ëü¯Ö»Ö †Öò±ú ÜÖÖê®ÃÖ, ×ÃÖ™üß †Öò±ú ˆ¸
(4) ™ëü¯Ö»Ö †Öò±ú וֆÃÖ †Öê»ÖÓׯֆÃÖ, ™ëü¯Ö»Ö †Öò±ú ÜÖÖê®ÃÖ, ×ÃÖ™üß †Öò±ú ˆ¸, ÙüÖê®ÖÆëü•Ö
JA-079-17 13 Paper-II
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27. Arrange the artists in correct chronological sequence :
(1) Michelangelo, Donatello, Hanson, David Smith
(2) Michelangelo, Donatello, David Smith, Hanson
(3) Donatello, Michelangelo, David Smith, Hanson
(4) Donatello, Hanson, Michelangelo, David Smith
28. Select the correct sequence of sculptures in chronological order :
(1) Dancing girl, Trimurti, Chauri Bearer, Nataraj.
(2) Dancing girl, Chauri Bearer, Trimurti, Nataraj.
(3) Dancing girl, Chauri Bearer, Nataraj, Trimurti.
(4) Dancing girl, Nataraj, Trimurti, Chauri Bearer.
29. Arrange the following ‘Fonts’ in order which they appeared historically :
(1) Futura, Frutigar, Times New Roman, Garamond
(2) Times New Roman, Garamond, Frutigar, Futura
(3) Garamond, Futura, Times New Roman, Frutigar
(4) Frutigar, Garamond, Futura, Times New Roman
30. Arrange the following Olympic mascots in order in which they appeared :
(1) Wenlock, Mukmuk, Misha, Vinicius
(2) Misha, Wenlock, Vinicius, Mukmuk
(3) Mukmuk, Wenlock, Misha, Vinicius
(4) Vinicius, Mukmuk, Wenlock, Misha
Paper-II 14 JA-079-17
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27. Ûú»ÖÖÛúÖ¸üÖë ÛúÖê ÃÖÆüß ÛúÖ»ÖÛÎú´Ö-²Ö¨ü Ûúßו֋ :
(1) ´ÖÖ‡ÔÛêú»Ö ‹Ó•Öê»ÖÖê, ¤üÖê®ÖÖŸÖê»»ÖÖê, ÆïüÃÖò®Ö, ›êü×¾Ö›ü ×ô֣Ö
(2) ´ÖÖ‡ÔÛêú»Ö ‹Ó•Öê»ÖÖê, ¤üÖê®ÖÖŸÖê»»ÖÖê, ›êü×¾Ö›ü ×ô֣Ö, ÆïüÃÖò®Ö
(3) ¤üÖê®ÖÖŸÖê»»ÖÖê, ´ÖÖ‡ÔÛêú»Ö ‹Ó•Öê»ÖÖê, ›êü×¾Ö›ü ×ô֣Ö, ÆïüÃÖò®Ö
(4) ¤üÖê®ÖÖŸÖê»»ÖÖê, ÆïüÃÖò®Ö, ´ÖÖ‡ÔÛêú»Ö ‹Ó•Öê»ÖÖê, ›êü×¾Ö›ü ×ô֣Ö
28. ´ÖæÙŸÖµÖÖë ÛúÖê ÃÖÆüß ÛúÖ»ÖÛÎú´ÖÖ®ÖãÃÖÖ¸ü ÛÎú´Ö²Ö¨ü Ûúßו֋ :
(1) ›üÖÓØÃÖÝÖ ÝÖ»ÖÔ, סִÖæÙŸÖ, “ÖÓ¾Ö¸ü ¬ÖÖ׸üÞÖß, ®Ö™ü¸üÖ•Ö
(2) ›üÖÓØÃÖÝÖ ÝÖ»ÖÔ, “ÖÓ¾Ö¸ü ¬ÖÖ׸üÞÖß, סִÖæÙŸÖ, ®Ö™ü¸üÖ•Ö
(3) ›üÖÓØÃÖÝÖ ÝÖ»ÖÔ, “ÖÓ¾Ö¸ü ¬ÖÖ׸üÞÖß, ®Ö™ü¸üÖ•Ö, סִÖæÙŸÖ
(4) ›üÖÓØÃÖÝÖ ÝÖ»ÖÔ, ®Ö™ü¸üÖ•Ö, סִÖæÙŸÖ, “ÖÓ¾Ö¸ü ¬ÖÖ׸üÞÖß
29. ×®Ö´®Ö×»Ö×ÜÖŸÖ ±úÖë™ËüÃÖ ÛúÖê ‹êןÖÆüÖ×ÃÖÛú ÛÎú´Ö Ûêú †®ÖãÃÖÖ¸ü ÛÎú´Ö²Ö¨ü Ûú¸ëü :
(1) °µÖæ“Öã¸üÖ, ±Ïãú™üßÝÖ¸ü, ™üÖ‡´ÃÖ ®µÖæ ¸üÖê´Ö®Ö, ÝÖÖ¸üÖ´ÖÖˆÓ›ü
(2) ™üÖ‡´ÃÖ ®µÖæ ¸üÖê´Ö®Ö, ÝÖÖ¸üÖ´ÖÖˆÓ›ü, ±Ïãú™üßÝÖ¸, °µÖæ“Öã¸üÖ
(3) ÝÖÖ¸üÖ´ÖÖˆÓ›ü, °µÖæ“Öã¸üÖ, ™üÖ‡´ÃÖ ®µÖæ ¸üÖê´Ö®Ö, ±Ïãú™üßÝÖ¸
(4) ±Ïãú™üßÝÖ¸, ÝÖÖ¸üÖ´ÖÖˆÓ›ü, °µÖæ“Öã¸üÖ, ™üÖ‡´ÃÖ ®µÖæ ¸üÖê´Ö®Ö
30. †Öê»ÖÓׯÖÛú ´ÖÖÃÛúÖò™ü (¿Öã³ÖÓÛú¸ü) ÛúÖê ÛÎú´ÖÖ®ÖãÃÖÖ¸ü ÛÎú´Ö²Ö¨ü Ûú¸ëü :
(1) ¾Öê®Ö»ÖÖòÛú, ´ÖãÛú´ÖãÛú, ×´Ö¿ÖÖ, ×¾Ö×®Ö×ÃÖµÖÃÖ
(2) ×´Ö¿ÖÖ, ¾Öê®Ö»ÖÖòÛú, ×¾Ö×®Ö×ÃÖµÖÃÖ, ´ÖãÛú´ÖãÛú
