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Communication Research Questions and Answers

Direction for [ Question No: 1 To 3 ] :

Read the following passage and answer the questions.

Priming refers to the effect of some preceding stimulus or event on how we react, broadly defined, to some subsequent stimulus. As applied to the media, priming refers to the effects of the content of the media on people's later behaviour of judgments related to the content. The ubiquitous nature of the media in our lives makes it a powerful tool for priming how we think and behave. Perhaps because of its nature, few media scholars have questioned whether media priming exists. However, there are few direct, empirical studies of its existence or of the conditions under which it occurs. For a study to be a direct test of media priming, a control condition must be included in the design. A control condition could be as simple as a condition in which no media prime is presented before measuring relevant thoughts or behaviours. A recent metaanalysis of the media priming literature, using a loose definition of media, found only 42 published studies with sufficient control conditions. Representative studies from these domains are described below to verify the existence of media priming and to highlight the kinds of results that need to be explained by theories of media priming. Josephson in 1987 investigated the priming effects of violent media on children's behaviour. In this study, Josephson gathered measures of young boys' trait aggression from their teachers. The boys saw either a violent or a non-violent television program, each of comparable excitement, likeability and enjoyment value. The violent segment contained recurring images of walkie-talkies, whereas the nonviolent program contained no walkietalkies. The walkie-talkies served as a cue for the violent television program, but not for the non-violent program. Either before or after the television program, half the boys saw a 30 second non-violent cartoon segment that had been edited to become increasingly static-ridden, eventually worsening to "snow". This cartoon segment was meant to frustrate the young viewers with its apparent technical malfunction. After viewing their assigned programs, the boys were mock interviewed and then sent to the school gymnasium to play floor hockey. For the mock interview, either a walkie-talkie or a microphone was used. In this way, half of the boys were exposed to the violence-related cue and half were not. The boys then took turns playing hockey and were observed both on and off the court for signs of aggressive behaviour, such as pushing other boys down, hitting other players with the hockey stick, or calling other boys abusive names. After three periods, each for 3 minutes to play, the boys were returned to the teachers. Josephson found that violent television viewing primed boys who were high in trait aggressiveness to act more violently during initial sports activity (i.e. During the first period of play). This effect was heightened both when violent programming was coupled with the violence-related cue and when violent programming was followed by frustration. However, this priming effect appeared to lessen with time, because violent programming and cues did not influence aggression in the later periods of play as strongly as in the initial period of play.

1.

How were control conditions in research designs verified ?

Exam Year(s)

UGC NET - 2014,

Answer: A

The passage verifies the existence of control conditions through a meta-analysis of the media priming literature. A recent meta-analysis found only 42 published studies with sufficient control conditions.

Giving loose definitions was the way the meta-analysis defined media, not how controls were verified. Theories of media priming are what the described studies are meant to inform, and a single empirical study is not the means of verification.

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2.

How did Josephson's verify the effect of violent programmes on youth ?

Exam Year(s)

UGC NET - 2014,

Answer: C

Josephson verified the effect of violent programmes on youth by conducting an experimental study. Boys were shown a violent or a non-violent programme, some were frustrated, and their aggression in a game of hockey was then observed.

The hockey game and the mock interview with the walkie-talkie were parts of the design, not the method as a whole. The method that includes all of these is the experiment. The experiment also had a control group, since only half of the boys saw the violence-related cue.

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Answer: B

The important finding of Josephson's study was that the priming effect would reduce with time. Violent programming primed aggressive boys to act violently in the first period of play, but its effect lessened in the later periods.

The other options describe the design of the experiment, namely that school children were used or that walkie-talkies were cues. The effect of violent television on boys was found, but the passage stresses that it was greatest early and faded.

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Direction for [ Question No: 4 To 8 ] :

Read the following passage and answer the questions.

The term “ethnomethodology” was thought up by a distinguished sociologist, Harold Garfinkel. In an article titled “ The origins of the term ‘Ethnomethodology’, Garfinkel explains how he thought up the name :

“Ethno” seemed to refer, somehow or other, to the availability to a member of commonsense knowledge of his society as commonsense knowledge of the ‘whatever’. If it were ethno-botany, then it had to do somehow or other with his knowledge of and his grasp of what were for members adequate methods of dealing with botanical matters. Someone from another society, like an anthropologist in this case, world recognize the matters as botanical matters. The member would employ ethnobotany as adequate grounds of inference and action in the conduct of his own affairs in the company of others like him. It was that plain, and the notion of “ethnomethodology” or the term “ethnomethodology” was taken in this sense……

Thus ethnomethodology is interested in how people think and act in everyday life situations, in contrast to, for example, laboratory experiments or focus groups or other situations in which people recognize that they are, one way or another, being studied. ‘Common sense’ becomes a subject of inquiry, not just a ‘given’ that is neglected for other concerns.

