International Dance Interactions Questions and Answers

Q: One of the most important movements in Ballet is

The official key gives Chakkar as one of the most important movements in ballet.The chakkar is a spin or turn, which a ballet dancer must do again and again, and it is a standard element of the Indian ballet idiom drawn from Kathak.Araimandi is the half-sitting position of Bharatanatyam and chauka is the basic stance of Odissi, so they belong to those classical forms. Ufli is not a ballet movement either, and the key takes the spin as the one that suits the idiom of ballet. The Indian ballet idiom came into being in the twentieth century, with companies such as Uday Shankar's and Bharatiya Kala Kendra, using turns like these for effect.

Q: Assertion (A) : Ballet is similar to present day dance-drama.Reason (R) : Both have dance technique, a story line, musical score and stage performance.

Both statements are true, so the answer is (A) is true (R) is true.Ballet, as a staged form with a story told in dance, resembles the present-day dance-drama, and both use dance technique, a story line, a musical score and a stage performance, which is R.R also explains A, so there is no basis for calling either false, and the other options that do so are wrong. The similarity is of kind and not of identity, since ballet uses a Western vocabulary of movement and the Indian dance-drama draws on the classical idiom.

Q: Assertion (A) : Peter Brook's "Sita's Daughter" looks at the story of Sita in Ramayana.Reason (R) : Sita is so graceful, beautiful and virtuous.Codes :

The Assertion is false and the Reason is true.The key does not accept that Peter Brook's work called Sita's Daughter looks at the story of Sita, so the Assertion is false. Brook is best known in India for his Mahabharata.The Reason, that Sita is graceful, beautiful and virtuous, is a true description of her in the epic. So the Assertion false and the Reason true is the option chosen by the key. Assertion and reason questions are best settled by judging each statement alone first and only then reading the code, which is how the keyed option was reached.

Q: John cage worked with

John Cage worked with Merce Cunningham.The composer John Cage was the partner and music director of the choreographer Merce Cunningham for about fifty years, and their joint work shaped chance procedures in modern dance, in which sound and movement are made independently.Pina Bausch, Alexander Cartier and Alvin Ailey are other names in dance, but the long Cage association was with Cunningham. Cage and Cunningham first worked together in the 1940s, and the pair is a standard example in the history of twentieth-century dance.

One of the most important movements in Ballet is

A.Chakkar
B.Araimandi
C.Chauka
D.Ufli

Exam Year(s)

UGC NET - 2012,

Answer: A

The official key gives Chakkar as one of the most important movements in ballet.

The chakkar is a spin or turn, which a ballet dancer must do again and again, and it is a standard element of the Indian ballet idiom drawn from Kathak.

Araimandi is the half-sitting position of Bharatanatyam and chauka is the basic stance of Odissi, so they belong to those classical forms. Ufli is not a ballet movement either, and the key takes the spin as the one that suits the idiom of ballet. The Indian ballet idiom came into being in the twentieth century, with companies such as Uday Shankar's and Bharatiya Kala Kendra, using turns like these for effect.

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Assertion (A) : Ballet is similar to present day dance-drama.

Reason (R) : Both have dance technique, a story line, musical score and stage performance.

A.(A) is true (R) is false
B.(A) is false (R) is true
C.(A) is false (R) is false
D.(A) is true (R) is true

Exam Year(s)

UGC NET - 2012,

Answer: D

Both statements are true, so the answer is (A) is true (R) is true.

Ballet, as a staged form with a story told in dance, resembles the present-day dance-drama, and both use dance technique, a story line, a musical score and a stage performance, which is R.

R also explains A, so there is no basis for calling either false, and the other options that do so are wrong. The similarity is of kind and not of identity, since ballet uses a Western vocabulary of movement and the Indian dance-drama draws on the classical idiom.

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Match the items in List - I and

List - II :

List - I	List - II
a. Timir Baran	i. The sleeping Beauty
b. Chaikovsky	ii. Java-Bali
c. Gamelan	iii. China
d. Opera	iv. Udayshankar

Codes : a b c d

A.iv i ii iii
B.iv ii iii i
C.iv i iii ii
D.i ii iii iv

Exam Year(s)

UGC NET - 2013,

Answer: A

The matching is Timir Baran with Udayshankar (iv), Chaikovsky with The Sleeping Beauty (i), Gamelan with Java-Bali (ii), and Opera with China (iii). That is the code iv i ii iii, the first option.

Timir Baran was the musician of Uday Shankar's troupe, Tchaikovsky composed the ballet The Sleeping Beauty, the gamelan is the orchestra of Java and Bali, and the Chinese opera is the well-known opera tradition of China. The other codes mismatch these pairs.