(3) ´ÖãÛú´ÖãÛú, ¾Öê®Ö»ÖÖòÛú, ×´Ö¿ÖÖ, ×¾Ö×®Ö×ÃÖµÖÃÖ
(4) ×¾Ö×®Ö×ÃÖµÖÃÖ, ´ÖãÛú´ÖãÛú, ¾Öê®Ö»ÖÖòÛú, ×´Ö¿ÖÖ
JA-079-17 15 Paper-II
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31. Match the following :
List – I List – II
(a) Saroj Pal Gogi (i) Maharashtra
(b) Dattatraya Apte (ii) Bhavnagar
(c) Somnath Hore (iii) Uttar Pradesh
(d) Jyoti Bhatt (iv) Bangladesh
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (iii) (i) (iv) (ii)
(3) (ii) (iii) (i) (iv)
(4) (iv) (i) (iii) (ii)
32. Match the following :
List – I List – II
(a) Rembrandt (i) Los desastres de la Guerra
(b) Goya (ii) Bull
(c) Pablo Picasso (iii) The three Crosses
(d) Albrecht Durer (iv) Malencolia
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iv) (iii)
(2) (iv) (i) (iii) (ii)
(3) (iii) (i) (ii) (iv)
(4) (ii) (iv) (iii) (i)
Paper-II 16 JA-079-17
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31. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûú¸ëü :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) ÃÖ¸üÖê•Ö ¯ÖÖ»Ö ÝÖÖêÝÖß (i) ´ÖÆüÖ¸üÖ™Òü
(b) ¤ü¢ÖÖ¡ÖêµÖ †Ö¯™êü (ii) ³ÖÖ¾Ö®ÖÖ ÝÖ¸ü
(c) ÃÖÖê´Ö®ÖÖ£Ö ÆüÖê¸ü (iii) ˆ¢Ö¸ ü¯ÖϤêü¿Ö
(d) •µÖÖê×ŸÖ ³Ö™Ëü™ü (iv) ²ÖÖÓÝ»ÖÖ¤êü¿Ö
Ûæú™ü :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (iii) (i) (iv) (ii)
(3) (ii) (iii) (i) (iv)
(4) (iv) (i) (iii) (ii)
32. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûú¸ëü :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) ¸êü´²ÖÎÖÑ (i) »ÖÖ ¤êüáÖêÃÖ ¤ ü»ÖÖ ÝÖ㋸üÖ
(b) ÝÖÖêµÖÖ (ii) ²Öã»Ö
(c) ¯ÖÖ²»ÖÖê ׯÖÛúÖÃÖÖê (iii) ¤ü £ÖÐß ÛÎúÖÃÖ
(d) †»²ÖÎêÜŸÖ ×›üµÖæ¸êü (iv) ´Öê»ÖëÛúÖê×»ÖµÖÖ
Ûæú™ü :
(a) (b) (c) (d)
(1) (i) (ii) (iv) (iii)
(2) (iv) (i) (iii) (ii)
(3) (iii) (i) (ii) (iv)
(4) (ii) (iv) (iii) (i)
JA-079-17 17 Paper-II
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33. Match the following :
List – I List – II
(a) John Ruskin (i) Art and Industry
(b) Leo Tolstoy (ii) Modern Painters
(c) R.G. Collingwood (iii) What is art
(d) Herbert Read (iv) Principles of Art
Codes :
(a) (b) (c) (d)
(1) (ii) (iii) (iv) (i)
(2) (iii) (ii) (i) (iv)
(3) (i) (iv) (iii) (ii)
(4) (ii) (i) (iv) (iii)
34. Match the following :
List – I List – II
(a) Drawing (i) Garucharan Singh
(b) Print Making (ii) K. Ramanujam
(c) Sculpture (iii) R. Palaniappan
(d) Pottery (iv) Balveer Singh Katt
Codes :
(a) (b) (c) (d)
(1) (ii) (iv) (iii) (i)
(2) (i) (iii) (iv) (ii)
(3) (ii) (iii) (iv) (i)
(4) (iv) (ii) (i) (iii)
Paper-II 18 JA-079-17