These interests of ethnomethodologists have implications for advertising, in that advertisers want to know how people make sense of the world and how they react to ‘Commonsense’ appeals. Advertisers want to be able to ‘reach’ targeted segments of the population and to influence them, which means advertisers want to understand people’s ‘grounds for inference’. Thus, ethnomethodology has important implications when it comes to making commercials and print advertisements.

Ethnomethodologists assume that people have common understandings – which they don’t always articulate – and this leads ethnomethodologists to examine how people reason and what’s behind their everyday activities. It isn’t easy to find these common understandings or to determine how people reason …..

The question arises now. How can we use ethnomethodology in our research in communication and media analysis ? Let me suggest a few answers to this question.

What ethnomethodology provides us, we must remember, is a way of studying the codes and unconscious belief systems that lie behind our utterances and everyday actions. We can adopt Ethnomethodological approaches to the media by asking the same questions. Ethnomethodologists ask – not about conversation ê but about dialogue in films and television shows, lyrics in songs, and similar phenomena.

There are differences between the analysis of dialogue in media and the analyses that ethnomethodologists make of real-world conversations in that dialogue in mass-mediated texts is created by writers. In a sense, therefore, when we do research on dialogue in a film or other mass-mediated text, we are dealing with a writer’s perception of the world, but because writers create texts for large numbers of people, who presumably share their perceptions, we can assume that analyzing dialogue in mediated texts is not that different from analyzing dialogue in every day situations.

Answer: C

Ethnomethodology means the ways and methods applied to study the common-sense knowledge of a person about the society.

The passage explains the term through the example of ethno-botany, the members' own knowledge and methods for handling botanical matters, and says that 'common sense' becomes a subject of inquiry.

It is not just a special research method (A), since it names a field of study, and it is not the study of a particular group (B) or of tribal culture (D), which are the ordinary senses of ethnic study.

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Answer: B

Advertisers show interest in ethnomethodology to know how people make sense of their surroundings and what influences their decision making.

The passage says that advertisers 'want to know how people make sense of the world and how they react to commonsense appeals', and that they want to understand people's grounds for inference so that they can reach and influence target segments.

Understanding ethnic groups, creating a market and making an ad copy are not the reason the passage gives, though they may follow from the first. The understanding of sense-making comes first.

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Answer: D

Ethnomethodologists examine the reasoning process of people and their activities.

The passage says that the assumption of common understandings 'leads ethnomethodologists to examine how people reason and what's behind their everyday activities'. So both reasoning and activities are the subject.

The activities of people alone (A), the articulations of people (B) and the cultural rules of the society (C) each name only part of that, or something the passage does not say, since the common understandings are often not articulated at all.

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7.

What are the units the ethnomethodologists study in films and TV shows ?

Exam Year(s)

UGC NET - 2012,

Answer: A

In films and television shows ethnomethodologists study dialogues and lyrics.

The passage says they ask about 'dialogue in films and television shows, lyrics in songs, and similar phenomena', carrying their usual question about conversation over to mediated texts.

All sounds and music, the main conversations and the themes and sub-themes are broader or different units. The passage names dialogue and lyrics, so A is the answer.

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Answer: D

Mediated text and everyday conversation are assumed to be the same because the perception of the people as assumed and shared by the writer and the reality are the same.

The passage reasons that the writer creates texts 'for large numbers of people, who presumably share their perceptions', so analysing dialogue in a mediated text is not very different from analysing everyday dialogue.

It does not claim that real life and television drama are identical (A), that media and reality come from one society (B), or that the writer's view and real life are the same (C). It rests on the audience sharing the writer's perception.

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Direction for [ Question No: 9 To 10 ] :

Directions :

A randomized experiment was done for a year by randomly assigning each participant either to walk for half an hour three times a week or to sit quietly reading a book for half an hour three times a week. The participants' blood pressure was measured over the year. At the end of the year the change was compared for the two groups.

Answer: C

It is a randomized experiment because the participants were randomly assigned to either walk or read, rather than choosing their own activity.

What defines an experiment is that the researcher imposes the treatment, and what makes it randomized is that chance decides who gets which treatment. Random assignment makes the two groups alike on average in everything but the activity, such as age, fitness and diet.

Measuring blood pressure at the start and the end (A) and comparing the two groups at the end (B) can be done in an observational study too. A random sample (D) concerns how people are chosen to be in the study, which affects generalising to a population, not whether the study is an experiment.

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Answer: A

The two treatments were walking for half an hour three times a week and reading a book for half an hour three times a week.

A treatment is the condition imposed on a group of participants. Here there are two: the walking group and the sitting-and-reading group, each for half an hour three times a week for a year. The reading group is the comparison treatment.

Blood pressure measurement (B and D) is how the outcome is recorded in both groups, not a treatment. Option C treats doing nothing as a treatment, but the second group was not left alone; it was assigned to sit quietly reading.

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