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Match the following :

List - I	List - II
a. Astab Daboo	i. U.S.A.
b. Mary Wigman	ii. U.K.
c. Paul Taylor	iii. India
d. Alexandra Carter	iv. Germany

Codes : a b c d

A.iii iv ii i
B.iii iv i ii
C.i ii iii iv
D.iv iii ii i

Exam Year(s)

UGC NET - 2013,

Answer: B

The matching is a-iii, b-iv, c-i, d-ii, which is option (B). Astad Deboo is an Indian contemporary dancer. Mary Wigman was a German pioneer of modern expressionist dance. Paul Taylor was an American modern dance choreographer, and Alexandra Carter is a British dance scholar. Options (A), (C) and (D) assign them to other countries. This question belongs to Part II of the paper, the Dance section, which tests dance forms, institutions, artists and the literature of dance. The answer follows the final UGC answer key issued after the grievances, and it is best learned together with the facts that separate it from the other options, since the options in this subject are often names or terms of the same kind.

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Match items in List - I with List - II :

List - I	List - II
a. Katherin de Medici	i. Swan lake
b. Marius Petipa	ii. Ballet
c. Dia Ghileff	iii. Ballerina
d. Anna Pavlova	iv. Impressario

Codes : a b c d

A.ii i iv iii
B.iii iv i ii
C.ii iv i iii
D.iii i ii iv

Exam Year(s)

UGC NET - 2013,

Answer: A

The correct match is a-ii, b-i, c-iv, d-iii, the first option. Catherine de Medici is linked with the rise of ballet in the French court, Marius Petipa with Swan Lake, Diaghilev is the impresario, and Anna Pavlova was a ballerina.

The other codes make Pavlova the impresario or Diaghilev the ballerina, which do not fit. The ballet is a European form that grew in the French and Italian courts, and its terms are exact, so the match depends on knowing the persons and their roles.

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Assertion (A) : Peter Brook's "Sita's Daughter" looks at the story of Sita in Ramayana.

Reason (R) : Sita is so graceful, beautiful and virtuous.
Codes :

A.(A) is false, (R) is true.
B.(A) and (R) are both false.
C.(A) is true, (R) is false.
D.(A) and (R) are both true.

Exam Year(s)

UGC NET - 2013,

Answer: A

The Assertion is false and the Reason is true.

The key does not accept that Peter Brook's work called Sita's Daughter looks at the story of Sita, so the Assertion is false. Brook is best known in India for his Mahabharata.

The Reason, that Sita is graceful, beautiful and virtuous, is a true description of her in the epic. So the Assertion false and the Reason true is the option chosen by the key. Assertion and reason questions are best settled by judging each statement alone first and only then reading the code, which is how the keyed option was reached.

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Assertion (A) : Russian Ballet had a strong influence of the French people.

Reason (R) : Louis XIV expelled the dancers from France.
Codes :

A.(A) is true, (R) is false.
B.(A) is false, (R) is true.
C.Both (A) and (R) are true.
D.Both (A) and (R) are false.

Exam Year(s)

UGC NET - 2014,

Answer: A

The assertion is true and the reason is false. Russian ballet was strongly influenced by the French: ballet took shape in the French court, and French teachers and choreographers such as Charles Didelot and Marius Petipa carried French technique to Russia. Louis XIV did not expel dancers from France; he founded the Academie Royale de Danse in 1661 and supported the art. So (R) is false and the choices that make it true are incorrect.

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Identify the odd one out :

A.Mary Wigman
B.Rudolf Laban
C.Sasha Waltz
D.John Cage

Exam Year(s)

UGC NET - 2014,

Answer: D

John Cage is the odd one out. Mary Wigman, Rudolf Laban and Sasha Waltz are all dancers and choreographers who shaped modern dance in Germany, whereas John Cage was an American composer of experimental music, known for 4'33", who worked with dance through his partner Merce Cunningham but was not a dancer. Cage's link with dance came through his lifelong partner, the choreographer Merce Cunningham, for whom he wrote music, but his own art was composition and sound.

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Which of the following is a Classic Ballet ?

A.Fire bird
B.La Sulphide
C.The Nutcracker
D.Gisselle

Exam Year(s)

UGC NET - 2014,

Answer: C

The Nutcracker is the classical ballet in the sense used in the key. The Nutcracker of Tchaikovsky, choreographed in 1892 by Ivanov with Petipa, belongs to the classical ballet of the Russian imperial school. La Sylphide and Giselle are the two best known romantic ballets, from 1832 and 1841, and Firebird, by Fokine and Stravinsky in 1910, is of the modern Ballets Russes. So the Nutcracker is the choice that is classic ballet in the narrow sense.

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10.

John cage worked with

A.Merce Cunningham
B.Pina Bausch
C.Alexander Cartier
D.Alwin Ailey

Exam Year(s)

UGC NET - 2014,

Answer: A

John Cage worked with Merce Cunningham.

The composer John Cage was the partner and music director of the choreographer Merce Cunningham for about fifty years, and their joint work shaped chance procedures in modern dance, in which sound and movement are made independently.

Pina Bausch, Alexander Cartier and Alvin Ailey are other names in dance, but the long Cage association was with Cunningham. Cage and Cunningham first worked together in the 1940s, and the pair is a standard example in the history of twentieth-century dance.

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