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33. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ ÛúßוֵÖê :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) •ÖÖò®Ö ¸üÃÛúß®Ö (i) †Ö™Ôü ‹Ó›ü ‡Ó›üÙÒüß
(b) ×»ÖµÖÖê ™üÖ»ÃÖ™üÖµÖ (ii) ´ÖÖê›ü®ÖÔ ¯Öï™üÃÖÔ
(c) †Ö¸ü.•Öß. ÛúÖØ»ÖÝÖ¾Öã›ü (iii) ¾ÆüÖ™ü ‡•Ö †Ö™Ôü
(d) Æü¸ü²Ö™Ôü ¸üß›ü (iv) دÖÏÃÖֻ߯ÃÖ †Öò±ú †Ö™Ôü
Ûæú™ü :
(a) (b) (c) (d)
(1) (ii) (iii) (iv) (i)
(2) (iii) (ii) (i) (iv)
(3) (i) (iv) (iii) (ii)
(4) (ii) (i) (iv) (iii)
34. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ ÛúßוֵÖê :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) ›ÒüÖò‡ÕÝÖ (i) ÝÖã¹ý“Ö¸ü®Ö ØÃÖÆü
(b) دÖÏ™ ü´ÖêØÛúÝÖ (ii) Ûêú. ¸üÖ´ÖÖ®Öã•Ö´Ö
(c) ÃŒ»¯Ö“Ö¸ü (iii) †Ö¸ü. ¯Ö»ÖÖ®Ö߆¯¯Ö®Ö
(d) ¯ÖÖî™Òüß (iv) ²Ö»Ö¾Ö߸üØÃÖÆü Ûú¼ü
Ûæú™ü :
(a) (b) (c) (d)
(1) (ii) (iv) (iii) (i)
(2) (i) (iii) (iv) (ii)
(3) (ii) (iii) (iv) (i)
(4) (iv) (ii) (i) (iii)
JA-079-17 19 Paper-II
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35. Match the following :
List – I List – II
(a) Post Impressionism (i) Jackson Pollock
(b) Fauvism (ii) Annunciation & Visitation
(c) Gothic (iii) Matisse
(d) Kinetic Painting (iv) Paul Gaugin
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (i) (iv) (iii)
(3) (iii) (ii) (i) (iv)
(4) (iv) (iii) (ii) (i)
36. Match the following :
List – I List – II
(a) Tortoise (i) Shiva
(b) Trishul (ii) Vishnu
(c) Khadga (iii) Yamuna
(d) Garuda (iv) Manjushri
Codes :
(a) (b) (c) (d)
(1) (iv) (iii) (ii) (i)
(2) (iii) (i) (iv) (ii)
(3) (i) (iii) (ii) (iv)
(4) (ii) (iii) (i) (iv)
Paper-II 20 JA-079-17
Text of page 21
35. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ ÛúßוֵÖê :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) ˆ¢Ö¸ü ¯ÖϳÖÖ¾Ö¾ÖÖ¤ü (i) •ÖîŒÃÖ®Ö ¯ÖÖê»ÖÖòÛú
(b) ±úÖò¾Ö¾ÖÖ¤ü (ii) ‹®ÖÖ®Ö×ÃÖ‹¿Ö®Ö ‹Ó›ü ×¾Öו֙êü¿Ö®Ö
(c) ÝÖÖê×£ÖÛú (iii) ´ÖÖŸÖßÃÖ
(d) ÛúÖ‡®Öê×™üÛú ¯ÖëØ™üÝÖ (iv) ¯ÖÖ»Ö ÝÖÖêÝÖÖ
Ûæú™ü :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (i) (iv) (iii)
(3) (iii) (ii) (i) (iv)
(4) (iv) (iii) (ii) (i)
36. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ ÛúßוֵÖê :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) Ûú”ãû†Ö (i) ׿־Ö
(b) סֿÖæ»Ö (ii) ×¾ÖÂÞÖã
(c) ÜÖ›ËüÝÖ (iii) µÖ´Öã®ÖÖ
(d) ÝÖºþ›Ìü (iv) ´ÖÓ•ÖæÁÖß
Ûæú™ü :
(a) (b) (c) (d)
(1) (iv) (iii) (ii) (i)
(2) (iii) (i) (iv) (ii)
(3) (i) (iii) (ii) (iv)
(4) (ii) (iii) (i) (iv)
JA-079-17 21 Paper-II
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37. Match the following :
List – I List – II
(a) Eduardo Paolozzi (i) “The White Bride”
(b) Victor Pasmore (ii) “Japnese War God”
(c) Andrea Cascella (iii) “Figure with raised arm”
(d) George Baselitz (iv) “Abstract in white, ochre and black”
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (iv) (i) (iii)
(3) (iv) (ii) (i) (iii)
(4) (iii) (ii) (iv) (i)
38. Match the following :
List – I List – II
(a) Kailash Temple (i) Pandava Ratha
(b) Konark Sun Temple (ii) Braket Figure
(c) Sanchi Stupa (iii) Elephant
(d) Chariots at Mamallapuram (iv) Ravana
Codes :
(a) (b) (c) (d)
(1) (iv) (ii) (i) (iii)
(2) (ii) (i) (iii) (iv)
(3) (i) (iii) (ii) (iv)
(4) (iv) (iii) (ii) (i)
Paper-II 22 JA-079-17
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37. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ ÛúßוֵÖê :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) ‹›ãü†Ö›üÖì ¯ÖÖ†Öê»ÖÖê•Öß (i) “¤ü ¾ÆüÖ‡™ü ²ÖÎÖ‡›ü”
(b) ×¾ÖŒ™ü¸ü ¯ÖÖÃÖ´ÖÖê¸ü (ii) “•Öî¯Ö×®Ö•Ö ¾ÖÖ¸ü ÝÖÖò›ü”
(c) ‹Ó×›ÒüµÖÖ ÛúÖÃÖê»ÖÖ (iii) “×±úÝÖ¸ü ×¾Ö¤ü ¸êü•›ü †Ö´ÖÔ”
(d) •ÖÖ•ÖÔ ²ÖÖÃÖê×»Ö™Ëü•Ö (iv) “‹²ÃÖ™ÒêüŒ™ü ‡®Ö ¾ÆüÖ‡Ô™ü, †Ûú¸ü ‹Ó›ü ²»ÖîÛú”
Ûæú™ü :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (iv) (i) (iii)
(3) (iv) (ii) (i) (iii)
(4) (iii) (ii) (iv) (i)
38. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ ÛúßוֵÖê :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) Ûîú»ÖÖ¿Ö ™ïü¯Ö»Ö (i) ¯ÖÖÓ›ü¾Ö ¸ü£Ö
(b) ÛúÖêÞÖÖÛÔú ÃÖ®Ö ™ïü¯Ö»Ö (ii) ²ÖÎêÛêú™ü ×±ÌúÝÖ¸ü
(c) ÃÖÖÑ“Öß ÃŸÖæ¯Ö (iii) ‹»Öß±ëú™ü
(d) “Öî׸ü†™ü ‹™ü ´ÖÖ´ÖÖ»ÖÖ¯Öã¸ü´ÖË (iv) ¸üÖ¾ÖÞÖ
Ûæú™ü :
(a) (b) (c) (d)
(1) (iv) (ii) (i) (iii)
(2) (ii) (i) (iii) (iv)
(3) (i) (iii) (ii) (iv)
(4) (iv) (iii) (ii) (i)
JA-079-17 23 Paper-II
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39. Match the following :
List – I List – II
(a) Mies Van der Rohe (i) The Swiss Style
(b) Piet Mondrian (ii) Bauhaus
(c) Emil Ruder (iii) De Still
(d) William Morris (iv) Art & Craft movement
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (iii) (i) (iv)
(3) (iv) (ii) (i) (iii)
(4) (iii) (iv) (ii) (i)
40. Match the creatives with the Ad agencies :
List – I List – II
(a) Piyush Pandey (i) Lowe Lintas
(b) Prasoon Joshi (ii) O & M Pacific
(c) S. Balakrishnan (iii) Madison World
(d) Sam Balsara (iv) Mccann World Group
Codes :
(a) (b) (c) (d)
(1) (ii) (iv) (i) (iii)
(2) (iv) (i) (ii) (iii)
(3) (iii) (ii) (i) (iv)
(4) (i) (ii) (iii) (iv)
Paper-II 24 JA-079-17
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39. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûú¸ëü :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) ´Öê‡ÃÖ ¾ÖÖ®Ö ›êü¸ü ¸üÖêÆêü (i) ¤ü ×þÖÃÖ Ã™üÖ‡»Ö
(b) ׯֵÖêŸÖ ´ÖÖë›ü׸üµÖ®Ö (ii) ²ÖÖˆÆüÖîÃÖ
(c) ‹×´Ö»Ö ºþ›ü¸ü (iii) ¤êü ×Ùü»Ö
(d) ×¾Ö×»ÖµÖ´Ö ´ÖÖê׸üÃÖ (iv) †Ö™Ôü ‹Ó›ü ÛÎúÖ°™ü ´Öæ¾Ö´Öë™ü
Ûæú™ü :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (iii) (i) (iv)
(3) (iv) (ii) (i) (iii)
(4) (iii) (iv) (ii) (i)
40. ÃÖé•Ö®ÖÛúŸÖÖÔ†Öë ÛúÖê ˆ®ÖÛêú ×¾Ö–ÖÖ¯Ö®Ö ‹•ÖëÃÖß Ûêú ÃÖÖ£Ö ÃÖã´Öê×»ÖŸÖ Ûú¸ëü :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) ׯֵÖæÂÖ ¯ÖÖÞ›êüµÖ (i) »ÖÖê¾Öê ػ֙üÖÃÖ
(b) ¯ÖÏÃÖæ®Ö •ÖÖê¿Öß (ii) †Öê ‹Ó›ü ‹´Ö ¯Öê×ÃÖ×±úÛú
(c) ‹ÃÖ. ²ÖÖ»ÖÖÛéúÂÞÖ®Ö (iii) ´Öê×›üÃÖ®Ö ¾Ö»›Ôü
(d) ÃÖê´Ö ²Ö»ÖÃÖÖ¸üÖ (iv) ´ÖêÛúÖò®Ö ¾Ö»›Ôü ÝÖÏã¯Ö
Ûæú™ü :
(a) (b) (c) (d)
(1) (ii) (iv) (i) (iii)
(2) (iv) (i) (ii) (iii)
(3) (iii) (ii) (i) (iv)
(4) (i) (ii) (iii) (iv)
JA-079-17 25 Paper-II
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41. Assertion (A) : Burin is used predominantly by intaglio engraver. But also for relief wood
engravings.
Reason (R) : Burin is a hand tool used historically in print making to spread ink on the
block.
(1) Both (A) and (R) are correct.
(2) (A) is correct, but (R) is incorrect.
(3) (A) is incorrect, but (R) is correct.
(4) Both (A) and (R) are incorrect.
42. Assertion (A) : Atelier 17 become pivotal in Paris and New York for artists like Picasso,
Giacometti, and Miro.
Reason (R) : In 20th century, true engraving was revived as a serious art form by artist
Stanley W. Hayter.
(1) Both (A) and (R) are correct.
(2) (A) is correct, but (R) is incorrect.
(3) (A) is incorrect, but (R) is correct.
(4) Both (A) and (R) are incorrect.
43. Assertion (A) : Art is theory developed and applied in the presence of nature.
Reason (R) : Because without the feel of nature there is no life in the art.
(1) Both (A) and (R) are correct.
(2) (A) is correct, but (R) is incorrect.
(3) (A) is incorrect, but (R) is correct.
(4) Both (A) and (R) are incorrect.
Paper-II 26 JA-079-17
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41. †×³ÖÛú£Ö®Ö (A) : ²Öã׸ü®Ö ´Öãܵ֟Ö: ‡Ó™êüÝÖ×»ÖµÖÖê ˆŸÛúßÞÖÔ Ûêú ¯ÖϵÖÖêÝÖ ´Öë †ÖŸÖÖ Æîü ØÛúŸÖã ׸ü×»Ö±Ìú ÛúÖšü ˆŸÛúßÞÖÔ Ûêú ×»Ö‹ ³Öß ¯ÖϵÖ㌟Ö
ÆüÖêŸÖÖ Æîü …
ŸÖÛÔú (R) : ²Öã׸ü®Ö ‹êןÖÆüÖ×ÃÖÛú ºþ¯Ö ÃÖê ׯÖÏØ™üÝÖ ´Öë ÆüÖ£Ö ÃÖê ¯ÖϵÖãŒŸÖ ÆüÖê®Öê ¾ÖÖ»ÖÖ ˆ¯ÖÛú¸üÞÖ Æîü וÖÃÖÛúÖ ¯ÖϵÖÖêÝÖ ²»ÖÖÛú ¯Ö¸ü õÖÖÆüß ±îú»ÖÖ®Öê
ÛúÖ ÛúÖ´Ö ×»ÖµÖÖ •ÖÖŸÖÖ £ÖÖ …
(1) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(2) (A) ÃÖÆüß, ×Ûú®ŸÖã (R) ÝÖ»ÖŸÖ Æîü …
(3) (A) ÝÖ»ÖŸÖ, ×Ûú®ŸÖã (R) ÃÖÆüß Æîü …
(4) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
42. †×³ÖÛú£Ö®Ö (A) : ‹™êü×»ÖµÖ¸ü 17 ¯Öê׸üÃÖ ŸÖ£ÖÖ ®µÖæµÖÖÛÔú ´Öë ׯÖÛúÖÃÖÖê, •µÖÖêÛúÖê´ÖêŸÖß ŸÖ£ÖÖ ×´Ö¸üÖê •ÖîÃÖê Ûú»ÖÖÛúÖ¸üÖë Ûêú ÛúÖ¸üÞÖ ¯ÖÏ´ÖãÜÖŸÖÖ ´Öë
¸üÆüÖ …
ŸÖÛÔú (R) : ²ÖßÃÖ¾Öà ÃÖ¤üß ´Öë ÃÖÆüß ‡®ÖÝÖÏêؾÖÝÖ ÛúÖê ÃÖÓו֤üÖ Ûú»ÖÖ ºþ¯Ö ´Öë Ùêü®Ö»Öê ›ü²»Öæ Æêü™îü¸ü ®Öê ¯Öã®Ö•Öá×¾ÖŸÖ ×ÛúµÖÖ …
(1) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(2) (A) ÃÖÆüß, ×Ûú®ŸÖã (R) ÝÖ»ÖŸÖ Æîü …
(3) (A) ÝÖ»ÖŸÖ, ×Ûú®ŸÖã (R) ÃÖÆüß Æîü …
(4) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
43. †×³ÖÛú£Ö®Ö (A) : ¯ÖÏÛéú×ŸÖ Ûêú ÃÖÖ×®Ö¬µÖ ÃÖê ¯ÖÏÖ¯ŸÖ –ÖÖ®Ö †Öî¸ü ˆÃÖÛúÖ ¯ÖÏÖŸµÖ×õÖÛú ¯ÖϵÖÖêÝÖ Æüß Ûú»ÖÖ Æîü …
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ¯ÖÏÛéú×ŸÖ ÛúÖê ´ÖÆüÃÖæÃÖ ×ÛúµÖê ײ֮ÖÖ Ûú»ÖÖ ´Öë •Öß¾Ö®Ö ÃÖÓ³Ö¾Ö ®ÖÆüà Æîü …
(1) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(2) (A) ÃÖÆüß, ×Ûú®ŸÖã (R) ÝÖ»ÖŸÖ Æîü …
(3) (A) ÝÖ»ÖŸÖ, ×Ûú®ŸÖã (R) ÃÖÆüß Æîü …
(4) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
JA-079-17 27 Paper-II
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44. Assertion (A) : All Religious rituals are the execution of myth.
Reason (R) : Because Myths are the oral form of religious rituals.
(1) (A) is correct, but (R) is incorrect.
(2) Both (A) and (R) are incorrect.
(3) (A) is incorrect, but (R) is correct.
(4) Both (A) and (R) are correct.
45. Assertion (A) : Gaugin left Paris for Tahiti to paint natural life.
Reason (R) : Because he felt urban culture of Paris was corrupt and much more removed
from natural reality.
(1) (A) is correct, (R) is not correct.
(2) (A) is not correct, (R) is correct.
(3) (A) is correct and (R) is also correct.
(4) (A) is not correct and (R) is also not correct.
46. Assertion (A) : Colour can evoke the sense of touch by suggesting texture and
temperature.
Reason (R) : Because every colour has its temperature warm or cool or some where in
between.
(1) (A) is correct and (R) is also correct.
(2) (A) is not correct, but (R) is correct.
(3) (A) is not correct and (R) is also not correct.
(4) (A) is correct, but (R) is not correct.
Paper-II 28 JA-079-17
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44. †×³ÖÛú£Ö®Ö (A) : ÃÖ³Öß ¬ÖÖÙ´ÖÛú †®ÖãšüÖ®Ö ×´Ö£ÖÛú ÛúÖ ×ÛÎúµÖÖŸ´ÖÛú ºþ¯Ö Æîü …
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ×´Ö£ÖÛú ¬ÖÖÙ´ÖÛú †®ÖãšüÖ®Ö ÛúÖ ¾ÖÖדÖÛú ºþ¯Ö Æîü …
(1) (A) ÃÖÆüß, ×Ûú®ŸÖã (R) ÝÖ»ÖŸÖ Æîü …
(2) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
(3) (A) ÝÖ»ÖŸÖ, ×Ûú®ŸÖã (R) ÃÖÆüß Æîü …
(4) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
45. †×³ÖÛú£Ö®Ö (A) : ÝÖÖêÝÖÖ ¯ÖÏÖÛéúןÖÛú •Öß¾Ö®Ö Ûúß ¯ÖëØ™üÝÖ Ûú¸ü®Öê Ûêú ×»ÖµÖê ¯Öê׸üÃÖ ”ûÖê›ÌüÛú¸ü ŸÖÖ×ÆüŸÖß “Ö»Öê ÝÖµÖê …
ŸÖÛÔú (R) : ˆ®ÆüÖë®Öê µÖÆü ´ÖÆüÃÖæÃÖ ×ÛúµÖÖ ×Ûú ¯Öê׸üÃÖ ÛúÖ •Öß¾Ö®Ö †×¬ÖÛú ³ÖÏ™ü ÆüÖê ÝÖµÖÖ Æîü †Öî¸ü ¯ÖÏÖÛéúןÖÛú ¾ÖÖßÖ×¾ÖÛúŸÖÖ†Öë ÃÖê
†ŸµÖ׬ÖÛú Ûú™ü ÝÖµÖÖ Æîü …
(1) (A) ÃÖÆüß Æîü, (R) ÃÖÆüß ®ÖÆüà Æîü …
(2) (A) ÃÖÆüß ®ÖÆüà Æîü, (R) ÃÖÆüß Æîü …
(3) (A) ÃÖÆüß Æîü ŸÖ£ÖÖ (R) ³Öß ÃÖÆüß Æîü …
(4) (A) ÝÖ»ÖŸÖ Æîü ŸÖ£ÖÖ (R) ³Öß ÝÖ»ÖŸÖ Æîü …
46. †×³ÖÛú£Ö®Ö (A) : ¸ÓüÝÖ ¯ÖÖêŸÖ †Öî¸ü ŸÖÖ¯Ö Ûêú «üÖ¸üÖ Ã¯Ö¿ÖÔ ²ÖÖê¬Ö ÛúÖê •ÖÖÝÖÏŸÖ Ûú¸üŸÖÖ Æîü …
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ¯ÖÏŸµÖêÛú ¸ÓüÝÖ ÛúÖ †¯Ö®ÖÖ ÝÖ´ÖÔ µÖÖ šÓü›üÖ µÖÖ ¤üÖê®ÖÖë Ûêú ²Öß“Ö ÛúÖ ŸÖÖ¯Ö´ÖÖ®Ö ÆüÖêŸÖÖ Æîü …
(1) (A) ÃÖÆüß ŸÖ£ÖÖ (R) ³Öß ÃÖÆüß Æîü …
(2) (A) ÃÖÆüß ®ÖÆüà Æîü, ØÛúŸÖã (R) ÃÖÆüß Æîü …
(3) (A) ÃÖÆüß ®ÖÆüà Æîü †Öî¸ü (R) ³Öß ÃÖÆüß ®ÖÆüà Æîü …
(4) (A) ÃÖÆüß, ØÛúŸÖã (R) ÝÖ»ÖŸÖ Æîü …
JA-079-17 29 Paper-II
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47. Assertion (A) : The most common transferable file formats for images are JPEG, TIFF
and EPS.
Reason (R) : Other file formats, one may come across, are software specific files.
(1) (A) is false, but (R) is true.
(2) (A) is true, but (R) is false.
(3) Both (A) and (R) are false.
(4) Both (A) and (R) are true.
48. Assertion (A) : Using animals in designing a logo is very effective method of describing a
product or Company’s core attributes.
Reason (R) : Attributing animal like characteristics to people is as old as time.
Neanderthal Man also used animals to depict his environment.
(1) (A) is true, but (R) is false.
(2) Both (A) and (R) are true.
(3) Both (A) and (R) are correct, but (R) is not the correct reason for (A).
(4) Both (A) and (R) are false.
49. Assertion (A) : Paraffin wax is less used in metal casting than the bee-wax.
Reason (R) : Because Paraffin wax is harder and brittle.
(1) Both (A) and (R) are incorrect.
(2) (A) is correct and (R) is incorrect.
(3) (A) is incorrect and (R) is correct.
(4) Both (A) and (R) are correct.
50. Assertion (A) : Dhan Raj Bhagat was perhaps the pioneer in using different craft media
and techniques in his sculptures.
Reason (R) : Because he received inspiration in using a variety of media from British
sculpture Chadwick.
(1) Both (A) and (R) are correct.
(2) Both (A) and (R) are incorrect.
(3) (A) is correct, but (R) is incorrect.
(4) (A) is incorrect, but (R) is correct.
_______________
Paper-II 30 JA-079-17
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47. †×³ÖÛú£Ö®Ö (A) : •Öê.¯Öß.‡Ô.•Öß., ™üß.†Ö‡Ô.‹±ú.‹±ú. ŸÖ£ÖÖ ‡Ô.¯Öß.‹ÃÖ. †ÖÛéúןֵÖÖë Ûêú ãÖÖ®ÖÖÓŸÖ¸üÞÖ Ûêú ×»Ö‹ ÃÖ¾ÖÖÔ׬ÖÛú ˆ¯ÖµÖÖêÝÖ ´Öë
†Ö®Öê ¾ÖÖ»Öß ÃÖÖ´ÖÖ®µÖ ±úÖ‡»Ö ±úÖ´Öì™ü Æîü …
ŸÖÛÔú (R) : †®µÖ ±úÖ‡»Ö ±úÖ´Öì™ü ÃÖÖ´ÖÖ®µÖŸÖ: ÃÖÖò°™ü¾ÖêµÖ¸ü ×¾Ö¿ÖêÂÖ ±úÖ‡»Öë ÆüÖêŸÖß Æïü …
(1) (A) ÝÖ»ÖŸÖ, ×Ûú®ŸÖã (R) ÃÖÆüß Æîü …
(2) (A) ÃÖÆüß, ×Ûú®ŸÖã (R) ÝÖ»ÖŸÖ Æîü …
(3) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
(4) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
48. †×³ÖÛú£Ö®Ö (A) : ÛÓú¯Ö®Öß Ûêú ÃÖŸ¾Ö (ÛúÖê¸ü) µÖÖ ˆÃÖÛêú ×ÛúÃÖß ˆŸ¯ÖÖ¤ü ´Öë ‘»ÖÖêÝÖÖê’ Ûêú ×›ü•ÖÖ‡®Ö ´Öë ¯Ö¿Öã†Öë ÛúÖ ˆ¯ÖµÖÖêÝÖ ˆÃÖÛúß
×¾Ö׿Ö™üŸÖÖ ¤ü¿ÖÖÔ®Öê Ûúß ×¾Ö׿Ö™ü ¯Ö¨ü×ŸÖ Æîü …
ŸÖÛÔú (R) : ¯Ö¿Öã†Öë Ûêú “ÖÖ׸üסÖÛú ×¾Ö׿Ö™üŸÖÖ‹Ñ †Öפü ÛúÖ»Ö ÃÖê »ÖÖêÝÖÖë ÛúÖê †ÖÛúÙÂÖŸÖ Ûú¸üŸÖß ¸üÆüß Æîü … ×®Ö‹Þ›ü¸ü£Ö»Ö ´ÖÖ®Ö¾Ö ³Öß
†¯Ö®Öê ¯Ö׸ü¾Öê¿Ö Ûêú ד֡ÖÞÖ ´Öë ¯Ö¿Öã†Öë ÛúÖ ˆ¯ÖµÖÖêÝÖ ×ÛúµÖÖ Ûú¸üŸÖê £Öê …
(1) (A) ÃÖÆüß, ×Ûú®ŸÖã (R) ÝÖ»ÖŸÖ Æîü …
(2) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(3) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü, ×Ûú®ŸÖã (R), (A) Ûúß ÃÖÆüß ¾µÖÖܵÖÖ ®ÖÆüà Æîü …
(4) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
49. †×³ÖÛú£Ö®Ö (A) : ´Öê™ü»Ö ÛúÖØÙüÝÖ ´Öë ¯Öî¸üÖ×±ú®Ö ¾ÖêŒÃÖ ÛúÖ ²Öß-¾ÖêŒÃÖ Ûúß ŸÖã»Ö®ÖÖ ´Öë Ûú´Ö ¯ÖϵÖÖêÝÖ ÆüÖêŸÖÖ Æîü …
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ¯Öî¸üÖ×±ú®Ö ¾ÖêŒÃÖ †×¬ÖÛú ÛúšüÖê¸ü †Öî¸ü ³ÖÓÝÖã¸ü ÆüÖêŸÖÖ Æîü …
Ûæú™ü :
(1) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
(2) (A) ÃÖÆüß ŸÖ£ÖÖ (R) ÝÖ»ÖŸÖ Æîü …
(3) (A) ÝÖ»ÖŸÖ ŸÖ£ÖÖ (R) ÃÖÆüß Æîü …
(4) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
50. †×³ÖÛú£Ö®Ö (A) : ¿ÖÖµÖ¤ü ¬Ö®Ö¸üÖ•Ö ³ÖÝÖŸÖ ´ÖæÙŸÖ ×¿Ö»¯Ö ´Öë ÛÎúÖ°™ü ´Öß×›üµÖÖ †Öî¸ü ŸÖÛú®ÖßÛú Ûêú ¯ÖϵÖÖêÝÖ Ûêú †ÝÖϤæüŸÖ £Öê …
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ¾ÖÖê ײÖÎ×™ü¿Ö ´ÖæÙŸÖÛúÖ¸ü “Öî›ü×¾ÖÛú Ûêú †®ÖêÛú ¯ÖÏÛúÖ¸ü Ûêú ´ÖÖ¬µÖ´ÖÖë Ûêú ¯ÖϵÖÖêÝÖ ÃÖê ÛúÖ±úß ¯ÖϳÖÖ×¾ÖŸÖ £Öê …
(1) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(2) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
(3) (A) ÃÖÆüß ŸÖ£ÖÖ (R) ÝÖ»ÖŸÖ Æîü …
(4) (A) ÝÖ»ÖŸÖ ŸÖ£ÖÖ (R) ÃÖÆüß Æîü …
___________
JA-079-17 31 Paper-II
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Space For Rough Work Paper-II 32 JA-079-17
Official key not published for this paper.
Page 1 of 32
Source: University Grants Commission. Question paper published by University Grants Commission.